The same globular earth-mother figure from Emblem I reappears at center, her body forming a living landscape with a small child nursing at her breast. She sits or reclines against a hillside with a town visible in the distance. Animals — a cow and smaller creatures — graze at her feet, reinforcing her identification with the nurturing earth. The composition emphasizes the maternal relationship between the vast earthly body and the tiny philosophical infant.
Its nurse is the Earth.
Maier continues the the me of Emblem I, now emphasizing that the earth is specifically the nurse, not the mother, of the philosophical substance. He distinguishes between generation (which occurs through the volatile principle, the wind) and nourishment (which requires the fixed, earthy body). The discourse argues that just as human food must be converted into the substance of the body it feeds, so the alchemical earth must be assimilated into the growing Stone. Maier draws a careful analogy between the stages of infant feeding — blood in utero, milk after birth, solid food later — and the progressive fixation of the volatile philosophical substance.
Emblem II bears the motto: "Its nurse is the Earth."
Maier continues the theme of Emblem I, now emphasizing that the earth is specifically the nurse, not the mother, of the philosophical substance. He distinguishes between generation (which occurs through the volatile principle, the wind) and nourishment (which requires the fixed, earthy body). The discourse argues that just as human food must be converted into the substance of the body it feeds, so the alchemical earth must be assimilated into the growing Stone.
De Jong's source-critical analysis identifies the textual traditions Maier draws upon for this emblem.
De Jong identifies the motto source as Tabula Smaragdina (Emerald Tablet). The discourse draws on alchemical sources: Rosarium Philosophorum.
Walter Pagel: Notes the pregnant female with terrestrial globe as 'nurse of tender child.'
Walter Pagel: Pagel identifies Emblem II's pregnant female figure with the terrestrial globe as symbolizing the earth as 'nurse of the tender child of the Philosophers', tracing its iconographic tradition to Albertus Magnus' Philosophia pauperum (1493) and Mylius' Philosophia reformata (1622).
H.M.E. de Jong: Retort (artificial) and nature work together. Art serves Nature as teacher.
Process: Distillatio
Substance: Prima Materia
Figure: Ceres
Source_Text: Tabula Smaragdina
Notes the pregnant female with terrestrial globe as 'nurse of tender child.'
Citation: Review discussion
Pagel identifies Emblem II's pregnant female figure with the terrestrial globe as symbolizing the earth as 'nurse of the tender child of the Philosophers', tracing its iconographic tradition to Albertus Magnus' Philosophia pauperum (1493) and Mylius' Philosophia reformata (1622).
Citation: p. 102
Retort (artificial) and nature work together. Art serves Nature as teacher.
Citation: Emblem II section