Atalanta Fugiens

The Scholarship of H.M.E. De Jong on Michael Maier's Alchemical Emblems
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Multiplicatio PROCESS

Multiplying the Stone's power; the final augmentation that increases the perfected product's transmutative capacity.

Multiplicatio, multiplication, is the final augmenting operation of the alchemical opus, in which the completed Philosophers' Stone is increased in both quantity and potency so that its transmuting power extends far beyond what a single production would yield. Once the Stone has been achieved through the full sequence of dissolution, purification, conjunction, and fixation, the adept can multiply it — using a portion of the completed Stone to seed a new cycle that produces more Stone of equal or greater power. The concept rests on the alchemical analogy between the Stone and a living seed: just as a single grain of wheat, sown in prepared earth, yields a harvest of many grains, the perfected Stone, applied to the right substrate, generates more of itself.

The multiplication was understood to work through a kind of chain reaction. A small quantity of the Stone is projected onto a larger quantity of purified mercury or base metal, transmuting it into gold; some of that gold is then used to produce more Stone, which transmutes yet more metal, and so on through successive iterations. The Turba Philosophorum instructs the adept to attend to the tenfold multiplication of the numbers — a mathematical framework that De Jong identifies in her discussion of the circular number progressions that structure the middle discourses of the Atalanta Fugiens. The multiplication is not merely a repetition of the original process but an exponential amplification.

In Atalanta Fugiens, Maier treats multiplication as the natural extension of the agricultural metaphor he develops in Emblem VI. The motto — sow your gold in the white foliated earth — implies a harvest: the farmer sows one grain and reaps a hundredfold. De Jong identifies this sowing-and-reaping logic as Maier's figure for the self-propagating nature of the perfected Stone. Sol receives from his wife Luna procreation and multiplication, as the discourse of Emblem XXXIX states, framing the multiplication as the offspring of the perfected conjunction.

De Jong connects the multiplication imagery to the pictorial tradition represented in Stephan Michelspacher's Cabala Spiegel der Kunst und Natur (1616), which De Jong discusses in relation to Emblem XL. The final image of Michelspacher's four-part series bears the heading Endt. Multiplication, depicting the completion of the alchemical process in a cosmic tableau that links the Mercury source, the planetary figures, and the Source of Life. The multiplication is thus presented not as a mere laboratory procedure but as the culmination of a cosmic process in which the Stone's transmuting power participates in the divine creative energy itself.

The Allegoria Merlini, which De Jong identifies as the source for Emblem XLVIII, provides the most detailed narrative of multiplication in action. After the King has been dissolved and reconstituted as the Stone, some of this Stone is projected onto purified lead (Saturn), which immediately changes its form; one part of this is added to ten parts of copper (Venus), and all is transformed into the highest quality. The multiplication proceeds through successive projections, each amplifying the previous result. The Phoenix, that self-regenerating bird referenced in the epigram of Emblem L, serves as the ultimate symbol of multiplication: multiplicat novies Phoenix reparabilis ales — the self-renewing Phoenix multiplies ninefold.

For the general reader, multiplication is the alchemical equivalent of compound interest or exponential growth. The alchemists believed that once the Stone was achieved, its power was not limited to a single use but could be amplified indefinitely through repeated cycles of projection and regeneration. This is why the Stone was considered a treasure of infinite value — not because it transmuted a fixed quantity of lead into gold, but because its transmuting power could be multiplied without limit.

Meanings Across Registers

De Jong shows that alchemical terms operate simultaneously across material, medical, spiritual, and cosmological dimensions.

Alchemical
The augmentation of the Stone's potency through repeated cycles of dissolution and coagulation, increasing its power to transmute ever greater quantities of base metal.
Medical
The amplification of a remedy's efficacy through careful preparation and potentiation; a small quantity of perfected medicine healing many patients.
Spiritual
The multiplication of spiritual gifts: as the adept's realization deepens, its transformative influence radiates outward to benefit others.
Cosmological
The principle of cosmic abundance: from the One proceed the many; the fecundity of nature that generates infinite diversity from a single divine seed.

In Atalanta Fugiens

Maier treats multiplication as the final operation following the achievement of the Stone, extending the agricultural metaphor of Emblem VI where sowing gold in white earth yields an abundant harvest. De Jong reads the multiplication as Maier's figure for the self-propagating nature of the perfected Stone, which can transmute quantities far exceeding its own mass.

Appears in Emblems

Emblem VI: Sow your gold in the white foliated earth Emblem L: The Dragon kills the woman

More in PROCESS

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Source: de_jong_1969