Atalanta Fugiens

The Scholarship of H.M.E. De Jong on Michael Maier's Alchemical Emblems
← All Scholars

Urszula Szulakowska

Art history, alchemical illustration, religious politics

Religious-political context of AF; Eucharistic symbolism; Turkish Madonna

Urszula Szulakowska is an art historian whose three monographs — The Sacrificial Body and the Day of Doom (Brill), The Alchemy of Light (Brill), and The Alchemical Virgin Mary (Cambridge Scholars) — place Maier within the broader context of Protestant Reformation theology, Eucharistic controversy, and the political dynamics of early modern Central Europe.

Szulakowska's most distinctive contribution is her argument that Paracelsian alchemists — specifically Khunrath, Maier, and Fludd — regarded their chemical procedures 'as being essentially the same rite as the mass,' constituting a 'symbolic usurpation of the highest spiritual and political authority.' She reads Maier's Atalanta Fugiens within this framework, identifying the classical mythological surface (Atalanta, Osiris, Oedipus) as concealing a fundamentally Eucharistic understanding of alchemical transformation.

Szulakowska discusses six AF emblems in detail: XIX (four warriors as Christological resurrection), XXIV (wolf/king as sacrificial body theology), XXVIII (steam bath as Eucharistic cleansing), XXXV (digestion as rehabilitated bodily function), XL (two fountains as Baptism/Eucharist), and XLIV (Osiris as Christ-figure with incorporeal resurrection). She argues that Maier's emblem plates 'set the style for alchemical illustration for the next three centuries, replacing the earlier Christological motifs.'

In The Alchemical Virgin Mary, Szulakowska connects Maier's apocalyptic Woman illustration in the Symbola Aureae Mensae to the 'Turkish Madonna' tradition and Emperor Rudolf II's Ottoman campaigns. She demonstrates that Maier's imagery operated simultaneously in religious, political, and alchemical registers — a finding that extends De Jong's multi-register model into the domains of theology and geopolitics.

For this site, Szulakowska provides the religious-political dimension absent from De Jong's source-critical approach, enriching the scholarly commentary on six specific emblems with readings that connect laboratory alchemy to Reformation sacramental theology.

Works in Archive

Urszula Szulakowska (2000) CONTEXTUAL

The Alchemy of Light: Geometry and Optics in Late Renaissance Alchemical Illustration

Leiden: Brill · monograph

Urszula Szulakowska (2006) CONTEXTUAL

The Sacrificial Body and the Day of Doom: Alchemy and Apocalyptic Discourse in the Protestant Reformation

Leiden: Brill · monograph

Urszula Szulakowska (2011) CONTEXTUAL

The Alchemical Virgin Mary in the Religious and Political Context of the Renaissance

Cambridge Scholars Publishing · monograph