Signature r4r
Folio 132r, Quire r
Biblioteca degli Intronati, Siena — O.III.38
HIGH Unverified
Biblioteca degli Intronati, Siena — O.III.38
HIGH Unverified
Annotations
EMENDATION (1)MARGINAL_NOTE (1)
Hand Primary: Pope Alexander VII (Fabio Chigi)
Marginal Note
er in their cavities glowingly spelled these words. Only two letters were visible
on the front, joined with an embellishment elegantly made from gold. Thereafter, the letters went
three by three on the other sides, saying: ΩΣΠΕΡΣΠΙΝθΗΡΚΗΛΗθΜΟΣ.40 (G 360-61)
Why would he only note one epitaph, and this at the end of Book 1, when the HP has a
wealth of epitaphs in which one would expect that he would take an interest? He passes over
the HP’s graveyard of lost loves, or Polyandrion (q2v- ...
Russell, PhD Thesis, p. 214 (Ch. 8)
Hand Primary: Pope Alexander VII (Fabio Chigi)
Marginal Note
er in their cavities glowingly spelled these words. Only two letters were visible
on the front, joined with an embellishment elegantly made from gold. Thereafter, the letters went
three by three on the other sides, saying: ΩΣΠΕΡΣΠΙΝθΗΡΚΗΛΗθΜΟΣ.40 (G 360-61)
Why would he only note one epitaph, and this at the end of Book 1, when the HP has a
wealth of epitaphs in which one would expect that he would take an interest? He passes over
the HP’s graveyard of lost loves, or Polyandrion (q2v- ...
Russell, PhD Thesis, p. 214 (Ch. 8)
Hand Primary: Anonymous
Emendation
“awkward seams”
220
An understanding of the basis of these transitions as due to the practicalities of working
with material texts may go a way towards explaining other awkward transition points in the
HP. Poliphilo sees one, then another, with similar ‘awkward seams’ between them. For
example, in the Polyandrion sequence (p5v-r4r), Poliphilo encounters a field littered with
mock-epigraphs. These inscriptions all relate to the theme of lost love, but the transitions
between them are not entirely logic...
Russell, PhD Thesis, p. 231 (Ch. 9)