Alchemical Hands in the Hypnerotomachia Poliphili

ails, of a single monument viewed in the round. One image which appears to follow another is often a detail of the previous image. Like other annotators, Benedetto Giovio modified woodcuts in order to show the relationship and positioning of the images within the diegetic space of the dreamscape. For example, the annotator shades in the side panel of the chariot on (l4v). This panel features images of putti at play and a male medusa, which are depicted in zoomed-in detail illustration on ...

ails, of a single monument viewed in the round. One image which appears to follow another is often a detail of the previous image. Like other annotators, Benedetto Giovio modified woodcuts in order to show the relationship and positioning of the images within the diegetic space of the dreamscape. For example, the annotator shades in the side panel of the chariot on (l4v). This panel features images of putti at play and a male medusa, which are depicted in zoomed-in detail illustration on ...

en a detail of the previous image. Like other annotators, Benedetto Giovio modified woodcuts in order to show the relationship and positioning of the images within the diegetic space of the dreamscape. For example, the annotator shades in the side panel of the chariot on (l4v). This panel features images of putti at play and a male medusa, which are depicted in zoomed-in detail illustration on (l7r). The shading on l4v indicates the area which will be magnified in the subsequent detail on ...

en a detail of the previous image. Like other annotators, Benedetto Giovio modified woodcuts in order to show the relationship and positioning of the images within the diegetic space of the dreamscape. For example, the annotator shades in the side panel of the chariot on (l4v). This panel features images of putti at play and a male medusa, which are depicted in zoomed-in detail illustration on (l7r). The shading on l4v indicates the area which will be magnified in the subsequent detail on ...