Signature c1r
Folio 17r, Quire c
Biblioteca degli Intronati, Siena — O.III.38
HIGH Unverified
Biblioteca degli Intronati, Siena — O.III.38
HIGH Unverified
Annotations
MARGINAL_NOTE (1)
Hand Primary: Pope Alexander VII (Fabio Chigi)
Marginal Note
ery full day of visits, an encounter with one monument flows immediately into
that of another.32
Having discussed Chigi’s interest in the symbolic power of images in the HP, we now
proceed to his discussion of individual visual arguments in detail. The interpretation of a
symbolic image first called for a decompiling of the visual assemblage into its component
parts, and then the description of its composite meaning.
The HP itself models this process of interpretation for the reader. ...
Russell, PhD Thesis, p. 206 (Ch. 8)
Hand Primary: Pope Alexander VII (Fabio Chigi)
Marginal Note
ery full day of visits, an encounter with one monument flows immediately into
that of another.32
Having discussed Chigi’s interest in the symbolic power of images in the HP, we now
proceed to his discussion of individual visual arguments in detail. The interpretation of a
symbolic image first called for a decompiling of the visual assemblage into its component
parts, and then the description of its composite meaning.
The HP itself models this process of interpretation for the reader. ...
Russell, PhD Thesis, p. 206 (Ch. 8)
Hand Primary: Pope Alexander VII (Fabio Chigi)
Marginal Note
ery full day of visits, an encounter with one monument flows immediately into
that of another.32
Having discussed Chigi’s interest in the symbolic power of images in the HP, we now
proceed to his discussion of individual visual arguments in detail. The interpretation of a
symbolic image first called for a decompiling of the visual assemblage into its component
parts, and then the description of its composite meaning.
The HP itself models this process of interpretation for the reader. ...
Russell, PhD Thesis, p. 206 (Ch. 8)
Hand Primary: Pope Alexander VII (Fabio Chigi)
Marginal Note
ery full day of visits, an encounter with one monument flows immediately into
that of another.32
Having discussed Chigi’s interest in the symbolic power of images in the HP, we now
proceed to his discussion of individual visual arguments in detail. The interpretation of a
symbolic image first called for a decompiling of the visual assemblage into its component
parts, and then the description of its composite meaning.
The HP itself models this process of interpretation for the reader. ...
Russell, PhD Thesis, p. 206 (Ch. 8)