Hypnerotomachia Poliphili Plot Summary

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Summary of the Plot of Hypnerotomachia Poliphili

Hypnerotomachia Poliphili ("The Strife of Love in a Dream") is a deeply allegorical and dreamlike Renaissance novel, first published in 1499 and translated into English in the 16th century. It follows the protagonist Poliphilo through an elaborate dream-journey in his quest for union with his beloved, Polia. The novel is celebrated for its ornate language, architectural descriptions, and surreal narrative that blends classical mythology, dream logic, and Neoplatonic love philosophy.

Plot Overview

1. The Dream Begins:
Poliphilo, the narrator, falls asleep in sorrow after being rejected by his beloved Polia. In his dream, he awakens in a wild forest filled with confusion and dread. As he searches for a way out, he embarks on a journey through mysterious landscapes, ruins, and symbolically charged environments.

2. The Forest and the Beast:
He encounters mythical threats and loses his way in the dense and dark forest. Eventually, he escapes and reaches a tranquil meadow. His path leads him to a river where he hears a divine, enchanting harmony. This initiates his pursuit of the sound, leading him deeper into strange and magical realms.

3. The Architectural Wonders:
The dreamscape gradually shifts to a series of magnificent ruins, temples, and monuments. Poliphilo describes these in obsessive detail, showing a fascination with ancient architecture and symbolism. He interprets the structures as bearing esoteric meaning, blending his appreciation for classical beauty with emotional longing.

4. Mythic Encounters and Trials:
Throughout his journey, Poliphilo encounters symbolic figures—nymphs, goddesses, monsters, and allegorical entities—each representing aspects of desire, chastity, reason, or spiritual ascent. He is often tested or temporarily halted by these trials, but his devotion to Polia drives him forward.

5. Reunion with Polia:
After navigating a fantastical and symbolic ritual landscape (including processions, sacrifices, and allegorical pageants), Poliphilo is finally reunited with Polia. She recounts her own awakening to love and devotion for him. They celebrate their union through a series of ceremonial rites in a temple dedicated to love.

6. The Ending:
Just as their union seems complete, Poliphilo abruptly wakes up. The dream ends, leaving the resolution ambiguous—was it all a spiritual lesson, or a cruel denial of fulfillment?


Key Themes

  • Love and Desire: The central conflict is between sacred and profane love, and Poliphilo’s journey represents the transformation of lustful desire into a more elevated, spiritual love.

  • Dream Logic: The plot unfolds through dreamlike transitions and surreal episodes, reflecting a deep engagement with Renaissance dream theory.

  • Architecture and Antiquity: Detailed descriptions of ruins and classical monuments symbolize the human longing for perfection, memory, and harmony.

  • Neoplatonism and Esotericism: The journey reflects a Platonic ascent from sensuality to ideal forms, infused with Hermetic and mystical ideas.



The book resists conventional narrative structure, favoring a sensuous, encyclopedic, and symbolic experience over linear storytelling. It is both a love story and an initiatory quest for transcendence, intended to dazzle the imagination while instructing the soul.

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Explain how he interprets the structures as containing esoteric meaning

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    "symbolic meaning of temples and ruins in Hypnerotomachia",
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    "esoteric interpretation of buildings and monuments in Hypnerotomachia"
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【0†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
was glad
to

beguile
the time withthefe conceits,

anothomifing in them,the vanitie ofthis life, and

vncertaintie of the
delights therof, in the Dreame

ofPolipbilM;
Which ifit (hall plea/e your Honor

atconuenientleyfureto looke ouer, pardoning
what you findeamifle , and weighingmy good
will, I (hall thinkemy felfe moft happy.

And thus I humbly take my leaue, vntillthat

I may prefent your Honour, with a matter more

fitting
the fame.

Tour Honors dcuoted.

. V.

A nonymi elegia ad Lee

Andide Poliphilum narrantemfomnia Leflor

aufculteSy fammofornnia miffa po/o,

Non oferamferdeSy
non b<c

audifiepigelit,

tarn vwijs mirum reliMalundatotu*.

Sigrauis Qf tetricus contemnis erotica^ rerum

nofcc frccor feriem tarn bene
difpofitam.

s ? acfaltemftylus qy noua
lingua nov

iS) fofbia9fc rogat afpiciof.

geometrica cernc vetufta

^lurima
miUiacls difce referta

not is.

Hicfant Pyramides, therm*jngentefy Cohfi,
ac Olelifcorumforma vetuftayatet.

Hie diuerfa bafisfulget, varitfque
columns

illarumfy
arcirt

y Zofbora, cfiflilia,

Et
capita at^ trabes, et cum

quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

【1†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
ly, the notable difpofition and order ofArchitecture, the du

rable

r.iblc Symmetric and proportion of the building 5 perfect and

ablolute, the noblcncs of the Art of Mafonric and Lapycida-

rie, the directions and placing of Columnes, the perfection of

frames and reprefentations ,
the adornment ofthcwalles,the

diusriltie oft he (tones, the (lately entrance & princely porch,

large Gallery , artificious pauements, no man will thinke with

whatcoft and charge bewtificd and hanged with precious Ar
ras andVerdure. 1 he fpacious and loftie inner Court, goodly
bedchambers,mner withdrawing chambers, parlours , bathes,

hbrarie and pinacloth, where c oat Armors cfcuchions ,painted

tables,and counterfeates offtrangcrs were kept , with a ma-

leihcalcomelmesand order placed and folcmnely distributed.

In which concerning capacitie , tnaruellous performance,
incredible charge and high commendation of the moft excel

lent Artificer, \voor;hily allowed in eueric partition and ele-

*a~t conuention ofexquifitc Lineaments.I alfo beheld a mar-

uciloustwiftedconlignationorcoueringofgold-fmithswork,
ouer afourefcjuareplaineCourt, growing vp alike , without

comparifon like a hcaucn,with a dilpofite diftancc ofmany for-

tcdproportionSjWithfundry lybellated Dimen(ions,fhadow-

ingoucrthc Court, with an ArchedEmmence,which was vn-

dcr, adorned withcoromfed Lyneaments andgrauings,thcre-
unto conuenient,as Fafheols, Gululles 3

and Quailing, and the

leaues of^cbaatlna , licking vp as it were in the corners of the

quadrangulcd Court. With Rofcs and thegrowing order of

their leaues, the top leate lead, their laggings about the leaues,

and fpace betweene 1 cafeand leafe. All thinges coucred with

purcnnegold and Azurccolour, with diuers other proporti
ons and counterfeits of fubfbnce,ecmal with their workcman-

jhip.
The roofing of Salanccs King of CoUbis, may not com

pare with this.

Then the delightful fruitfulnes of the fet hedges, Orchards,

watered Gardens , fpnn^in^ Foumames , current flrearnes in

Marble Channelles , conteincd , framed, and held in , with an

incredible Art
> grcene Hearbcs, iliil frefhc and flowering,

a fweete ayre, warme and fpring windes , with a confufcd

charme of(ingingand chirping birdes >

a pure, fairc and bright

aire,aiid Ihl continuing temperate and hcalthfull , couutry free

R fiora

TbtfrrifeofLoue

【2†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Ofthefe the third part was round, andthereafonof their cut

ting in fuch fort(that is two parts chamfered, & the third round)
as 1 thought was this : the frame or temple was dedicated to both

fexeSjthatisjtoa^odandagoddciTe,
or to the mother and the

fon, or to the husband and the wife, orthe father andthedaugh-
ter,and fuch like . And therefore the expert and cunm:ig worke-
men in elder timcfor the feminine fex

, did vfe more chartering
and channelling and double varietic then for the mafculme, be
caufe cftheir flippeiy and vnccnfrant nature.
The caufeof io much rebatuig was to fhewth.it this was the

temple ofagoddeite, for
chamfering doothfetfoorththeplytcs

offeminine apparcll, vpon the which they p accd d chapter with

prepcndent fo
}

ding , lijce vnto plyted and curled hair ?
,
and fcnn-

nine dre/Tin.r , and fometirncs in flcad ofa chapter a wom.ins head

withctifpedhaire.

Thotcs and Thefe notable and fairc Colhimnes aforefoide did rife vp in

Cymbies be length vpon their vnderfet bafes of brafTe with their Thores and
the outward Qw ^/>/Vvroughtwithafoliatureotoke Jeaues and acornes win-

K^nr din^about their chapters ibndino; Vpon their fubiecl Plynrhs.
chapreior rfi r r i iT r i

he ad of a pil-
* he Chapters of the lame tubitance oftheir bafesjwrth requi-

Jar flicking Utemeeteaiid conuenient proportion aunfwerable to thchar-
outfurthc r rnonieof the whole worKe Such as CAli.macktu the chicfecaruer
than the rnl-

to^/^^ t ]ic fo]}nc of luster did neutr performe or come

and turning
neere in theereclcd fepulcherofthe Corinthian Virgin, beautifi-

kijwrought cd with draperie ofdouble Acbauthis.

with leaues, The Piynthes whereon the chapters did ILnid wrought with
theworkcis

vvindins; and turning workes, andinthemiddefl, decoraledwith
calJedorcar- r -n L L i /i i c r\
ucrs&pain.

aLiUic^thebowlcgarni!ncdwith twarowesor via. leaues ofA-
ters draperie chanthus,aftcrthc Roimineand Corinthian maner,out ofwhich
and cekde, Icaues came liule (iaall italkes , doling together iu the raiddeft

of

ina Dreamt. It

ofthe boulc,fhcwingfoortba fayrcand fwect compofcd Lyllic
in the hollowing ofthe Abac or PJynth, from the which the ten

der ftalkes did turnc round together, vnder the compare of the

fqunre Abac , much after the woorkc that Agrifta caufed to bee

madc,in the porche ofhis woonderfull Pantheon.

【3†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
To this the reprelentation of the magnanimous
carucd out ofthe mountaine Bagiftann muft gcue place,

H a And

The ftrife of Letts

AndlettinojpaiTc to fpcakc of the mfolcntgrcatncs ofthe Pi-

ramides ofMemphis , thofe writers at large would hauc bcr.tc

themfefucs to this defcription* And leaning vnrerortcd, the fa

mous Theaters,Amphithcaters 3Bathes,and building facrcdand

prophane, carnages , of waters, and coloffes, and that of Ap-
pollinetranflatedbyL/of/// . Or the temple dedicated to

Ittpi-

ter by Claudius CV/2r.Or that of Lrfrppus at Tarenm7n,or the won
der ofCarchndiuszt theRhodes,andofXenodorus in France 3andin

Roome. And the coloflc of Seratus nine cubits longeof Smarage
or Emerattldes, or the famous Labyrinth ofEgypt . Or the

reprc-
fcntacion ofHercules at Tyre.

They wouldehauc accommodated their fwectc{tyle$,tothc
commendation heard of as aboue all other moft excellent , al

though the Obcliftof lupiter, compact of fbwer fruftes , fortic

Cubits high, fower Cubits broade , and two Cubits thick , in his

delub cr within the temple dooth manrfeft it felfc to bea wonder-

full miracle*

Vnfaciable thus cafhngmine eyes, and turning vp my counte

nancenow this way& now that way, towards this huge ck mighty
frame, I thus thought with my felfeJfthe fragments andremayn-
der offo facredan antiquitic, and if thegreetandduftoffucha

decayed monument , can breed a {lupifaftion in the admiration

thereof, and caufe fo great delyghtto
behould the fame , what

would it haue done in chiefeft pride.

After this my difcour/eing,reafon perfwaded meeto fuppofe,

tfat with in mi^ht bee the Aultar ofVenus for hir mifticill Sacrifi

ces and facred names , or the reprefemation of hir Godhead , or

the ^phrodtfe of hir felfe and hir little Archer, and therefore

A bird offlow
w^h a deuoute rcuerence,my right footebeeing fctvpponthe

flight & Jong halowed lymit ofthe doore, there came towards me flying
a white

liumg.moM Horix*
monuments g llt \ fodainlyc with out any furtherregard or curious forcafte

byAuguis u jlic j]rn y fearchinsreieswentinas thefpatiousand lisJitfomeen-
dedicated to J & r rL/-i^ i

Saturnc. && a ue mc leauc
> repreicntuig vnto me lucn lights as merit , and

are Condigne of euerlaftingeremembramKe ,
in ether fydes (til

led with fmotb poollifliede Marble, in the middle parte where of

tliere was
iiijpa<fte

【4†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
decayed monument , can breed a {lupifaftion in the admiration

thereof, and caufe fo great delyghtto
behould the fame , what

would it haue done in chiefeft pride.

After this my difcour/eing,reafon perfwaded meeto fuppofe,

tfat with in mi^ht bee the Aultar ofVenus for hir mifticill Sacrifi

ces and facred names , or the reprefemation of hir Godhead , or

the ^phrodtfe of hir felfe and hir little Archer, and therefore

A bird offlow
w^h a deuoute rcuerence,my right footebeeing fctvpponthe

flight & Jong halowed lymit ofthe doore, there came towards me flying
a white

liumg.moM Horix*
monuments g llt \ fodainlyc with out any furtherregard or curious forcafte

byAuguis u jlic j]rn y fearchinsreieswentinas thefpatiousand lisJitfomeen-
dedicated to J & r rL/-i^ i

Saturnc. && a ue mc leauc
> repreicntuig vnto me lucn lights as merit , and

are Condigne of euerlaftingeremembramKe ,
in ether fydes (til

led with fmotb poollifliede Marble, in the middle parte where of

tliere was
iiijpa<fte

a rounde table, inclanftredeandcompafTede

aboutvMthagi-eeneStoiiiK vcryepretious and accordinghe afo-

fciated

in 4 Dretnte.

fcociated with curious workcmanlhip. And the oppofite ofve-

rie blackeflone , (corning and contemning the hardnesof iron,

and cieare an d fhimng as a mirror. By meanes whereofas 1 pafTed

bv(vnawares) Igrewafraydatmy owne fhadoWj neuerthelesl

was by an by comforted with vnexfpefted delight, for thcplacc

tliatoccafionedmy difcjuiet nowc offered vnto methcgrounde
of allfciences, hiftoned in a vifiblemanifcfl and experce pain-

ring.
And on either fides vnder the fame beautiful! and moft no

ble tables, there were placed all a long feates offtone. 1 hepauc-
ment neat and cleajie from duft, being made ofOftractu.

Andfoinhke manner the coloured vpper feeling
was pure Oftracnsbc

and voydof Spiders and Cobwebs, byreafon ofthe contnmall poundedfnels

frefhayrebothentrineinand^oin^out.
mixed with

T-I r i- r T. 11 r r j J limc.wheicot
The feeling of the walles as aforefaydc , mounted vpto a piaiftcr is

thebendyngoFthe Arche from the Chapters which flood vp- made to floor

on their ftrift and vpright Antes euen to the vttermofl: ende withall,

of the entric, which was by my perlpeftwe iudgcmeut twelue

paces.
From which perpolyte ligature and faftned ioyntcs, the

【5†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
as none maygoe beyonde. The ground ofthe leuell garden,

was of leaues,grafTe,and flowers offilke, like a faire fweere med-

dowe : in the midft wliereofjthere was a large
and goodly round

Arbour ,
made with golde wyer ,

and ouerfpread with rofes of

the lyke woike, more beautifull to the cye,then ifthey had been

growing rofcsvnder which couering.and within which Arbour

about the fides,werc feates ofred Diafpre,& all the round pauc-

raet ofa yellow Diafpre,according to the largenes
ofthe place,

with

in a dreamt. 7 o

with dyucrs colloured fpottings , confufcdly agreeing together
in plcafant adulterated vniting, and fo clecre and fhining,that to

euery obieft was it felfegainc reprefented. Vnder the which

Arbour , the fayre and pleafant The/nut* , folacioufly fitting

downe, tooke her Lute which Hie carryed with her, and wifh a

hcauenly melodie and vn-hearde fweetcneiTe, fhe began to (ing
in the commendation and delighfes of her Queene. And fee

ing what a grace vnto her, the company of her frllowe Lcgiftic*

was, I maruailcd why cxfpolio came not to hnrken the Harmonic
made by them : it was fo melodious , that for the prefcnt tyme a

man woulde haue thought that there had becne no greater fz-

licitie. And after that fhce ended her diuinc Poems, Logifltca

tookemeby the hande and led mefoorth of the Arbour,(aying
vnto me.

Pokphilus, thou /halt vnderftande that the deuife of thefc

obiccls, arc more plcafant to bee vnderfloode then beheldc, and

therefore lettc vs enter in heere , to bee fansfied in both.

And from thence , (hce and her companion brought mec
from thys garden to an other, where 1 behelde an arching <-x/-

reoftile,from the ground bent to the toppe, fyue paces in height
and three ouer, and thus continued rounde about the compaflc
ofthe garden, in an orderly and requisite proportioning, all in-

ucfted and couered ouer with greenc yuie , fo that no part ofthc

wall was to be feene. And there were a hundred Arches to the

compaflmgofthis garden.

By cuery ofthe Arches,was an Aulter of red Porphirite,cu-

rioufly proportioned with exquiflte lyneaments ;
and vppon c-

ucry one of them was placed, an image ofgolde ,
like a Nymph,

ofrare and beautifull femblances, diuerfly apparelled, and vary

ing in theyr attyre and heade drefling , euery one bending their

eyes towards the Center of the garden.
In which middle Centricke place, there was founded a Bafe,

of a cleerc Chriftal-like Calcedonie flone , in a Cubic forme:

【6†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Itrauft

in ft Dreamt* 24

j% v^^^^A^^^-^f^^ S . TN>-^, > r7?i?^V m ^ J^ <- * r-X,

VSNs^i^I^V^S^i"

> V-^^^-^^-^S^HL >^^<k .">C-^ >S5S25=

3?f?^^

The ftriff of Lout

It muft ncedcs fallow , that all the reft ofthe afbrcfaide court
on euery fide was beautiftillto behold, and of llately workenun.

fhip by that winch ftill remained (landing : as in the inward parte
the naues and columnes carrieng and bearing vp an immefurable
andtnonftrous weight, and Corinthiesof alelTerfort, a diuinc
and vnfcnowen work abounding in variety ofperfeftions as pro

portion required andneedfullncs diddefire tobeare vpthe bur
then that was laide vppon them. Their ornatureand decking with
woorkes,and deuifes imitating theapparreling ofprincely bodies
indewetl as it were with an artificiall reafon For as to a

large big
and corpulent body (trong legges,and broad feete,are neceuane to

beare nnd carry the fame: fo in a modulate and well compofed buil

ding,to fuflaine great weights,Naues are appointed , and for beau-

tie,columnes,Corinthies,andilendcr lonices ,arefetvpon them.
And this whole woorke cuen after fuch forte as was requifite for

the harmonic thereof, euen fo it flood in an approoued excel-

lencie.

With diuerlitie of coulers, (wcetlyc let , and aptlye difpofed,
the reflexion ofone beautifing another, and all together making

agratious obie&.O(P0rpfyrit >Opbit,Nitmi{it4nt A/abaftrit t Pyroyc-

cti)LacedrmoniaBgceene,an<{
white marble, dmerilie watered, and

ofj4ndrafmev4it\i white fpottes,and many others ofilrange forts

and diucrs commixtures.

I found oncrare forme ofa bafe, in fafhion like a cufhion vpon
the plynthc whereor flood two trochils or torrules, with an inter*

pofitionofHypotraclcs or fhaftes,and A(lragals,witha fupreamc
Thore.

Diuers places
were hidden and coucred ouer with winding,

feltedand fprcding Iuie,full ofblack bemcs,andgreenefoft leaues

heareand theregrowing vp,and hindering
theinwardeobieftof

the auncient worke ,with other Murall and wall weeds comming
out ofthe chinkes andclifrs,as the bell ffowered Foxgloue.Venui

Nauill,& Erogennet,offomccalledLoue, to whome he is grate-

【7†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
The plaync labiall companlng about the quadrant Or

chyard comming out from the walles as a feate for thefe a-

forefaydc garden pottcs and trees to flande vppon, was

fubcoromzed with golde by excellent lyneamentes wrought
and adorned. The vppcr face whereof, and whereuppon
thofe pottes and trees did ftande, was couered with aplay-
flcr of glafle gilte, and a curious hiftorographie to be feene

in the lame, and compailed about and holdcn in with wye-

ring and netting ofgolde.
The

The wall that compadedabout the Orchyardwithacon-
uenient diftance

, was bellycd out with columncs ofthe lame
matter, and inuefted with flowring bindings naturally propor
tioned, and hcere and there were quadrangulatccommnes of

golde chamfered, arching from one to an other, witharequi-
litc bcame Zophor and coronice, with a iiieece and conucment

proieftuae oucr the chapter ofglafTe vppon the round.
The fubfiance ofwhich fubicftproieclure of the bryttlc

imtter, was of counterfayte diafper diucrfly coloured and

fliinmg.Which bryttlc fubltance had fome void fpace betwixt
that and the other*

Themouthofthe arches were (lopped with rombycs of

clearcglafleinfbrmeof atryangle, and the pypcs beautified

all ouer with an Encauftick painting, verie grttious to the fight
ofthe beholder.

Theground was here and there couered with great round

ballcsofglafTelykegunneftoncs, and other fine proportions

muchpleafing, with a mutuall confent vnmooueable lykc

pcarles (hining without any adulteration byfolyaturc. From
the flowers did breath a fweet fragrancie by fomc clcare walh-

ing with oyle for that purpofe.
There moftcunmngly did Logtftic* lykc an Orator make

a difcourfe in commendation
phyfically

of that excellent

confection of thcnoblenes of the tubftaunce , fecrccieof the

art , and ftraungcnes
of the inuention , The like is not to bee

found*
And after fhee fayde, Po/ipbi/tv

lettc vs goc and afcende vp
this mount nexte the Garden , and Thckmia remayning at the

ftayrefoote, wee afcended vp to the plaync toppe. Where

fhcefiicwedvntonicc, with a heauenly eloquence, a Garden

of alargcrompafle,
made in the forme of an intricate Labo-

rynthallyes and wayes ,
not to bee trodcn , but fayled about,

fbrinftcadeorallyes to trcade vppcn, there were ryuers of

water.

The which myfticall place
wa<: ofaveric Jultie mould and

fruitrull, replenifhed
with all forts of fruits, beautified with

【8†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
pJaying-anddaunciDg, euery one apparrelled according to the

G 3 perfefti-

The flrifi of Lone

perfc&ion ofthcyr beauties, with an artificial! performance of

vvorkmanlhip inthe vndertaken proportions , that they rather Tee

med the fubRanees theinfelues thena Lythoglyph anlmagene, ei-

t ^iei^^^ett4t^^1AS or Lyfypw* neyther did
dnagtipts to Ar-

iruc s and temifa the Queenc of Catria
y Scaphef, Brityis , Timotbeusa

Ltoctris

rauers. and Tkew , come any thing near c for the workemanftup h:ereof

feemed to excell the cunning ot any humaine Lapicidarie , caruer,

grauer,or cutter whatfoeuer.

Aboue this forefayde Triangle,and vnder the vpper coronice

inafmoothplainc werethcfe two Attic wordes in capiull Let

ters, 102 AinoxioN.

This confpitious porche
and gate, moft woorthyeto bebc-

hcldc,thus rfoodeofamaruelouscoinpolition, excellently dif-

pofedIflhadnotexplanedthe commodulation and harraoaie

ncereofparticalarly,Imight hauebeene blamed for myprohxi-
tie and tedioulhcrfe,and ror

wanting
offit words in the difcnpti-

on And thus for this time hcereot fo much.

Itrauft

in ft Dreamt* 24

j% v^^^^A^^^-^f^^ S . TN>-^, > r7?i?^V m ^ J^ <- * r-X,

VSNs^i^I^V^S^i"

> V-^^^-^^-^S^HL >^^<k .">C-^ >S5S25=

3?f?^^

The ftriff of Lout

It muft ncedcs fallow , that all the reft ofthe afbrcfaide court
on euery fide was beautiftillto behold, and of llately workenun.

fhip by that winch ftill remained (landing : as in the inward parte
the naues and columnes carrieng and bearing vp an immefurable
andtnonftrous weight, and Corinthiesof alelTerfort, a diuinc
and vnfcnowen work abounding in variety ofperfeftions as pro

portion required andneedfullncs diddefire tobeare vpthe bur
then that was laide vppon them. Their ornatureand decking with
woorkes,and deuifes imitating theapparreling ofprincely bodies
indewetl as it were with an artificiall reafon For as to a

large big
and corpulent body (trong legges,and broad feete,are neceuane to

beare nnd carry the fame: fo in a modulate and well compofed buil

ding,to fuflaine great weights,Naues are appointed , and for beau-

【9†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
principal] intent,inuention, fore fetting downe, and fymmetrie,
oi dew proportion ofthe buildmj, without any additions, right-

]ye examinedjand perfectly corr.poicd ,which will manireftthe

skillof theworkeman, and thefame afterwardes to adorncand

beaurifiejwliich adiunfts is an eaHc matter.\\ herein is alib to be

cojifideredjthe dew ordering and placingofcuery thing,and not

tofetacrownc vponthe feetc3bi?tvponthe head, and iooua ing
and (ienrku-ating.and other cuttings offundrye forts in their fe-

ueralland bedfitfingpLices, thecJiiefeinue/Jtionanddifpofing
vvliereofjicflerh in the rare and cunning architc^but the labour

and woorking therofto the vulgar and common fort ofmmna-
liils and feruants to the architect,who ifhe will do well , he m
in no wife be fubieft to auarice,

And befldes his skilhcmufl be hone{T,nopratlcr full of words,

butcourieous,gcntlejbejnng 5tradable,patient,mcry &: pleaiant,

full ofnew deuiics,a curious fearcher into all artes
>

and well adui-

fcd in his procecduig ;leail w ith rjflmes he comit a fault or abfur-

ditie

ffj a "Drctme.

clitic in his workc ,and hccrcofthus much fhall fuffice.

that Poliphylus had at Urge made a dcmonftrationofthedew

prepartton ofthe Gate 3 heeproceedethto defcrtbe the ornaments

thereofjtndtheir excellence.

Hauingbcenefomewhat prolix and tedi

ous in my former purpofe , it may be that

it hath bred fome orTencc,to fuch as dayly
indeuour to occupic theyr fences in tiic

pleafaunt difcourfes of loue . But it vvyll

alfoproouenowhit difpleafant,if witha

lyttle patience , they refirainc to glutte
themfelues with the walowilh fweetnes

of deceyueable delightes , and trye the tafteofa contraryc

vyand.
And for as much as the affections ofmen are naturally variable

and different one from an other :vpon this occafion I may bee

cxcufed. For although that bread fometime denyed and kept
bac ke from the hungrie body,may caufe a hard conceir,yet when
it is eftfocnesorTeredvntohimjtnemalhceis forgotten , and the

gift very gratefully receyued.
Now e hauing in fome forte fpokeaof the right vfe ofarchi-

teclune, and the direct waye and meanes by order and rule, to

fmdeout,thefetdowncdcuife,andfolyde bodyeor groundeof
the\voorke,withfacibtre that becing found out,thearchitcftor

may vfe fundrye deuifions in diuerfe pcrfeclions,not vnlike vnto

【10†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
And then Hie (myling, faid : Toltfiilus, ouer the deuouring
throat of thys Center, there fitteth a feuerc ludge, balancing e-

uery ones aclions, and helping whom hec will helpe. And be-

caufe that it will be tedious to tell thee all, let thus much heereof

fuffife. Let vs goe downe to our copanion Thelemw, who de

manding the caufe why they flaid fo long aboue, Logtjhca made
aunfwcr, it dotli not content our PohphtlHs, onely to behold,but
alfo to vnderlland by me the fecrecie of thcfe things, which ha
could not goe to knowe, wherein I haue fatif-fied him, And
when Ihe had ended, Tbelemta faid.

T Let

Theftrifc of Lone

Let vs goe a little while to an other garden no IcfTe plea-
fant ioyning to the glalTe garden , vppon the right fide of
the Pallas : and when wee were come in thither ,

1 way a-

inazcd with cxcefllue wondering ,
to fee the cunoufnefie of

the worke
,

as vneafie to report as vncredtble to beleeue:

arcjuiuolcnt with that of glaiTe , wyth lyke difpofition of

benches or bankes
, theyr lyppes fet out with coronifingand

golden ground work*, and iuch trees , but that the boxes

and Cyprus trees, were all filke,fauingthe bodies and grea
ter branches, or the ftrength of the armes : the reft , as the

leaues , flowers , and outermoft rynde , was of fine (like,

wanting no (lore of Pearlcs to beaut ifie the fame : and the

peife&fine collour, fvnellmg as the gla(Te flowers beforennenti-

oned,and alike, but that they about compaffing walles^of mcr-

uailous and incredible fumpteoufneiTe , were all couered o-

uer with a crufting of Pearle , clofe ioyned and fet toge
ther : and towardes the toppe, there fprouted out greenc

yuie, the leaues thickningandbufhing out from the Pearles,

vvith the ftringes and veines of golde, running vppe in di-

uers places betwixt the Pearles ,
in a moft rare and curious

(brt , as if it had beene very growing yuie >

with berries of

precious (tones fette in the ftalkes in little bunches: and in

the bu flies were Ringe-doues of filkc, as if they had becnc

feeding of the berries, all along the (ides of the fquare plot

ted garden walles : ouer the which , in rnafrer-like and re-

quifite
order , ftretched out the beamc and Zophor ofgolde.

The plaine fmotb of the fettles , where-vpon the boxc

trees (loode, couered ouer with Hiftories of loue and venc-

rie , ia a workc of filke and threddes of golde and filuer, in

【11†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
in A Dre<*tnf. 1 1

that ir. the open ayre there was a fowrefquare court of thirtrepa-
c cs by his Dumetcr, paucd withpuje fine marble, poynted footc

fquare,wrought checker wife of diuers fusions , and fundnc bell

titling
coulours : butjn many places , by meases of the ruine of

tlieaiiJKKUtwalkeandoldep.u
>

]cr$,brokeii inpecces and oucr-

ex-

Anainttevtmoirpartesofthe aforefaide court , to the right Acolumnc

haiadjandthekft.LOAardsthemountaines^thcre was two frraight
confiftechof

rowes ofpillars, with a fpace betwixt for the interieft Areoftde^ j^
the quantities of both columnes required, thefirflcourfeoror- h LO(j.

der ofLetting the pyllars, beginning on both fides equall to the Ailrngalus

Lyrr.bus or extreamepartotthefronteof thcporche, the 1 pace
tlutib ihc

betwixt py liars and pillars xv 4 paces * Of which colluinnes or
jbl

.

ecto lhe

..
rj

r *. capiccll next

great pillarsjlome and the greateit pane or number were whole. ^ co]umnc.

With their capitels or heads , wrought with a wauediliell workc, Hypocrachc-

andcyllene or drapene,their corners bearing out and inanulated licihcfliafc

or turned in like a curled locke of hayre ,
or the vpper head of a ?

f

bafe Viall aboue the pinnes, which ftraine the ftringes of the in- An(j Hypo-

Hrument to a muficall concord: with their fubiecl: A(tragals,wri- thcfisythat is

thingandhangingheere and there, making the capitall thnfcfo the footc

big as the bottom thereofofthe columne,wherevpon was placed
^ncreon the

the Epiftile or ftreight beame,thc greatefl part decayed, and ma- ft^deth e:

nycolumnes widowed and depnuedof their Capitels , buryed cccdingthe
in ruine both Aflragals and fliafts of the columnes and their ba- bigncs of

fesorfeete. thc columnc.

Faftioyning to which order or fetrowesofpillars, theregrew
ould plamc trees ,wyldeOliues,Pme apple, and pricking bram-
bles.l coniectured that it was made for to ride horfes in , to trot

and gallop 3
the i

ing,to manage, carrcic,and coruet in,or els fomc

open gallerie,coueredclofeoucr head, vnderpropt withpillers,

andofalargewidcjiefletowalkedriein^andtotakcatemperaie
ayre m 3

not too fubtile.

【12†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
that Poliphylus had at Urge made a dcmonftrationofthedew

prepartton ofthe Gate 3 heeproceedethto defcrtbe the ornaments

thereofjtndtheir excellence.

Hauingbcenefomewhat prolix and tedi

ous in my former purpofe , it may be that

it hath bred fome orTencc,to fuch as dayly
indeuour to occupic theyr fences in tiic

pleafaunt difcourfes of loue . But it vvyll

alfoproouenowhit difpleafant,if witha

lyttle patience , they refirainc to glutte
themfelues with the walowilh fweetnes

of deceyueable delightes , and trye the tafteofa contraryc

vyand.
And for as much as the affections ofmen are naturally variable

and different one from an other :vpon this occafion I may bee

cxcufed. For although that bread fometime denyed and kept
bac ke from the hungrie body,may caufe a hard conceir,yet when
it is eftfocnesorTeredvntohimjtnemalhceis forgotten , and the

gift very gratefully receyued.
Now e hauing in fome forte fpokeaof the right vfe ofarchi-

teclune, and the direct waye and meanes by order and rule, to

fmdeout,thefetdowncdcuife,andfolyde bodyeor groundeof
the\voorke,withfacibtre that becing found out,thearchitcftor

may vfe fundrye deuifions in diuerfe pcrfeclions,not vnlike vnto

a cunning Alufit ion. who h^uinc; deuifed his plaine Bromide inO _ O X O

right meafure ,
with full ftrokes, afterwarde wyll proportion

the fame into deuiiions , by cromatycoll and delyghtfull minims

crotchets,and cjuaucrSjCurioiuTy reporting vpon his plaine fong.
Euen fo after inuention, the principall and ipeciall rule, for an

Architcctorisa quadrature, the fame cleuidcd into fmalcsthe

harmonic and fweere confent of the building, fettethfoorthit

felfe,and the conuenient admncles , agreeable to theyr prin-

cipall.

In all which this porthc was mofl excellent , both for the rare

inucntionandwoonderfullcompofitionthereof,andtheil:rango
additions to beautifie the fame ,

in fuch forte fo exquyhte3 r
fo

The ftrife of Loue

fo fitly placed, and focuriouliie cutand ingrauen, as the fin illcfl

partthereofcould not bee accufedofanycfault,but the woork-
man commended tor the perfection ot his skill.

Firft vpon my right handebelowe , I beheld a
ftilypode or

fquareitone , like an aulter vnder the bafes of the columnes,
which hailingvpon the vpperparte a conuenient and meet coro-

nice,and accordinglyimbowed, the bottoms and lowed part in

like manner was falhioned,fo as the quadrate and aforefayd fti-

【13†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
they ledde mcc on thither ,beeingvvel content with euerie pre-

fent aftion, but thatmy Poli* was not tliere to the fuppliment of

myfelicitie, and to haiie been the fixtperfonm the making vp of

aperfeftnumber*

Further, I foundmy felfeagrieued, that my apparel was not

conformable to this delicious confort, but grovving into fome

hou/holdfamiliaritie,Id]fpofedmyfelftobeaftablevvitluhem,
and they with mee, til at kit wee came to the place.

Thercl behcidsamai-ueilousbmldyngof abathc eight

iquarej and at eucrye Exterior corner , there were dou

bled together twoo Pyles , in fafhion of a Pyke ,
from

the Ipuell ofthe foundation, thc-fubieft Areobates Circumcinft

and ribbed about. And after them followed the vtmoft of

like bbnes , from the ground of the other , with their chapters

fctvn^er theftreightbeame,
withaborderaboue,vnderaCo-

tomcc going round about.Which borderwas beautified with ex

cellent caruedworke^flitle naked children parting
welfet forth,

and
eqal>y

dilUnt oac from an other, with their handw imricate-

40

ly tyed and wrapped about, and in them holding little bundels of
fmal grccne boughcs. inftrophiated togither. And abouc the (aid

Coronice, did mount vp (by an elegant arching an eight fquarc

Spyer , iinitatingthcfubie<ft Which from corner to corner was
cut through withamarueilous workemanfhipof athoufand fun-

ibiefafliions ,
and clofedagaine with Quarrels of Chriftal, which

a farre ofI did take to bee Leade. Vpojuhe top ofwhich arched

Spyer was placed a Trygon, and from the vpper center thereof,
did afcend vp a

ftrong ftealc, wherinto was royned aii other fteale

whkhewas turned about, and to the fame was fattened a wyng,
which with euerieblaft ofwinde tarried about, the piping (tea le

which had vpon the lop thereofa ball, whereupon ftoodanaked

Boy, ftreight vpon his right foote, and tke left holden out. His
head was hollow to his mouth like a Tunnd, with the Orifice eu>

cuated to his mouth, to the which wajfowdercd a Tromper,with
his left hand holding the Lanquct to his mouth , & his right hand

extending towardcs-the middle loynt, iuft oucrthepinyonofit
the wing or hnc. Al which was ofthinnebrafle, excellentlywe 1

oft and gui r. Whichwing,.ball, andboyc, with his cheekes and
countenance as if hee were founding, with the hinder part of his

liead euacunnted towardes the bluftring winde, as that blew,fo he
founded , and as the winde caufeda ftrangenoyfe amongthe rods

【14†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

I he difcription ofthe morning.

j

Hathoureas PAce^w ( 4 ) ifTuing foorth, did

bewtific withbri2;htneiTc the forhead of Lett-o

cetbea(f>^,and appearing out of the Occean
waues, not full/ fhewinghis turning wheeles,

that had beene hungvp,butfpecdily with his

fwih horfes Pyrou* Scd7W,haftning his courfe,

andgimng a tinftureto the Spiders webbes,

ainon2;rhe grccneleaues
and tender prickles ofthe Vermilion

Roles" in the purfuite whereof he lTiewedhimfelfemofl:fwift&

"littering,
now vpontheneuerreftmgand fhlJ mooning waues,

hecryfped vp his irradientlieyres.

Vpponwhofe vprifing ,euen at that indant, the vnhorned

Moone difir.ountedhir icife, lofine from hir Chariot hir two

I,orfes,theone white and the other browne, and drewc to the

Hotrifon(^ different from the Hemifphere (<r)

from whence
flic came.

And when as the mountaines and htlles were beautifull, and

the northeaft winds had left of to make barraine with the Iharp-
neilc of their blnfb, the tender fprigsto difquiec the nioouuig

B rccdcs,

(a)Phzbus
the Sunnc,

b) Leucothea
the morning.

(c)Pyr&Eo,
the horfes of

【15†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Spyer , iinitatingthcfubie<ft Which from corner to corner was
cut through withamarueilous workemanfhipof athoufand fun-

ibiefafliions ,
and clofedagaine with Quarrels of Chriftal, which

a farre ofI did take to bee Leade. Vpojuhe top ofwhich arched

Spyer was placed a Trygon, and from the vpper center thereof,
did afcend vp a

ftrong ftealc, wherinto was royned aii other fteale

whkhewas turned about, and to the fame was fattened a wyng,
which with euerieblaft ofwinde tarried about, the piping (tea le

which had vpon the lop thereofa ball, whereupon ftoodanaked

Boy, ftreight vpon his right foote, and tke left holden out. His
head was hollow to his mouth like a Tunnd, with the Orifice eu>

cuated to his mouth, to the which wajfowdercd a Tromper,with
his left hand holding the Lanquct to his mouth , & his right hand

extending towardcs-the middle loynt, iuft oucrthepinyonofit
the wing or hnc. Al which was ofthinnebrafle, excellentlywe 1

oft and gui r. Whichwing,.ball, andboyc, with his cheekes and
countenance as if hee were founding, with the hinder part of his

liead euacunnted towardes the bluftring winde, as that blew,fo he
founded , and as the winde caufeda ftrangenoyfe amongthe rods

ofSihquts ofEgjpt , euen fo did it heare in the Trumpet. Vppon
which caufc I menly. thought

to myfelfe, that a manbemgalone
in an vnknowne place and outof quiet,may cafiiicbwafnghtcd
with fuch liKe ftrange noyfcs.

In

The frife of Lout

In that part oF the

building that was on
the other fide of the

Nimphvvasthe entc-

raunce into the bathe

perfourmed as mec

thought by the fame

Lithoglyphcjthat co-

uered the
llcepyng

Nimphe, vppon the

phrifc whereof, were
certaine Grecke Ca-
rafters , figmfymg
A2AMIM0O2.

Within there were

foure feates whiche
went rounde about,
and one vnder an o-

ther, andclofeknitre

togither,wroght with

lalper and Calcedony
(lone, in allkmde of

colours. Twoofthc

copafiiug about feates

were couered ouer

with watcr,andto the

vpper margineorthc
third . In the cor

ners, & in
euerry cor

ner (loodc a Cnorin-

^^^^^^^^ thianCollumneofdi-

uers colours, waued

withfopure 6c beau

tiful lacintes as nature could affoord , with conuement bafes and

their chap ters curioufly made vnder the bcame, ouerthewhich

was a Zophor, wherein were caruedjittle naked Boyes playing in

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
long dravvne breath, and fomewhat opening my
cepC fighe Infomuchas my amorous and (bun*

by rea(bn-ofthe tluckncilcoOheayre in this fo-

]ytarieandloiieplace3gauean eccho,and djdputme jnjrundeof

my Angehke and extrcafnc deiired./W/*.

O hi me that foiiiull oranye intermiilion fhould caufethat

hir fottety and celcfli aii idea and fhape was not dill imprinted in

my mmde, and^corttlrtiic^ia dayly comp-anior:, in whoi<e bfeft my
hfeis-refolued^b-sbkJci acid txrit as "vnder the prot-eftion of a

moil finx* afvd ap-pr&oue^rleldiandiafc defence.

And by trftsway I wasittsught too a pLice v.herc were diuers

and rumh ie excellent fort j of aoncient deuifes and woorkeman -

fhips.-nVflofaJJ,! b-eheMa moft fay-re porthc,paft all fenceto de-

fcribe^forthcineF^dible Curiaofnei thereof,as cuenvas built or

dcuifed) and therAthet foe d^at cuar mother toung and vulgar

fy:zdic y rt]i(y not aflfoord-apt
andpeed lar words, for fu-ch a picc^e

ofarti^cral1
!work e.

Before this gorgeous and glorious porche,you lliall vndcrfland

that

in A Dre<*tnf. 1 1

that ir. the open ayre there was a fowrefquare court of thirtrepa-
c cs by his Dumetcr, paucd withpuje fine marble, poynted footc

fquare,wrought checker wife of diuers fusions , and fundnc bell

titling
coulours : butjn many places , by meases of the ruine of

tlieaiiJKKUtwalkeandoldep.u
>

]cr$,brokeii inpecces and oucr-

ex-

Anainttevtmoirpartesofthe aforefaide court , to the right Acolumnc

haiadjandthekft.LOAardsthemountaines^thcre was two frraight
confiftechof

rowes ofpillars, with a fpace betwixt for the interieft Areoftde^ j^
the quantities of both columnes required, thefirflcourfeoror- h LO(j.

der ofLetting the pyllars, beginning on both fides equall to the Ailrngalus

Lyrr.bus or extreamepartotthefronteof thcporche, the 1 pace
tlutib ihc

betwixt py liars and pillars xv 4 paces * Of which colluinnes or
jbl

.

ecto lhe

..
rj

r *. capiccll next

great pillarsjlome and the greateit pane or number were whole. ^ co]umnc.

With their capitels or heads , wrought with a wauediliell workc, Hypocrachc-

andcyllene or drapene,their corners bearing out and inanulated licihcfliafc

【17†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
he ad of a pil-
* he Chapters of the lame tubitance oftheir bafesjwrth requi-

Jar flicking Utemeeteaiid conuenient proportion aunfwerable to thchar-
outfurthc r rnonieof the whole worKe Such as CAli.macktu the chicfecaruer
than the rnl-

to^/^^ t ]ic fo]}nc of luster did neutr performe or come

and turning
neere in theereclcd fepulcherofthe Corinthian Virgin, beautifi-

kijwrought cd with draperie ofdouble Acbauthis.

with leaues, The Piynthes whereon the chapters did ILnid wrought with
theworkcis

vvindins; and turning workes, andinthemiddefl, decoraledwith
calJedorcar- r -n L L i /i i c r\
ucrs&pain.

aLiUic^thebowlcgarni!ncdwith twarowesor via. leaues ofA-
ters draperie chanthus,aftcrthc Roimineand Corinthian maner,out ofwhich
and cekde, Icaues came liule (iaall italkes , doling together iu the raiddeft

of

ina Dreamt. It

ofthe boulc,fhcwingfoortba fayrcand fwect compofcd Lyllic
in the hollowing ofthe Abac or PJynth, from the which the ten

der ftalkes did turnc round together, vnder the compare of the

fqunre Abac , much after the woorkc that Agrifta caufed to bee

madc,in the porche ofhis woonderfull Pantheon.

Let vscomenowtothelymct and lowed parte ofthe do ore,
for entrance,which was of a great large and harde done

, powde
red with fundry forted fpottes,white, black, and ofa clay couler,

and diucrs other mixtures : vppon this Itood the fhreightcheekes
and fides ofthe doore,with an interftitious afpccl: , inwardly cai -

ued with as great cunning as the reft* Without any figne ofeythcr
hookes orhmges,belowor aboue.

Thearcheof which doore comparing like a halfe cyrcle, was

wrought curiouflye and imbowed , and as/ i t were bounde about

vvithlaceslikebeadsofbrafTe, fomeround, andfomelike Eglan
tine berries ofa rcddifh couler,hangingdowne after an auncient

manner,and fouldcd and turned in among the render (hikes.

The clofing together and bracing of which hemicycle or arch,

worthie ofadmiration , of a rare and lubtiledeuife,and exquifitc

po lyture,did thus obieft and prefent it felfe to my fight.
There Ibeheld in a hard and mod black ftone^n eagle difplay-

ed,and bearing out ofthebigncfle ofa naturall eagle , which had

loumgly feazed and taken in hir footeafweetebabemthefwad- The Eagle of

ling cloutes,nicely,carefully, and gently houldmg the fame, lead
lupiterthac

【18†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
vppcr hand ofyour cunning that the fame is buried with you,and
none left for vs to inheritein this age,

At Iciigthbcing coir.e to this ancient porch, a worke woorthic

thelookingvponmnruellouflycompofedby CKquifitc rules , and

by art notably beautified, with dmers and fundry forts ofcuttings,
which did infiamea deflrcin me to vnder fland and rmdc out the li

neaments a ldpra^ifeot the architect. Ibeganneafterth^ inaner,

irakuig a fqu.irefrom thctwocollumnes on either fide ill a perfect
ioi t, in the which I tooke the due proportion ofthe whole porch.
A tetragon figure A. B. C D. diuided by three lines

firaight,
and three ouerthwart equally diftant one from an other will make
fixetcei-.c quadrats, then adde to the figure halfe as much more in

like proportion, diuiding the adiunclyou lliailfinde foureand

iwcnry irjuaves . Ti.is figure H\iH feme of credycels to make

theinlepturgieandbncfedenjonftrationthatfolloweth.
Draw then in the firft fygurc A B. C. D. two diagons, make

nlfo in the fame two lines, and frr
Visible: 0% - 93%

Assistant

Poliphilo interprets the architectural structures in Hypnerotomachia Poliphili as deeply esoteric, symbolic, and allegorical, drawing meaning from their proportions, decorations, and even materials. These buildings and ruins are not simply backdrops but active conveyors of hidden truths, emotional states, and mystical revelations. Here's how he does this:


1. Symbolism Through Architecture


Poliphilo often reads architectural forms as encoded messages. For instance, when encountering a temple with a unique combination of column shapes—two parts chamfered and one rounded—he concludes that it is dedicated to both masculine and feminine deities, perhaps a god and a goddess, or familial pairs like mother and son, or father and daughter. The chamfering and channelling symbolize the "slippery and unconstant nature" of the feminine, with folds and curls evoking women’s garments and hairstyles【10:2†source】.


2. Interpretation of Architectural Gender


He directly links specific design choices to gendered spiritual meanings. Chamfered features and floral motifs are associated with the feminine divine; conversely, masculine elements are more rigid and geometrically consistent. For example, feminine columns are decorated with acanthus leaves resembling curled hair or pleated gowns, and sometimes crowned with sculpted female heads【10:2†source】.


3. Mystical Deduction from Ruins


Even ruined monuments inspire awe and speculation. At one site, Poliphilo beholds the ruins of a massive structure and reasons that it must have once housed an altar of Venus, suggesting that the entire structure functioned as a sacred space for mystical rites. He describes being drawn to it with "devoute reverence," as if the architecture itself transmitted divine presence【10:3†source】.


4. Reading the Gardens as Texts


Gardens and buildings alike are presented as symbolic books or rituals to be deciphered. At one point, a guide (Logistica) tells Poliphilo that "the device of these objects are more pleasant to be understood than beheld," reinforcing the idea that interpretation—not just observation—is the key to unlocking their meaning【10:5†source】.


5. Sacred Geometry and Hidden Harmonies


He applies principles of sacred geometry to analyze architectural proportions, drawing squares and diagonals to discover ideal harmonic ratios. These proportions are not only aesthetic but spiritual, conveying a metaphysical order that reflects divine intelligence. The entire architectural world is infused with significance, as if each building is a puzzle revealing celestial truths【10:18†source】.


6. The Portrayal of Architecture as Living Allegory


In one instance, a garden is designed not for walking but for sailing, filled with waterways instead of paths. This mystic labyrinth, populated with golden nymphs and living sculptures, is a metaphor for the soul’s journey—more alchemical or philosophical than navigational. It emphasizes that the space is to be spiritually experienced, not practically used【10:7†source】.


Summary


Poliphilo interprets architecture not as mere setting, but as a language of divine and erotic allegory. Temples, baths, porches, columns, and gardens are each inscribed with meaning that blends classical mythology, gender metaphysics, Neoplatonic symbolism, and Renaissance esotericism. Every element—curves, materials, motifs, proportions—is a sacred code to be deciphered by the initiated dreamer.

If you'd like, I can walk you through one of these architectural scenes step-by-step like a tour guide.

User

tell me about the symbolic figures and allegorical entities and their interactions with P

Tool

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    "symbolic figures and allegorical entities Poliphilo encounters",
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    "allegorical figures guiding or testing Poliphilo",
    "nymphs goddesses and symbols in Hypnerotomachia",
    "Poliphilo visions and encounters with personifications"
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[Web browsing]

【0†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
And whileftl flood with excetfiue delight beholding onely
as an ignorant this rarecompanie and myfticall triumphes,

circumfept with thefe and fuch like forts, and fo alfo the de

licious fields, but that me thought it was a louely fight to be

hold, and fo I fbould haue continued : then the gratious

Nymph attbciating and leading me/eeing my fimplicitie and

carelefnes, with a ready countenance and fweete andplea-
fanr words, without asking,(he faid thus vnto me : MyPo/j-

phitw, doeft thou fee thefe ? ( (hewing me thofe of the olde

world ) thefe were beloued of /Hpitcr, and this, and this was
fuch a one, and thefe were in loue with him, by this meanes

(hewing vnto me their high and mighty linage, and noc

knowing their names, (he in great curtefie told me. After

ward fhe (hewed me a great number of little virgins, vnder

thegouernment of three fober and difcrcte matrones the

leaders to fo great delight : Adding thereunto very pleaiant-

ly (changing hir augelhke countenance) My Poliphtbu, thou

lhalt vnderftand, that no earthly creature can enter in heere

without a burning torch as thou feed me, either with ex-

treeme loue and great paines, or for the fau our and compa
ny of thofe three matrones. And from hir hart fetting a

deepe figh, (he faid : This torch haue I brought hither for

thy fake,minding to put ic cut in yonder temple.
Thefe fpeeches pearced my hart, they were fo delightfull

and defired ,
and fo much the more, bicaufe (lie called me hir

*Pol!phtln4. Whereupon I aflured my felfe, that (he was To/ia,

and From top to the toe 1 found an extreeme alteration into

a fupreame delight, my hart flying onely to hir. Which

thoughts were bewraied by my countenance, and whifpe-

ring (mall fighes.
Which fte cunningly perceiuing, brake orr tmsnewaco

dent wnh thefe tvords : Oh how many be ihere whichwould
mod

Theflrife ofLone

moft gladly behold thefetriumphes,and thereforeT
addrefle thy thoughts to other matters, and behold what
noble and woorthy Nymphs fhew themfelues deferuedly
conforted with their amorous louers, curteous and affable :

who with fweete and pleafant notes in meafured verfe, praife
and commend one another without wearines,ince(Tantly ce

lebrating their turnes with excefliue delight, and extolling
the triumphs, the aire alfo full of the chirpings of diuers

prctie birds,yeelding a diffufcd charme,

Thisverfc About the firft triumph among thereioifing companie,
confiftcd of the nine Mufes did fing , with their leader the diuine Luter

Strophe.Jri- Apollo.
Afcer thc triumPh followed the faire Parthenopeian Ltria,

【1†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
was glad
to

beguile
the time withthefe conceits,

anothomifing in them,the vanitie ofthis life, and

vncertaintie of the
delights therof, in the Dreame

ofPolipbilM;
Which ifit (hall plea/e your Honor

atconuenientleyfureto looke ouer, pardoning
what you findeamifle , and weighingmy good
will, I (hall thinkemy felfe moft happy.

And thus I humbly take my leaue, vntillthat

I may prefent your Honour, with a matter more

fitting
the fame.

Tour Honors dcuoted.

. V.

A nonymi elegia ad Lee

Andide Poliphilum narrantemfomnia Leflor

aufculteSy fammofornnia miffa po/o,

Non oferamferdeSy
non b<c

audifiepigelit,

tarn vwijs mirum reliMalundatotu*.

Sigrauis Qf tetricus contemnis erotica^ rerum

nofcc frccor feriem tarn bene
difpofitam.

s ? acfaltemftylus qy noua
lingua nov

iS) fofbia9fc rogat afpiciof.

geometrica cernc vetufta

^lurima
miUiacls difce referta

not is.

Hicfant Pyramides, therm*jngentefy Cohfi,
ac Olelifcorumforma vetuftayatet.

Hie diuerfa bafisfulget, varitfque
columns

illarumfy
arcirt

y Zofbora, cfiflilia,

Et
capita at^ trabes, et cum

quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

【2†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
upon the great Macedon refted his head : She bare a fplen-
dent lampe, communicating the light thereofwith hir com

panion,then the reft more excellent both in voice and fong.
There the faire Nymph (hewed me the auncient

Iphianaff*>

and after the old father Himerinw his daughters and their

drinke, and one betwixt the two Theban brothers : Thefe

with pleafant noifes , fweete muficke and fine agilities, paftc
on about the firft triumph.
About the fecond triumph was the noble Nem^fs with the

Lfsbt4HCorin4,Df/M and Netra* with diuers others amorous

Nymphs, making pleafaunt foundes vppon ftringed inftru-

ments ofyealow wood.

About the thirde triumph,the glorious Nymphs (hewed

me Quinti/iaand Cjnthea Nauta, with others, in great folace,

making fweete harmonies,and fmging pleafant verfes:there

alfo I behelde the virgin VioUntillo, with hir Douc,and the o-

ther forrowing for hir Sparrow.
About the fourth triumph, before it went the Lidion Cloe,

ljide,Neobole,fatttt Pbillis, and the faire Lyce Tjburts & Tjra,

with their liarps fingingand making a moft pleafant noyfe.

After this fourth triumph among the Mamades and facrifi-

cers to Bacchw, there folowed an amorous damofell finging

in thc commendation of the head ofhir louerP/^w, (he defi-

red homes. And after them all (be fliewed me two women,
one

ixadretme.

one of them apparelled in white, and the other in greene,
which came hindermoft finging togither.
And thus they marched about in a moft pleafant and de-

iightfull manervpon the frefh greene and flourifliingplainc:
Some inttrophiated with Iaurcl,fome with myrtle^nd others

with other forts of flowers and garlands, inceflantly without

any wearines or intermiffion in a perfection of the felicitic

of this world, mutually enioying one anothers afped and

companie.

The Njmph batting at Urge declared vnto Poliphilw the
myfticall

triumphfond extreeme lotte , afterwards fhe de/fred htm togo o*

furtherjtvhere a/fo
withgreat delight

he beheld innumerable other

Nymphs i with their dejtred totters, in a thoufandforts ofpleafttres

folacingthemfclttesvpon thegreerjegrajfe yfre(h{hadovpes t andbj
the eoole riuers andcleere fountawes. And how Polrphiltu there

had withmadnes almoft forgotten himfelfe in the
pajfions ofdeprct

but nope dtd
affivagc hufHrit, quieting himfelfe tn the beholding cf

thefreetffanourofthefaire Nymph.

Ot onely happje but aboue all

other mod happie were he, to

whom it (hould be granted con

【3†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

I he difcription ofthe morning.

j

Hathoureas PAce^w ( 4 ) ifTuing foorth, did

bewtific withbri2;htneiTc the forhead of Lett-o

cetbea(f>^,and appearing out of the Occean
waues, not full/ fhewinghis turning wheeles,

that had beene hungvp,butfpecdily with his

fwih horfes Pyrou* Scd7W,haftning his courfe,

andgimng a tinftureto the Spiders webbes,

ainon2;rhe grccneleaues
and tender prickles ofthe Vermilion

Roles" in the purfuite whereof he lTiewedhimfelfemofl:fwift&

"littering,
now vpontheneuerreftmgand fhlJ mooning waues,

hecryfped vp his irradientlieyres.

Vpponwhofe vprifing ,euen at that indant, the vnhorned

Moone difir.ountedhir icife, lofine from hir Chariot hir two

I,orfes,theone white and the other browne, and drewc to the

Hotrifon(^ different from the Hemifphere (<r)

from whence
flic came.

And when as the mountaines and htlles were beautifull, and

the northeaft winds had left of to make barraine with the Iharp-
neilc of their blnfb, the tender fprigsto difquiec the nioouuig

B rccdcs,

(a)Phzbus
the Sunnc,

b) Leucothea
the morning.

(c)Pyr&Eo,
the horfes of

【4†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
fighe,! called into memorie, the pleafure and delight that my
fences had well necreloft: for the woorkc which 1 had feene

was full ofmaruclouswoonders, and thinking by whatmeanel

was-depriuedofthem, Icalledto remembrance thebrafei Ly-
ons.in Salomons Temple,which were offuch fierce counicnun-

ces,as that they would bring men to forgetflilnes*

And into fuch an eftatel was afrayde that the Dragon had

brought me,that Co excellent and marucllous woorkes , and rare

inuentions^namannervnpoflTiblefor any humainc creatureto

perfbrme,worthietobemanifefted,and by myfeire ciiligentlvc

perufedjfhouldnowbe fled out ofmy fuckingremembrance , fo

as I fhould not bee able to make a truereportc o : rhem : but
therein I contraried my felfe: neither didlfinde that I was ma
Lithargicpaision : But that I vcrrie well rcnaembrcd andheldc

I J with*

mi-

Tfcf ftrifc of Lone

without any dcf.ultc in order and proportion whatfoeuerlhad
fecne and beheld.And that the monflrous andcruell bcallwas a

verne hueJyc fubftance ,and no fiftion , the like of any mortall

manfildomcfccne, no not vtRcgulus. The verie remembrance

whereof, made my hayre (land right vp , and foorthwith mooued
me to mcud my pace.

Afterward returning to my felfe , I thought thus . Heere

without all doubtc (foi fol imagined by reafonof the glonous
bountie of the beautihill foile) is no habitation but for ciuill

peoplc/n rather for Angles and noble perfonages^nd a place for

Nimphes to frequent vnto , or for the Goddes and Auncients,

Monarches and princes, info much as my pcrfwafiue defire did

prouokeforwardemy rcftraincd pace , cauunga perceucrancc in

my latcbeguniourncy. And thus as one captiuated andfubicc^

tothefharpc fpurrc of vnlatiablc delire , Ipurpofedto houldc

on whether the fayrenefle of my fortune ihould conduct mce,
as yet but indifferent and rather languishing.

Nowc come to behouldc a fayre and plcntiFull countrie,

fruitcfull fieldes, and fertill groundes , I did excccdmglye com
mend the defire thatmooued meefirft to cnterinto them. But

cfpecially to giuc thankcs to him that had brought mee out from

the fearcrull place, \vhichnovvllittlcrcgardcd being far enough
offfrom it.

Pcbphtlut

in A Dretmt.

Po!,phi/us fiewtth the
commodioufrcfre ofthe countrie where -into he>t

WM comeytn hU trattatltng
rvtthin thefame,be came vnto agoodlic

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
kling reedes of Archadia in the moift and fennie fides of the

riuerLabdone,(haken with the (harpeeaft wind,with the boi-

fterous north,cloudy fouth & rainie fouth weft wind.Befides

this, the gods will be feuere reuengers of fuch an infolencie,
for the companions oiVlyffcs had been preferued from drow

ning and (hipwracke, if they had not ftolne ^polios cattell

kept by Phactuf* and hir lifter Lampetta. Orion had not bcene
flaine by a fcorpion, ifhe had not attempted the cold & chaft

D/4*i,and therefore if I (hould vfe any indeccncie againft the

honor ofthis Nymph in any fort/uch like reuenge or woorfe

woulde be vfed vpon me. At laft getting foorth of rhefe

changeable thoughts, I did greatly comfort my felfe in be

holding and contemplating the excellent proportion and
fufeete (auour of this ingenuous and moft rare Nymph, con

taining in hir al whatfoeuer that may prouoke amorous con

ceits and fweete lone, giuing from hirfaire eies fo gratious
and fauorable regards, as thereby I fomewhat tempered my
troublefome and vnbridelcd thoughts. Andmyrefounding
fighes rcflexed with a flattering hope (oh the amorous foode

of louers and fauce of fait teares) by thefe and no other rains

I did manage my vehement thoughts,and made them ftop in

a conceiued hope, fixing mine eies with exceffiue delight vp
on hirfaire bodie and well difpofed members, by all which,

my difcontented dehreswere gently mitigated and redee

med from that furieand amorous fire, which fo neere had

bred the extrcmitie ofmy paflions.

Tbt

The Itymph letdeth the homered Potipbittu
to other pletfant pUeet,

where he beheld innumerable Nymphsfolding them, and a/fo tht

triumph ofVertumntu and Pomona.

Y no meancs I was able to rc-

(ift the violent force of Cupds
artillerie,and therefore the ele

gant Nymph hauing amoroufly

gotten an irrtuocable domini

on ouer me a miserable loner, I

was inforced to follow ft. II af

ter hit moderate Itcps, which

led me into a fpatious and large

plaine.theconterminate bound
of the flowered greene & farce t

f ,r i_

fmellmg valhe, where alfo ended the adorned mountames
and fruitfull hils, (hutting vp the entrance into this golden
countrie, full of incredible delight with their Joining togi-
thcr: couered ouer with green trees ofa cofpicuous thicknes

& d.(tance,as if they had been fet by hand,as Yew trees, wild

Pynes,vnfruitfull but dropping Refin,tallpineapple,ftraight

Firre,burning Pitch trees, the fpungie Larix, the aierie Teda
belouedofthe mountains, celebrated and prefcruedfor the

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Thefe hiflories were perfected within the compaflTe ofone felfe

fame ftone,and fet out in a moiVblacke ground. I hen deferuedfy

Ididcommend^boththearchyteft and the (latuaric . On the o-

ther fide,the pleaiant dignitie ofthe yre and beautiful
fporting

nimphcs did highlyc contentmee^foas 1 could not compare to

thinKe whether theexcelTe ofmy parted forrowror prefent folace

fhouldbe greateft. And there was fofwcete a fmell as Arabia

neueryeeJtlcd thehke..

Vppon the feates of(!one,in deed ofan Apodyterie, they did

impouenfh theyr apparrell 3richejyinuoluped, in the caftuio; of

it onSfrom their celeitiallbodyes. Theyr tayretrefTes bound vp
in nettings ofgould, wcuen after a iroft cunout fort. And with

out any refpeS at all, they gaue.meelcaue to lookevpon theyr

fayre and delicate perfonages, theyr honeftie an d honour refer

red* Flelhvndoubtedly like the pure Rofcs and white Snowe.

Ah woe is me,! found myhcart.tonfcaHd opeiut felfe, and al

together

thcr to be adiftcd to a voluptuous deligh$,Wherevpon I at

that prcfent thought my felfe moft happie, onely in the bchould-

ingoffuch delights, becaufe I was not able to red ft the .burning
flames which did fet vpon mce in the fornace ofmy heart . And
therefore fometime for a refuge and fuccour 1 durft not looke fo

narrowly vppon theyr inticing beauties , heaped vp in their hea-

uenlybodycs. And they perceiuing the fame did fmile at my
bafhfulbehauiour,makinggreatfportatme: And thereat I was

glad,and
contented tliat 1 might any way occafion their paftim e.

But I was greatly afhamcd, in that 1 was an vnfit companion for

fuch a company, but that they intrcatcd mec to enter in with

them where 1 flood like a Crowe among white Doues , which

made mepartly afhamedto behould 3 and ouerlooke fuch choyfc
obiefts.

Then Ofrefit a very pleafant difpofed piece , (aid vnto mce
Tel me young man what is your name ? And I reuerently Aunfwc-

sed them, Poltpbilns : it will pleafe me well faith fl>e,ifthe effeftof

your conditions beaunfwerai>letoyonr name, And without de

ceit, faid
the reft. And how is your dcareft loue called ? Whereat

1 making fomepaufe, aunfwered,P<?//x? thenfhe replycd. Aha
1 thought that your name fhould fignific

that you were a great

louer, but now I perc ciue that you are a louer of Polia : and pre-

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
ward I beheld the pleafantc//* folacing hir felfe <vith the

cleere flood and diuine fire. The daughter ofFullus and that

of Mencmphtti, with hir counterfeit father, and that other of

Diodes with hir lap full offlowers and a writhing ferpent, and

the faire yoong gyrle no more forrowing for the growing of

hir hornes.t/fftiocbi* and Antigone the daughter of Laomcdon

folacioufly delighting hir felfe in hirftorkifh plumes, and

Lurfflethe fir ft inuentrixof wheeles. Gr,w<*wmkthcdaun-

cing Nymph holding by hir little finger, and wafhing hir de

licate pretie feete from fweate in the riuer B.igrada. After

that I beheld a quaile flying, and a faulcon purfuing hir :

Erigone hauing hir faire (hining breft ilickt full of f^eetc

grapes,

in ft drcame. 91

grapes,and the daughter of king Chollut with hir bull, Eripbile
and hir changed husband: The daughter of eX//wand the

virgin Mclantho with hir dolphin, Phylkra the daughter of
old Ocean** with the father of Chiron. Next hir CVw with hir

head inftrophyated with ripe cares of corne imbracingthe
fcalie Hydra, : And the faire Nymph Lara forting with */trgi-

phon : and the fa eeteF/riof the riuer Numicta.

And whileftl flood with excetfiue delight beholding onely
as an ignorant this rarecompanie and myfticall triumphes,

circumfept with thefe and fuch like forts, and fo alfo the de

licious fields, but that me thought it was a louely fight to be

hold, and fo I fbould haue continued : then the gratious

Nymph attbciating and leading me/eeing my fimplicitie and

carelefnes, with a ready countenance and fweete andplea-
fanr words, without asking,(he faid thus vnto me : MyPo/j-

phitw, doeft thou fee thefe ? ( (hewing me thofe of the olde

world ) thefe were beloued of /Hpitcr, and this, and this was
fuch a one, and thefe were in loue with him, by this meanes

(hewing vnto me their high and mighty linage, and noc

knowing their names, (he in great curtefie told me. After

ward fhe (hewed me a great number of little virgins, vnder

thegouernment of three fober and difcrcte matrones the

leaders to fo great delight : Adding thereunto very pleaiant-

ly (changing hir augelhke countenance) My Poliphtbu, thou

lhalt vnderftand, that no earthly creature can enter in heere

without a burning torch as thou feed me, either with ex-

treeme loue and great paines, or for the fau our and compa
ny of thofe three matrones. And from hir hart fetting a

deepe figh, (he faid : This torch haue I brought hither for

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
anew defire, and in the cxtreame heate ofconcupiscence, prouo-
ked to fall headlong into a Jafciuious appetite,& drowned in luft>

full louc vnbndled : in the extrcame inuafion and infe&ious con-

tage thereof, the Damofelles forfooke mce and left OK all alone

toafruitfullplayne.

ThefrrtfeofLoM*

n this fUce Pofyhitus being left doncsmoftftyre Nympbefwben bfe
W*sforfaken ofthe laJcttttoHs company ) came vnto him ,

bfantic and
apparel! Poliphtlus dooth amour

oufly dtfcribc.

Y tender heart thus excefliuely woan-
ded with amorous prouocation,! think
1 was mad, I flood fo amazed^or blmdc
at the leaft , becaufe that I coulde not

perceiue in what fort or how this defi-

redand delightfull company gaue mee
the

flip: and at laft not
knowing what

I did, but calling mine eyes right for

ward, 1 behclde before mee, a fine Ar
bour of fweetc Geflaminc , fomewhat

highjifting vppc and bending ouer. all to bee painted and decked
with the pleafant and odoriferous flowers of three fortes com-

mixt, and entritig
in vnder the fame. Wonderfully perplexed for

the lofTe ofmy company, I kncwe not howe or in what fort, and

calling to remembrauncc the diuers , rare and wonderfull things

part, and aboue al the great hope and truft which I had concerned

vpon the Quecnes promife,that I ftiould finde my loue Poh* .

Alas faid I, with a deepc figh,my /Vw,that the greene Arbour
rcfounded againe therewithaTl , my amourous breathings were

fach, framed within and fenf out from my burning hart. And I

was no fooner entered into this agony, and ouerwhelmcd in this

paflion, but as I parted on to the other cnde ofthe Arbor, I might

perceiue a farre off, a
great number ofyouthes,(blacingand fpor-

tingthemfelues very loude with diuers melodious foundes,with

pleafant fports and fundry paftimes, in great ioye, and pafling de-

hght aflembled together, in a large playne. Vppon this gratefull

and dcfircd noueltie,! fet me down marueiling at it,before I would

ftep any further on.

And beholde, a mod noble and faire Nymph, with a burning
torch in her hand,departing from the company,tended her courfc

towardcs mee, foasl might well perceiue that (hee was a reall

m.tyde indeede and no fpintc, whervpon I mooued not one whit,

but gladly expected her comming,\vl7o with a maidenly hafymo-

deft accefle, (lar-like countenance,and fmilmg grace^rewe neerc

vnto

in a dreamt. 79

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
water.

The which myfticall place
wa<: ofaveric Jultie mould and

fruitrull, replenifhed
with all forts of fruits, beautified with

fake fprm^s, and greenchearbcs
and flowers, full ofalliblacc

and delimit.Whereupon flic fpake thus t

Idoc

nt A Dreamt.

I doe imagine (Potiphibu) that you doe not vnde/fhnde
the condjtionate (late ofthis marueilous feate , and therefore

giue attendance to ray wordes.

\V hofoeuer entereth in cannot come backe , but as you fee

yonder mountaines heerc and there diftnbuted , feuen circu*

it sand the about goingsdiftantonefrom another.

And the extreememoleftotionand forrowc of thcente-

rersin, is tliis : In the myddle mountayne within thecenter

thereof, and openmouth ofthe fame, there lurkcth muinbly
a deadly deuounng olde Dragon, hee is vtter deltruc"hori to

fome, and others are not hurte to death by him, Hec can

not bee feene nor Hiunned, neythcrdoth heeleaueany vnaf-

faultcd, buteytherin die entrie , or in their tourney, hcede-

flroyethor woundeth . And if hee killeththemnot betwixt

one mountayne and another, theypaflc the feuencircuitcsto

the next mount*
And they that enter in by the firft tower or mouut (where-

vpponisthis tytleinfcripc AOHA Ko^MiKHai FOM*oAr2.) They
fayle in a little ihippe with a profperous winde , andfecurely
at pleaiure : the fruites and flowers fall downc vppontheyr
hatches, and with great folacc and pleafure they cut through

bythefeauenrcuolutions with a merry \\indc, vntill the fe-

cond mount bee difcouered and come vuto* Andmarkeand

beholde(P<?/^///^)howccleare and bright the ayre is in the

entrance, ouer that it is in the ccnter,abou: the which is thicke

darknefTe.

In the firft mount or tower there is alwayes relident a

pittifull matron and bountifull , before whome ftandeth

an auncient appoyntcd vcfTell called Vrna> in a readineiTe,

hauing vppon it feaucn Greeke letters as thus eEsnioN, full

of appoynted honic , and to euene one that entereth in , \ crie

curteoufly and with a good will fheegiueth one of them w ith-

out refpeftc of ftatc and condition, but according to theyr

cmerance.

Thcfebeeingreceyued, they came foorth, and begin to

fayle intheLabor)
r

nth, the w.iterbeemgenuyronedvpon ei

ther fidc5,with roies,trees,ond fruits*

Aud

Thff/h-ifeofLotte

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
hir honour, and fit for your companies. Tel me Poltphtlw doeft

thou louc hir wel indeed ? Then I fetting a de epe figh,aunfwered:

beyond all the delights and chcefeftfubuance of the greateftand
jnofl pretioustrcature in tlie whole world s and this opinion hath

madeaneuerlaftmgimprcflioninmy ftill tormented heart. And
fhe : where hauc you loft or abandoned fo louedaiewel? I know

not,neyther where I am my felfe I know . Then flic {myling aun

fwered. Ifany (hould finde hir out for you , what rewardc would

yougiue . But content thy felfe ,beofgoodcomfort, and frame

thy felfe to delights ^ for thou (halt finde thy Polta againc . And

\Mththefcandfuchlikeplcafauntand gracious cju^ftions, thefc

fayre young Virgins/porting and folacing themfclucs, we waflit

and bathed together, M i At

Thefirife of Ltttc

Attheoppoiiteinterfticeof the beautifull foumainc with
out, ofthe fair e fle.eping Nymph beforementioned, within the
Bathe there was another offcatnes offine mettal, and of a curi
ous workemanfhjp, gUfteringofagoldeii colour , that one mbht
fee himfelfe thercm. Which were fattened in a Marble, cut into
a fquadraturc,and euacuatedfor the Images to (Lnd m their pro -

portions, with two halfe Cellumncs that is Hcmiciles, one of ei

ther fide, with a Trabet, a fmalZophcr, andaCoronicc, all cut
in one follidMarble, and this peece ofworke was nothing inferi

or to any of the reft, which before 1 had feene,but witha rare art,
and marueilousmuention ,both deuifcd and performed. In the

voydandplaineeuacuatedquadrcr, there ftood twoNimphes,
little leiTe then ifthey had been liuely creatures, apparelled, fb as

you might fee fomewhat aboue their knees
> vppon one of theyr

legges,
as ifthe windc hadblowne it vp, as they were doing thcyr

office, and theirarmes bare, from the elbow to the fhoulder ex

cept. And vponthatarme, wherewith they fuftained the Boye,
the habite that was lifted vp was reiec>, The feete of the Infant

flood one in one of the handes of the Nymphcs , and the other,
in the others hand. All their three countenances fmiling : and
with their other handes, they held vp the Boyes fliirt

, aboue his

nauij.

The Infant holdinghis little Iftrumentinbothhishand5,
and continued piflfinginto the hotte water, frefh coole water. In
this delicious place ofpleafurc,! was verieiocund and full ofcon-

tent, but the famewas much apalled, in that I thought my felfea

contemptible bodie , among fuch beauties , and dcwe coniealed

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
The beautye of which two were fuch , and fo freih , as I loo

ked about mec , whether 4fellcs had painted them with his

Penfill.
And

in A Dreamt.

And there my fportfull, faire , and pleafant companions, cueric

one putting their right handcs to mine, willing to haue me in,

faydcyPebpbt/w this is the vfuall waye , by the which youmuft
come into the prefeuce of our Gracious and mofte excellent

Queene.
Bat you cannot hauc leaue to enter in here through this Curtain,

before youbee receiucd ofa vigilantand innocent Damofel that

is the keeper ofthis doore, and ihe is called Cmofia. Who hearing
vs comming, did rbrthwithpretent her fclfe, and fauourably held

vp the cloth, and wee entered in.

There was a roomc hung about and diuidedby an other Cur-

tauie ofexcellent Arras full of Imagene,as fignes,lhapcs,plants,

andbeal\es, fingularly well done.

In tins place at our comming , an other curious woman came

towardes vs 3
called fndahwsnA , and (he putting by the Curtainc,

wee enteredin. And rhere was an other fuche like roomc, from

the fecond for quantin :, with difcourfes and reafon rnaruciloufly

wouen, \Mti .iiifinitek~ottes, buckling^ ,tyings,
and oldfafhia-

ned harping Irons, orHookes, as if they had been fattened and

knit togither. Inwhichplicc without any (hying, the thirdwo
man came and receiued vs very gratioufly, her name was Muem^
fin* t

and fhee calling vs.gauevs free leaue to go in. Where lafl>

ly my companions did prefentmee before the facred maicftic of

the Quccnc Eleutherilltd*.

m&y , hovtexctcding grfttt
ths

ftie of the Qucenc VPM , the mtnner of her Refidencc and fer~
nicf. His favourable entertainment. Howe [hee marvelledM
him.

HcnT camctownrdes the fiiTtdoore-keept*,
Iwasfomewhat aballied , but yetl did utc

her in ouodfjrte as became mce to dc ?, Av>i

i^eevene curteoufly badd j mec c

And in lik: manner the fecond.

O Jn

Ttv ftrtfe ofL

In whofegardJL did feeaiofric Gallery as long the content of the

Pallaice, the roote whereof , was all painted v\ith a greene fbha-

ture , with diftin& flowers and folded leaues, and little flv-

ing Byrdes, excellently imphrygiated ot mufeacall paymiag,
as without in the firft Court, and the done walks fcclcd with

Chipworkcsofdiuers colours.

At thelaft daore, the Matrone MnenufwA perilvad^dn^e
Verie effectually ,

not to doubt ofany thing >

but that 1 fhould

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
a conceiued hope, fixing mine eies with exceffiue delight vp
on hirfaire bodie and well difpofed members, by all which,

my difcontented dehreswere gently mitigated and redee

med from that furieand amorous fire, which fo neere had

bred the extrcmitie ofmy paflions.

Tbt

The Itymph letdeth the homered Potipbittu
to other pletfant pUeet,

where he beheld innumerable Nymphsfolding them, and a/fo tht

triumph ofVertumntu and Pomona.

Y no meancs I was able to rc-

(ift the violent force of Cupds
artillerie,and therefore the ele

gant Nymph hauing amoroufly

gotten an irrtuocable domini

on ouer me a miserable loner, I

was inforced to follow ft. II af

ter hit moderate Itcps, which

led me into a fpatious and large

plaine.theconterminate bound
of the flowered greene & farce t

f ,r i_

fmellmg valhe, where alfo ended the adorned mountames
and fruitfull hils, (hutting vp the entrance into this golden
countrie, full of incredible delight with their Joining togi-
thcr: couered ouer with green trees ofa cofpicuous thicknes

& d.(tance,as if they had been fet by hand,as Yew trees, wild

Pynes,vnfruitfull but dropping Refin,tallpineapple,ftraight

Firre,burning Pitch trees, the fpungie Larix, the aierie Teda
belouedofthe mountains, celebrated and prefcruedfor the

fcftiuall Oreadcs . There both of vs walked in the greene
and flowering plaine, fhee being my guide through the high

cyprcs trees, the broad leaued beech, coole (hadie okes full

ofmafte, and other hornebeames, pricking iuniper, weake
hafell. fpaltafh, greene lawrell, and humbryferousefculies,
knottie plane trees &lyndensmoouing by the fweet breatli
r f i i *!! ii-

of the pleafant Zeplurus, whiitling through their tender

branches,vith a bcnigneand fauorableimpulfion.
All u hich greene trees were not thickly twiftedtogither,

butofiiconuenientdiftaunceonefrom another, and all of

them fo aptly diftribuced as to the eie the fight thereof bred

great deHght.
^

This place was frequented with countrie Nymphs and Dry-
*des, their fmall and flender waftes being girded with a bray-

ding of tender corules of fprigs, leaueSjandflowerSjandvp-
Cc on

like a pine,

g00afor

ding, it will

neither roc,

woo ""ref

out of the

whichifliieth

, be

-y
" eni or

tcile trees . in

Latm TiUtt

thcybearc a

fmitas hig as

;

fce d r9 .

Dryadu, be

Nymph* of

thcwoods -

The jlnfe ef Lt*e

on their heads their
rifing vp haires, were compared about

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
madc,in the porche ofhis woonderfull Pantheon.

Let vscomenowtothelymct and lowed parte ofthe do ore,
for entrance,which was of a great large and harde done

, powde
red with fundry forted fpottes,white, black, and ofa clay couler,

and diucrs other mixtures : vppon this Itood the fhreightcheekes
and fides ofthe doore,with an interftitious afpccl: , inwardly cai -

ued with as great cunning as the reft* Without any figne ofeythcr
hookes orhmges,belowor aboue.

Thearcheof which doore comparing like a halfe cyrcle, was

wrought curiouflye and imbowed , and as/ i t were bounde about

vvithlaceslikebeadsofbrafTe, fomeround, andfomelike Eglan
tine berries ofa rcddifh couler,hangingdowne after an auncient

manner,and fouldcd and turned in among the render (hikes.

The clofing together and bracing of which hemicycle or arch,

worthie ofadmiration , of a rare and lubtiledeuife,and exquifitc

po lyture,did thus obieft and prefent it felfe to my fight.
There Ibeheld in a hard and mod black ftone^n eagle difplay-

ed,and bearing out ofthebigncfle ofa naturall eagle , which had

loumgly feazed and taken in hir footeafweetebabemthefwad- The Eagle of

ling cloutes,nicely,carefully, and gently houldmg the fame, lead
lupiterthac

thathirftrong, fharpe, and hooking pounces, ihould by anye carrycdGa-

mranes pierce thorough the tender skynnc of the young infant. nimetj -

Hir^fe etcwere fixed about the :

nfing vp chid of thechilde,
\vhomeiTiehadmadebare from the nauell vpwarde anddowne-
\vard.fo as the naked h.ppes might be feene betwixt the fethered

tln^hesot the Eagle* 1 his little infant and moftbeautifull babe

(wort hie and meete for him that he was feazed for) by his coun
tenance fhewed as ifhe had bcene afraideofhis fortune*

And thus lying in the foote ofthe Eagle, he ftretched both his The bones

nrmesabro.ide,andjwith his little fat hands to okef ill houldvpon nexcchcqack

theremigiall bones ofthe Eagles pinions difplayed,asaforeCnd
in the wing,

AndclafpinghisfweHingprittielcgges aucl feete, about hir fub- f^^
1 " 2

.

vaging fpreding traine, winch lay e bchindc the
rifing vpp e ot the^

all^r"

"

3rche.
portions ofo-

Tins little childewascut of the white v; ne of Achates or therbirdcs.

G Onix

Achatesisa
"

reprefcntcJ
the figures
of the nine

Mules, of Vc-

nus and Cuch

like beautiful

perfonages.

in diuers

thingsare

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
thy fake,minding to put ic cut in yonder temple.
Thefe fpeeches pearced my hart, they were fo delightfull

and defired ,
and fo much the more, bicaufe (lie called me hir

*Pol!phtln4. Whereupon I aflured my felfe, that (he was To/ia,

and From top to the toe 1 found an extreeme alteration into

a fupreame delight, my hart flying onely to hir. Which

thoughts were bewraied by my countenance, and whifpe-

ring (mall fighes.
Which fte cunningly perceiuing, brake orr tmsnewaco

dent wnh thefe tvords : Oh how many be ihere whichwould
mod

Theflrife ofLone

moft gladly behold thefetriumphes,and thereforeT
addrefle thy thoughts to other matters, and behold what
noble and woorthy Nymphs fhew themfelues deferuedly
conforted with their amorous louers, curteous and affable :

who with fweete and pleafant notes in meafured verfe, praife
and commend one another without wearines,ince(Tantly ce

lebrating their turnes with excefliue delight, and extolling
the triumphs, the aire alfo full of the chirpings of diuers

prctie birds,yeelding a diffufcd charme,

Thisverfc About the firft triumph among thereioifing companie,
confiftcd of the nine Mufes did fing , with their leader the diuine Luter

Strophe.Jri- Apollo.
Afcer thc triumPh followed the faire Parthenopeian Ltria,

with a lawrell crowne , accompanied with MeUnthia, whofe
Homer. habites and voices reprefcnted the pride of Greece, where

upon the great Macedon refted his head : She bare a fplen-
dent lampe, communicating the light thereofwith hir com

panion,then the reft more excellent both in voice and fong.
There the faire Nymph (hewed me the auncient

Iphianaff*>

and after the old father Himerinw his daughters and their

drinke, and one betwixt the two Theban brothers : Thefe

with pleafant noifes , fweete muficke and fine agilities, paftc
on about the firft triumph.
About the fecond triumph was the noble Nem^fs with the

Lfsbt4HCorin4,Df/M and Netra* with diuers others amorous

Nymphs, making pleafaunt foundes vppon ftringed inftru-

ments ofyealow wood.

About the thirde triumph,the glorious Nymphs (hewed

me Quinti/iaand Cjnthea Nauta, with others, in great folace,

making fweete harmonies,and fmging pleafant verfes:there

alfo I behelde the virgin VioUntillo, with hir Douc,and the o-

ther forrowing for hir Sparrow.
About the fourth triumph, before it went the Lidion Cloe,

ljide,Neobole,fatttt Pbillis, and the faire Lyce Tjburts & Tjra,

with their liarps fingingand making a moft pleafant noyfe.

After this fourth triumph among the Mamades and facrifi-

cers to Bacchw, there folowed an amorous damofell finging

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
thoughts and phantafticall imaginations ,
and remembring

allthofe maruellous diuine (hapes and bodies which I had

perfonallyfeene with mine eics, I then knew that they were

notdeceitfull fhadowes, nor magicall illufions, but that I

had not rightly conceiued of them.

And now with earneft confederation among thefe behol

ding the moft excellent Nymph faft by me, my eies filled

with amorous darts ceafed not to wound my paflionate hart,

by means wherof incontinently all my wandering thoughts
were ftirrcd vp,compa<5t,and fixed vpon hir their defired ob-

ieft, recalling my mottified foule afrelhtobe tormented in

his firft flames, which moft cruelly I fuffered, in that I durft

not be bold to askeif Die were my defired Po/ta, for (he had

put me in fome doubt thereof before, and now fearing to

offend hir with my being ouerbolde, and ore troublefome

with my rude and vntilled toong, diuers times when my
voice was breaking out betwixt my lips, vpon that occafion

I fupprefled the fame. But what fhe (hould be, it was beyond
my compafTe to imagine,and I flood as fufpicious thereof,as

the deceiued Socta with the fained Atfatitdcr. Thus with dili

gent regards andcordiall fearches examining hir heauenly
features inuaded with a burning defire beyond meafure, I

faid to my felfiOh that I might be,if it were po(Tible,a freema

in fuch a place , for no forrow fhoulde greeue me, nor immi
nent danger {hould make me afraidialthough thatfrowarde

fortune (houlde oppofe hir felfe againft me, I woulde fpende

my life without any regard therof, not refuiing to vndertake

th c laborfome and great enterprife of the two gates (hewed

to the fonneofesfmpkitrio.
To fpend the prime ofmy youth and pleafure of my yeers

in the mortall daungers of the merciles feas, and in the fear-,

full places of Trwacria, with theexcelTiuetrauelsand terrors

oft/Vvj^/.inthedarkecaueofthe horriblePo/i^w, the Ton

ofNtprtMCyto be transformed in the com panic of CA/ypfi, al

though 1 loll my life,or indured the moft hard & long ferui-

tude of t/4ndrodutjor all weannes is forgotten where loue is

vehement. To vndertake with the amorous J/w/w*and
llfM

Tkeftrife ofLout

Hew to runne with Atalanta, or to com but in fuch fort as the

ftrong and mightie Hercules for his loue D<i/r4, did with
the huge Ackelowfo as I might atchicue fo gracious a fauor,
and attaine to fo high delight, as the remaining in thefe fo-

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
well, of what kmdc of Marble ,
and what manner of engra

y*

There I beheld the laboures of Hercules grauen in Rone

with halfe the reprefentation (landing out or bearing foorth, in a

woonderfuilfort,the fkinnes,{tatnes,ty ties, and trophes , What
an entry,what a liately porche,what that of Titus Cefar with his

floneofPheniceawithallthe tinkering and pulhflnng about it,

there is none whofe wit is fo groiTe to commend it, in refpect of

this,but will rather fcorne tofpeakeof it. As for the woorthie

and excellent manner ofglaiing the gallerie without the
palla<e,

the conlpitious porche, the manner of building, the arched fee

ling aboue headjbeautified and adorned with fohature and other

lineaments of puregouldand afuer couler and excellent painting

that whatfoeuer I had fcene before I made fmall acount of , as not

worthic ofremembrance. Andbeeingnow come to the doore

within the porche, the going in was clofed vp wth a hanging,

drawne ouer before it ofgould and Hike , wrought together, and

and in the fame two images One ot them haumg all kmde of111-

flruments about hir, fitte and readie to goe to worke, and the o-

therwith a maidenly countenance, looking vp with hyr eyes in

to heauen.

The beautye of which two were fuch , and fo freih , as I loo

ked about mec , whether 4fellcs had painted them with his

Penfill.
And

in A Dreamt.

And there my fportfull, faire , and pleafant companions, cueric

one putting their right handcs to mine, willing to haue me in,

faydcyPebpbt/w this is the vfuall waye , by the which youmuft
come into the prefeuce of our Gracious and mofte excellent

Queene.
Bat you cannot hauc leaue to enter in here through this Curtain,

before youbee receiucd ofa vigilantand innocent Damofel that

is the keeper ofthis doore, and ihe is called Cmofia. Who hearing
vs comming, did rbrthwithpretent her fclfe, and fauourably held

vp the cloth, and wee entered in.

There was a roomc hung about and diuidedby an other Cur-

tauie ofexcellent Arras full of Imagene,as fignes,lhapcs,plants,

andbeal\es, fingularly well done.

In tins place at our comming , an other curious woman came

towardes vs 3
called fndahwsnA , and (he putting by the Curtainc,

wee enteredin. And rhere was an other fuche like roomc, from

the fecond for quantin :, with difcourfes and reafon rnaruciloufly

wouen, \Mti .iiifinitek~ottes, buckling^ ,tyings,
and oldfafhia-

ned harping Irons, orHookes, as if they had been fattened and

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Jeaues. And al the faire riuers were f ul ofother flowers fweet-
hc growing among their greene and frcfli leaucs. Thisde-
lightfull place was ofa fpatious and large circuit, comparted
about and inuironed with wooddic mountaines, ofa mode
rate height of greene lawrell, fruitefull memerels, hearie &
high pine trees, and within the cleere channels, with graue-
led banks,and in fome places the bottom was faire fort yea-
low fande, where the water ran fwifte, and the three leaued

driope grew.
There were a great companieof delicate faire Nymphs

of tender age,with a redolent flower of bafhfulnes , and be

yond all credire beaurifull, with their beardlcs louers conti-
nuallie accompanied. Among which Nymphs, fomc veiie

pleatantly with wanton countenaunces in the cleere ftreams
(hewed themfelues fportefull and gamefome, hauing ta

ken vppe finelie their thin garments of filkeof diucrs co-

lours,and holding them in the bouts of their white armes,
the forme of their rounde thighs were feene vnckr the

plytes, and their faire legges were reuealed to the naked

knees, the current ftreames comming vp fo high : it was*
fight which woulde hauc prepared one to that which were

vnfit, and ifhimfelfe had been vnable thereunto. And there

where the water was moft ftill, turning downe their faire fa

ces ofexceeding beautie, and bending their bodies of rare

proportion, as in a large goodly glaiTc they might behould
their heauenly (hapes, breaking off the fame with the mo
tion of their pretie feete, making a noyfe with the con-

traftofthe circulating water. Some folaciouflie ftriuingto

gobythetamefwimmingfwans, andfportinglycafting wa
ter one at another,with the hollowncs of their palms:othcr$

landing without the water vpon thefoftcoolegraflfe, ma

king vp of nofegaies and garlands offundrie fweete flowers^

&giuing the fame to their louers as tokens of their fauora-

ble rcnicmbraunce, not denieng theirfweet kifles,& louing
im bracings,

in 4 Dreame,

imbracings ,
with the amorous regardes of their ftar-likc

eyes.
And fome were fct vpon the grecne banks notouergrown

with reed and fegs,but finely beautified with (weete hcarbs
and flowcrs,among the which the tender Nymphs comming
wet out ofthe water more cleere then Axiw in MygdontAjm-
der the vmbragious trees, did fit fporting and deuifing ona
with another in delightfull imbracings, with their reueren-

cing louers,not cruelly (corning& reie&ing them , but with
a fociable loue and benigne affablenefle

, difpofing them-
felues to the like (hew oftrue aftedion

,
their fweete geftures

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
rowemorc abounding then poorc Pftyphfs. And in morelabour-

fomedaungers then Lucius Apuletu ,when hee heard the theeues

confulnng to knocke him on the head and kyll him.

OpprelFedand laden with all thefe aforenamed frightes and

terrcrs. I began to imagine that the Dragon was flying about

my head ,
and with the noyfeof hir fcritching teeth and tearing

clawes to take hould vpon me with hir deuouring lawesrmy heart

giuing mee to vndcrftand , that the carniuorus Woolfe which I

drempt of, was a prefage ofthis my laft doubted end . And thus

running vppe and downe like a little poore Pifmcere or Aunte,
vvhenthePartrichis

fcratching vpon their hillocks and picking
ot them vp.Withmy watchful! and attentiue

cares>Uftning
ifthc

horrible monfter with hir ilimie and filthiepoyfon andfhnking
^auour were drawingtowards mee.And fearing whatfoeuer came
firit into ray thought.

Findingmy fclfe vnarmed , voydeof all helpe,in this mort
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Assistant

In Hypnerotomachia Poliphili, Poliphilo’s dream journey is populated by a dazzling array of symbolic figures and allegorical entities. These characters serve as guides, challenges, or reflections of his inner states—often blending mythological, philosophical, and erotic elements. Below is an organized overview of these figures and how they interact with Poliphilo:


1. Nymphs as Guides and Tempters


Nymphs are the most frequent symbolic beings Poliphilo encounters. They embody beauty, desire, and sometimes divine wisdom. Often, they:

  • Lead him through landscapes of pleasure, such as perfumed groves, flowering valleys, and sacred streams.

  • Explain mythological histories and esoteric meanings, revealing the past lovers of Jupiter or recounting the genealogies of divine beings【14:0†source】.

  • Engage him in bathing rituals and sensual delights, both testing and inflaming his desire. One elegant Nymph, after charming him with her beauty and grace, leads him into deeper symbolic terrain, introducing him to triumphant pageants of love【14:5†source】.

  • Occasionally abandon him, symbolizing the transient nature of earthly pleasures and the need for spiritual constancy【14:8†source】.



2. The Three Matrons


Three wise matronly figures serve as initiators into sacred mysteries. Each represents a stage of progression toward enlightenment:

  • Cosmèa, Logistica, and Thelemia (names vary by translation) serve as gatekeepers to Poliphilo’s further journey. They test his worthiness through purity, rationality, and will.

  • They are tied to the idea that no one may enter the sacred precinct “without a burning torch”—a metaphor for intense love and suffering【14:0†source】.



3. Mythical Processions and Triumphs


Poliphilo witnesses four triumphal processions, each filled with allegorical figures from Greco-Roman mythology:

  • Apollo and the Muses lead the first triumph, symbolizing the arts and celestial harmony【14:14†source】.

  • Nemesis, Diana, Cynthia, and other goddesses appear in the second, representing chastity, fate, and the heavenly cycles.

  • The third features nymphs like Cynthea Nauta and scenes of joyful music, birds, and celebrations of love.

  • The fourth includes Vertumnus and Pomona, deities of seasonal change and fruitfulness, showing love as transformation【14:12†source】.


These processions are not only spectacles but allegories of love’s journey—from idealized artistic inspiration to natural, earthy union.


4. Personifications and Temple Guardians


  • Figures like Mnemosyna (Memory) and Cognitio (Understanding) appear as temple guardians or priestesses, granting Poliphilo access to hidden knowledge.

  • One allegorical being named Cmósia, described as a vigilant and innocent damsel, acts as a threshold guardian, only allowing entry if the seeker is pure【14:11†source】.



5. Erotic Goddesses and Feminine Archetypes


Poliphilo interacts with goddesses and personified virtues who embody archetypal femininity, often exposing him to:
  • The dangers of unchecked lust, leading to abandonment or shame.

  • The refinement of passion into sublime devotion, through ritual, symbolism, or contemplation.



6. Polia as Central Symbol


Ultimately, Polia is the most important symbolic figure. She oscillates between goddess, beloved, and teacher:

  • At first, she appears as a distant, divine muse whose love he must earn.

  • Later, she takes on a didactic role, explaining sacred truths and guiding him toward spiritual union.

  • Her final revelation blends erotic fulfillment with mystical epiphany, culminating in a symbolic wedding.



Summary


These allegorical beings in Hypnerotomachia Poliphili personify spiritual and erotic states, forming a labyrinth of experiences through which Poliphilo evolves. His encounters shift from sensual enchantment to moral testing to sacred initiation, reflecting the Renaissance view that true love is not just emotional but metaphysical—a journey toward union with the divine.

Would you like a chart or map of these figures and what they symbolize?

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
The plaync labiall companlng about the quadrant Or

chyard comming out from the walles as a feate for thefe a-

forefaydc garden pottcs and trees to flande vppon, was

fubcoromzed with golde by excellent lyneamentes wrought
and adorned. The vppcr face whereof, and whereuppon
thofe pottes and trees did ftande, was couered with aplay-
flcr of glafle gilte, and a curious hiftorographie to be feene

in the lame, and compailed about and holdcn in with wye-

ring and netting ofgolde.
The

The wall that compadedabout the Orchyardwithacon-
uenient diftance

, was bellycd out with columncs ofthe lame
matter, and inuefted with flowring bindings naturally propor
tioned, and hcere and there were quadrangulatccommnes of

golde chamfered, arching from one to an other, witharequi-
litc bcame Zophor and coronice, with a iiieece and conucment

proieftuae oucr the chapter ofglafTe vppon the round.
The fubfiance ofwhich fubicftproieclure of the bryttlc

imtter, was of counterfayte diafper diucrfly coloured and

fliinmg.Which bryttlc fubltance had fome void fpace betwixt
that and the other*

Themouthofthe arches were (lopped with rombycs of

clearcglafleinfbrmeof atryangle, and the pypcs beautified

all ouer with an Encauftick painting, verie grttious to the fight
ofthe beholder.

Theground was here and there couered with great round

ballcsofglafTelykegunneftoncs, and other fine proportions

muchpleafing, with a mutuall confent vnmooueable lykc

pcarles (hining without any adulteration byfolyaturc. From
the flowers did breath a fweet fragrancie by fomc clcare walh-

ing with oyle for that purpofe.
There moftcunmngly did Logtftic* lykc an Orator make

a difcourfe in commendation
phyfically

of that excellent

confection of thcnoblenes of the tubftaunce , fecrccieof the

art , and ftraungcnes
of the inuention , The like is not to bee

found*
And after fhee fayde, Po/ipbi/tv

lettc vs goc and afcende vp
this mount nexte the Garden , and Thckmia remayning at the

ftayrefoote, wee afcended vp to the plaync toppe. Where

fhcefiicwedvntonicc, with a heauenly eloquence, a Garden

of alargcrompafle,
made in the forme of an intricate Labo-

rynthallyes and wayes ,
not to bee trodcn , but fayled about,

fbrinftcadeorallyes to trcade vppcn, there were ryuers of

water.

The which myfticall place
wa<: ofaveric Jultie mould and

fruitrull, replenifhed
with all forts of fruits, beautified with

【1†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
ly, the notable difpofition and order ofArchitecture, the du

rable

r.iblc Symmetric and proportion of the building 5 perfect and

ablolute, the noblcncs of the Art of Mafonric and Lapycida-

rie, the directions and placing of Columnes, the perfection of

frames and reprefentations ,
the adornment ofthcwalles,the

diusriltie oft he (tones, the (lately entrance & princely porch,

large Gallery , artificious pauements, no man will thinke with

whatcoft and charge bewtificd and hanged with precious Ar
ras andVerdure. 1 he fpacious and loftie inner Court, goodly
bedchambers,mner withdrawing chambers, parlours , bathes,

hbrarie and pinacloth, where c oat Armors cfcuchions ,painted

tables,and counterfeates offtrangcrs were kept , with a ma-

leihcalcomelmesand order placed and folcmnely distributed.

In which concerning capacitie , tnaruellous performance,
incredible charge and high commendation of the moft excel

lent Artificer, \voor;hily allowed in eueric partition and ele-

*a~t conuention ofexquifitc Lineaments.I alfo beheld a mar-

uciloustwiftedconlignationorcoueringofgold-fmithswork,
ouer afourefcjuareplaineCourt, growing vp alike , without

comparifon like a hcaucn,with a dilpofite diftancc ofmany for-

tcdproportionSjWithfundry lybellated Dimen(ions,fhadow-

ingoucrthc Court, with an ArchedEmmence,which was vn-

dcr, adorned withcoromfed Lyneaments andgrauings,thcre-
unto conuenient,as Fafheols, Gululles 3

and Quailing, and the

leaues of^cbaatlna , licking vp as it were in the corners of the

quadrangulcd Court. With Rofcs and thegrowing order of

their leaues, the top leate lead, their laggings about the leaues,

and fpace betweene 1 cafeand leafe. All thinges coucred with

purcnnegold and Azurccolour, with diuers other proporti
ons and counterfeits of fubfbnce,ecmal with their workcman-

jhip.
The roofing of Salanccs King of CoUbis, may not com

pare with this.

Then the delightful fruitfulnes of the fet hedges, Orchards,

watered Gardens , fpnn^in^ Foumames , current flrearnes in

Marble Channelles , conteincd , framed, and held in , with an

incredible Art
> grcene Hearbcs, iliil frefhc and flowering,

a fweete ayre, warme and fpring windes , with a confufcd

charme of(ingingand chirping birdes >

a pure, fairc and bright

aire,aiid Ihl continuing temperate and hcalthfull , couutry free

R fiora

TbtfrrifeofLoue

【2†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
led , the pleafant Nymphes came a^aine to nice . and as wee concuK-
c i

.
i

I ccncebun-
walked on , wee came into a ireqirented place, and wonder- ^cthaman,

fullj frjuitfull. and drmeth

And there in a fine order and appointed diftance wasawaye his fences

fet on either fide^ with Cyprus Trees , with their corner clcfted

Apples ,
and as thickc with leaues as their nature will fuf-

fcr them , the leauell grounde beeyng couered all ouer,

with sreefcic Vinca Permma ,
or Lawceoll and Chamme,

Daphne,

The firife ofLit*

f, and full ofhis afurine flowers. Which adorned way of .1

meeteandconucnient breadth , did lead directly on into a greene
Clofure , from the beginning of whiche walke , mft betwixt the

Cyprus Trees, to the entrance and opening ofthe aforefaide en-

clofure, was fome fourc furlong.es. Vnto which cnclftfure when
wee came, Ifounde it equilatera]l,with three fences like a fireight

wall, as high as the Cyprus Trees vpon either fides ofthe waye,
that wee had pafled along in : which was altogithcr of Cytrons,

OrengesandLymonds, bufhingwith their leaues one within an

other,and artintially knittc and twitted togit her, andthethick-

nes mec thought of fixe foote : with a Gate in the mi ddeft of the
fame Trees , io wcl compofedas is either poflible to bee thought
or done. And abouein conuenicnt places were made windowes,

by meanes whereof,the bowghes in thofeplnces were to be feene

bare, but for their greene leaues which yeelded a molt fweet and

plcafant verdure* Betwixt the curious twiftmgsof the braun-

ches and their greene leaues
, the white flowers did aboundantly

fhewe themfelues a fingular Ornament , breathing foonh a moll

dclcftablc andfweetc odour. And to pleafe the eye ,
the fairc

fruitewasin no place wanting, where it fhould yeelde content.

And afterwardes I might perceiue,that in the interftitious thick-

ncs, thebowffhes (not without a wonderful woorke) were fo ar

tificially tfvifted and growne togither, that youmightaflendvp

by them, and not bee feene in them , noryet the way where you

vventvp.
At length comming into this gteeneand delightful groundc

to the eye, aiidinamansvnderftandingwoorthieoteflimation,
1 pcrceiued that it was a great enclofure in the fore front ofa

rmrueilous Pallaice of anoblefiinmernatedarchiteclurie which

of thisfrondiferous conclaufure,\vas the fourth part in longitude

^x tic paces. And this was the fl-ftthri to wa^kc m, for open

ay re.

【3†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
was glad
to

beguile
the time withthefe conceits,

anothomifing in them,the vanitie ofthis life, and

vncertaintie of the
delights therof, in the Dreame

ofPolipbilM;
Which ifit (hall plea/e your Honor

atconuenientleyfureto looke ouer, pardoning
what you findeamifle , and weighingmy good
will, I (hall thinkemy felfe moft happy.

And thus I humbly take my leaue, vntillthat

I may prefent your Honour, with a matter more

fitting
the fame.

Tour Honors dcuoted.

. V.

A nonymi elegia ad Lee

Andide Poliphilum narrantemfomnia Leflor

aufculteSy fammofornnia miffa po/o,

Non oferamferdeSy
non b<c

audifiepigelit,

tarn vwijs mirum reliMalundatotu*.

Sigrauis Qf tetricus contemnis erotica^ rerum

nofcc frccor feriem tarn bene
difpofitam.

s ? acfaltemftylus qy noua
lingua nov

iS) fofbia9fc rogat afpiciof.

geometrica cernc vetufta

^lurima
miUiacls difce referta

not is.

Hicfant Pyramides, therm*jngentefy Cohfi,
ac Olelifcorumforma vetuftayatet.

Hie diuerfa bafisfulget, varitfque
columns

illarumfy
arcirt

y Zofbora, cfiflilia,

Et
capita at^ trabes, et cum

quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

【4†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
as none maygoe beyonde. The ground ofthe leuell garden,

was of leaues,grafTe,and flowers offilke, like a faire fweere med-

dowe : in the midft wliereofjthere was a large
and goodly round

Arbour ,
made with golde wyer ,

and ouerfpread with rofes of

the lyke woike, more beautifull to the cye,then ifthey had been

growing rofcsvnder which couering.and within which Arbour

about the fides,werc feates ofred Diafpre,& all the round pauc-

raet ofa yellow Diafpre,according to the largenes
ofthe place,

with

in a dreamt. 7 o

with dyucrs colloured fpottings , confufcdly agreeing together
in plcafant adulterated vniting, and fo clecre and fhining,that to

euery obieft was it felfegainc reprefented. Vnder the which

Arbour , the fayre and pleafant The/nut* , folacioufly fitting

downe, tooke her Lute which Hie carryed with her, and wifh a

hcauenly melodie and vn-hearde fweetcneiTe, fhe began to (ing
in the commendation and delighfes of her Queene. And fee

ing what a grace vnto her, the company of her frllowe Lcgiftic*

was, I maruailcd why cxfpolio came not to hnrken the Harmonic
made by them : it was fo melodious , that for the prefcnt tyme a

man woulde haue thought that there had becne no greater fz-

licitie. And after that fhce ended her diuinc Poems, Logifltca

tookemeby the hande and led mefoorth of the Arbour,(aying
vnto me.

Pokphilus, thou /halt vnderftande that the deuife of thefc

obiccls, arc more plcafant to bee vnderfloode then beheldc, and

therefore lettc vs enter in heere , to bee fansfied in both.

And from thence , (hce and her companion brought mec
from thys garden to an other, where 1 behelde an arching <-x/-

reoftile,from the ground bent to the toppe, fyue paces in height
and three ouer, and thus continued rounde about the compaflc
ofthe garden, in an orderly and requisite proportioning, all in-

ucfted and couered ouer with greenc yuie , fo that no part ofthc

wall was to be feene. And there were a hundred Arches to the

compaflmgofthis garden.

By cuery ofthe Arches,was an Aulter of red Porphirite,cu-

rioufly proportioned with exquiflte lyneaments ;
and vppon c-

ucry one of them was placed, an image ofgolde ,
like a Nymph,

ofrare and beautifull femblances, diuerfly apparelled, and vary

ing in theyr attyre and heade drefling , euery one bending their

eyes towards the Center of the garden.
In which middle Centricke place, there was founded a Bafe,

of a cleerc Chriftal-like Calcedonie flone , in a Cubic forme:

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
condemning their former with defpite and hateful! abhorrence.

And with thefe they fall acquainted, and pafle the feauen reuo-

lucjoiis.

The febeeing; come ouer with an obfcure and roy clofe
./v ij&j

ayre, with many loUes and a gneuous voyage , they beginne to

remember what they haue pail and loft: for the more that the

compafle ofthe reuolucion, draweth necre to the difcoucrie of
the Figure of the Center, the fconer they are pafled ouer , ftyll

hortcrand /Sorter , and the more fwyfter the courfe of the

ftrcame is into the deuouring fwallow ofthe Center.

And then with extreame affliction and bitter ans;uiiTi re-
7

roembringthc abufe of their pleafures , and companions that

they haue forfaken, and fweete places, which fomurh the more

augmentcth their forrowes, for that they can not returne or goe
backe with theyr Shyppe, fuch a companie ftill follow them vp-

pon the frearnc with their fore-ca(Ues. And moft of all dyfmay-
eth them the heauje fentence ouer the median Center, Theonjy-

And there, confidering the difpleafant tytle, they curfe the

time of their entrance into the Labirinth , which hath in it fo

manic fundiy delights, and the end ofthem fubieft to fuch my-
ferable and jneuitable necefsity.

And then Hie (myling, faid : Toltfiilus, ouer the deuouring
throat of thys Center, there fitteth a feuerc ludge, balancing e-

uery ones aclions, and helping whom hec will helpe. And be-

caufe that it will be tedious to tell thee all, let thus much heereof

fuffife. Let vs goe downe to our copanion Thelemw, who de

manding the caufe why they flaid fo long aboue, Logtjhca made
aunfwcr, it dotli not content our PohphtlHs, onely to behold,but
alfo to vnderlland by me the fecrecie of thcfe things, which ha
could not goe to knowe, wherein I haue fatif-fied him, And
when Ihe had ended, Tbelemta faid.

T Let

Theftrifc of Lone

Let vs goe a little while to an other garden no IcfTe plea-
fant ioyning to the glalTe garden , vppon the right fide of
the Pallas : and when wee were come in thither ,

1 way a-

inazcd with cxcefllue wondering ,
to fee the cunoufnefie of

the worke
,

as vneafie to report as vncredtble to beleeue:

arcjuiuolcnt with that of glaiTe , wyth lyke difpofition of

benches or bankes
, theyr lyppes fet out with coronifingand

golden ground work*, and iuch trees , but that the boxes

【6†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Theground was here and there couered with great round

ballcsofglafTelykegunneftoncs, and other fine proportions

muchpleafing, with a mutuall confent vnmooueable lykc

pcarles (hining without any adulteration byfolyaturc. From
the flowers did breath a fweet fragrancie by fomc clcare walh-

ing with oyle for that purpofe.
There moftcunmngly did Logtftic* lykc an Orator make

a difcourfe in commendation
phyfically

of that excellent

confection of thcnoblenes of the tubftaunce , fecrccieof the

art , and ftraungcnes
of the inuention , The like is not to bee

found*
And after fhee fayde, Po/ipbi/tv

lettc vs goc and afcende vp
this mount nexte the Garden , and Thckmia remayning at the

ftayrefoote, wee afcended vp to the plaync toppe. Where

fhcefiicwedvntonicc, with a heauenly eloquence, a Garden

of alargcrompafle,
made in the forme of an intricate Labo-

rynthallyes and wayes ,
not to bee trodcn , but fayled about,

fbrinftcadeorallyes to trcade vppcn, there were ryuers of

water.

The which myfticall place
wa<: ofaveric Jultie mould and

fruitrull, replenifhed
with all forts of fruits, beautified with

fake fprm^s, and greenchearbcs
and flowers, full ofalliblacc

and delimit.Whereupon flic fpake thus t

Idoc

nt A Dreamt.

I doe imagine (Potiphibu) that you doe not vnde/fhnde
the condjtionate (late ofthis marueilous feate , and therefore

giue attendance to ray wordes.

\V hofoeuer entereth in cannot come backe , but as you fee

yonder mountaines heerc and there diftnbuted , feuen circu*

it sand the about goingsdiftantonefrom another.

And the extreememoleftotionand forrowc of thcente-

rersin, is tliis : In the myddle mountayne within thecenter

thereof, and openmouth ofthe fame, there lurkcth muinbly
a deadly deuounng olde Dragon, hee is vtter deltruc"hori to

fome, and others are not hurte to death by him, Hec can

not bee feene nor Hiunned, neythcrdoth heeleaueany vnaf-

faultcd, buteytherin die entrie , or in their tourney, hcede-

flroyethor woundeth . And if hee killeththemnot betwixt

one mountayne and another, theypaflc the feuencircuitcsto

the next mount*
And they that enter in by the firft tower or mouut (where-

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
And then Hie (myling, faid : Toltfiilus, ouer the deuouring
throat of thys Center, there fitteth a feuerc ludge, balancing e-

uery ones aclions, and helping whom hec will helpe. And be-

caufe that it will be tedious to tell thee all, let thus much heereof

fuffife. Let vs goe downe to our copanion Thelemw, who de

manding the caufe why they flaid fo long aboue, Logtjhca made
aunfwcr, it dotli not content our PohphtlHs, onely to behold,but
alfo to vnderlland by me the fecrecie of thcfe things, which ha
could not goe to knowe, wherein I haue fatif-fied him, And
when Ihe had ended, Tbelemta faid.

T Let

Theftrifc of Lone

Let vs goe a little while to an other garden no IcfTe plea-
fant ioyning to the glalTe garden , vppon the right fide of
the Pallas : and when wee were come in thither ,

1 way a-

inazcd with cxcefllue wondering ,
to fee the cunoufnefie of

the worke
,

as vneafie to report as vncredtble to beleeue:

arcjuiuolcnt with that of glaiTe , wyth lyke difpofition of

benches or bankes
, theyr lyppes fet out with coronifingand

golden ground work*, and iuch trees , but that the boxes

and Cyprus trees, were all filke,fauingthe bodies and grea
ter branches, or the ftrength of the armes : the reft , as the

leaues , flowers , and outermoft rynde , was of fine (like,

wanting no (lore of Pearlcs to beaut ifie the fame : and the

peife&fine collour, fvnellmg as the gla(Te flowers beforennenti-

oned,and alike, but that they about compaffing walles^of mcr-

uailous and incredible fumpteoufneiTe , were all couered o-

uer with a crufting of Pearle , clofe ioyned and fet toge
ther : and towardes the toppe, there fprouted out greenc

yuie, the leaues thickningandbufhing out from the Pearles,

vvith the ftringes and veines of golde, running vppe in di-

uers places betwixt the Pearles ,
in a moft rare and curious

(brt , as if it had beene very growing yuie >

with berries of

precious (tones fette in the ftalkes in little bunches: and in

the bu flies were Ringe-doues of filkc, as if they had becnc

feeding of the berries, all along the (ides of the fquare plot

ted garden walles : ouer the which , in rnafrer-like and re-

quifite
order , ftretched out the beamc and Zophor ofgolde.

The plaine fmotb of the fettles , where-vpon the boxc

trees (loode, couered ouer with Hiftories of loue and venc-

rie , ia a workc of filke and threddes of golde and filuer, in

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
There alfo I beheld innumerable troph&s^ fpoyles ofarmor,
and infinite ornaments j with the heades of Oxen and Horfes of
conuement bignes , and about their homes part ottheir garlands

oneauesjihiites^vvigges, braunchesaudfloures, and fome about

part of their bodies, with little children riding vpon them and

playing, mfo perfect a(ort and willed order, asthemoftskil-

full workemaifter i-ullofvarietie, labour, (ludie,andmdu(lrie,
could deuife and performe. With what care and pamehis aboun

ding skill did plainly manifeft, and with what pleafure the effccl:

ofhispurpofedidnowhitobfcure.
And with fuch an Ettrtthmie or apt proportioning of mem

bers, heedid fhewethefubtiltieoftheart of Lapictdartf, as if the

fub (lances had not beeneof thehardeft marble ho wloeucr, but
of foft chaulke or Potters claie, and with what conclanfture

the tlones were couched, and by what Artillene ,
rule and mea-

fure they were compofed and fet , it was woonderfull to ima-

gmc.
This was the true Art enucleating and difcouering the igno

rance that weeworkein, ourdeteftableprefumption, and pub-
like condemned errors.

This is that cleare and perfeft light, which fweetlyand with

H om

our vnconftrained willes draweth our dimme fighted eics ro con-

template and behold the fame. For none (vnles itbe he which of
fetpurpofercfulcth to behold it ) but his eyes would dafellvMth

contmuall defire to fee it.

1 his is that which accufeth horrible ccuetoufiics, the deuou-
rer and coniumer ofall vertue. a Itil bytmir and euerlaltin^ ^rce-

.
,

* J C7 O J
chc wo-rme in his heart that is cnptiuat ed and fubic-fb to thrlaine,

theacairfedletandhindcrancetowelldilpofcdwittes^the mor.
tal enemy to good Architeftuvie^ and the execrable Idol of this

prefem world, lo vnworrhily worJ hipped, and damnably adored*

Thou deadly poifon to him that is infected with thee,\vhat (limp-
ruous workes are ouerthrowne, and by thee interdicted.

Herewithall 1 beeingrauifhed and taken vp with vnfpeakc-
able delight andpleafure in the regarding of tins rare and aunci-

cnt venerable monument otfuch a grace and admiration, that I

knew not to which parttoturne me tirft,here and there willingly

looking about , and thereat amazed, considerately perufing ouer

what theingrauen hiftories prefentcd vnto me, as 1 remoued my
{clfefrom place to place,

with an vnknowne delight, and vnrepor-

tablepleaiure to beholde the fame , gaping at themwithopen

【9†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

I he difcription ofthe morning.

j

Hathoureas PAce^w ( 4 ) ifTuing foorth, did

bewtific withbri2;htneiTc the forhead of Lett-o

cetbea(f>^,and appearing out of the Occean
waues, not full/ fhewinghis turning wheeles,

that had beene hungvp,butfpecdily with his

fwih horfes Pyrou* Scd7W,haftning his courfe,

andgimng a tinftureto the Spiders webbes,

ainon2;rhe grccneleaues
and tender prickles ofthe Vermilion

Roles" in the purfuite whereof he lTiewedhimfelfemofl:fwift&

"littering,
now vpontheneuerreftmgand fhlJ mooning waues,

hecryfped vp his irradientlieyres.

Vpponwhofe vprifing ,euen at that indant, the vnhorned

Moone difir.ountedhir icife, lofine from hir Chariot hir two

I,orfes,theone white and the other browne, and drewc to the

Hotrifon(^ different from the Hemifphere (<r)

from whence
flic came.

And when as the mountaines and htlles were beautifull, and

the northeaft winds had left of to make barraine with the Iharp-
neilc of their blnfb, the tender fprigsto difquiec the nioouuig

B rccdcs,

(a)Phzbus
the Sunnc,

b) Leucothea
the morning.

(c)Pyr&Eo,
the horfes of

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
high-hat of more ,
at the firftfeemingtomee that they had ioyned together

thePoctsiris with the building which was an inclofure or end ofthevalley be-
fometime ta- twixtmountaineandmountainc: whichthmgl thought worthy

the noting,and without further delay I addrefTedmy felfc more

(d)Caucafus
neerer therevnto. And by howmuch the morel approximated

amighcic hill the fame, by fo much the more the excellence or the woorkc
in Alia which /hewed k feJfc , increafingmy defire to behould the fame 4 For
partcrhln- tnere appearedno longerafubftanceofvnknowne forme , but a

thL
f C

^" rare Obeliik vpon a vait frame and ftonicfoundation,the heigth

(c)Cilenusa whereofwithout comparifon did exceed thetoppes ofthe fide-

hill ofArea- lying mountaynes , although I thought that they had bcenc the
dia

3
whcre lu- renowmed Ofvmpw f^),the famous Cavcafwfb), and not inferior

Pl
ccrbe^ c

tocy^^co.Mtrcunevp- 4, r <f

  • i j/ji -i_


n Mala. To this lollitatrc place thus denredlyc comming , with vn-

(d)Parosis fpeakeable delight, at pleafure I beJielde the ftraunge manner

oneofchc^y. o f tne arte ? the hugene(l"e
of the frame, and the woonderfull

If] cs called
excellencicofthewoorkmanfhip . Mnruellin^ andconfidering

Sporadesf^n
the compafTe andlargeneiFeofthis broken and decayed obieft,

thefeaAege- made of the pure gliilenng marble/of Pares (d) . The fquared
um which <ic- frones ioyned togither without anyc cement, and the pointed
uidethEurup cjran jau corner ftoncs (treightlyc fitted andfinoothlyc
from Aha. ^

pullifhcdjtnc edges
whercofwerc ofan exquisite

vermillion cou-

lour,asis pofiiblctobee dcuifed : and foiuftfet, as betwixt the

joy nts,euen the encmie to the woorke ( ifeuer there were anye)
could not deuife to hide the point of the fmallcir fpamfh needle

vfed ot the be(lworkewomen.And therein this fo noble a piece
or uorke, I found a proportioned fubftance to cucry lhape and

likenetfe thatcanbc thought vpon and called torcmembrancej

partly decsyed,and fome (till whole remaining, with pillers fmall

vpon greatjWith
their excellent heads ofan exaft andmoflper-

feftclofing,crovvnedbattelments,cmbofbcaruings,bearing forth

like embroderie,archedbeames,mjghtiemettalme images,ouer-

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Content Snippet:
and veiTels ofNttmtdtan (lone and Porpkjr , and diuers couloured

marble . Great lauers condites , and other infinite fragments of

notable woorkrnanfhip,\r different and infenour from that they
v. cre,m their perfeftion.but now brought back as it were to their

firft vnfhapehnes^eing fallen and call: downe,fo;neheere, Tome

thereupon the earth from the which they were taken. Among
the brokenand decayed placcs,wherof great fundrie wall weeds

andhearbes ,cfpecially the vnlhaking Anagyrc,the Lenrife of

bothkmdes,bearesfoote, doggeshead, Gladengreene.fpotted
lujc, Centarie,and diuers fuch like- And in the myld ^red places
ofbroken wall es grewHowflike, and the hanging Cymbalari.i

br)
r

ers,and pricking brambles,among the which crept Swifts and

Lyzarts which I fawe crawling among the ouergrowne ftones f

which at the firft fight in this filent and folitaric place, made me
to be warily afraid of them. On euery fide there lay fallen downe
fmoothe round pieces offerpentfpottedMarble,purple and red
dmerfe coulourecLFragments offtrangehiftories , PanglyphicznA.

Hcmyvtnkic compcndioufly caralenzed, (hewing the excellen-
bc ^Y ca

,

r"

L c j L ji r i r o ^uedfrom the

ciethereofjvndoubtedlyacculing ourage,thatthcpcrfe6lionof head to the
fuch an art is forgotten* footc m all

Then commmg to the myddle fronture of the great and members.

excellent woorke , I fawe one fole
large and marueylcus porche

worthy ofgreat eftiination,proportioned according to the huge
"

quantitie ofthe reft ofthe whole work^which was placed betwixt
and continued in building from the one and the other of the
mouataincs hare lipped,and aboue arched,whofc fpacc betwixt

C 2 as

The
ftrtfe of Louc

as I doc coniefture was in meafure fixe furlongs, and twelue pa
ces . The top of which rnountaincs were perpendicularly cquall

eyther ofthem touching the allured skey . At the
fight whereofI

imagined with my felfe anddeuifedto thinke with what yron in-

{trumentSjWith what labour ofmenshands 5
and number ofwork

men, fuch apiece of woorke could bee by great ftrength framed,
with much paine layde together , and a long time in

finiilmig.
There then this woonderfuil frame willingly as it were ioyned
hands and vnited it felfe with the one and the other mi^htic^j

mouritames,bymeanes whereof, the forefaid valley there had an

cnd,that no man could go further forward or backe againe,but to

enter in by this broadejlarge^nd wide open porche.

Vpon this maflie frame and mightie woorkmanfhip, which I

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Content Snippet:
the harmonic thereof, euen fo it flood in an approoued excel-

lencie.

With diuerlitie of coulers, (wcetlyc let , and aptlye difpofed,
the reflexion ofone beautifing another, and all together making

agratious obie&.O(P0rpfyrit >Opbit,Nitmi{it4nt A/abaftrit t Pyroyc-

cti)LacedrmoniaBgceene,an<{
white marble, dmerilie watered, and

ofj4ndrafmev4it\i white fpottes,and many others ofilrange forts

and diucrs commixtures.

I found oncrare forme ofa bafe, in fafhion like a cufhion vpon
the plynthc whereor flood two trochils or torrules, with an inter*

pofitionofHypotraclcs or fhaftes,and A(lragals,witha fupreamc
Thore.

Diuers places
were hidden and coucred ouer with winding,

feltedand fprcding Iuie,full ofblack bemcs,andgreenefoft leaues

heareand theregrowing vp,and hindering
theinwardeobieftof

the auncient worke ,with other Murall and wall weeds comming
out ofthe chinkes andclifrs,as the bell ffowered Foxgloue.Venui

Nauill,& Erogennet,offomccalledLoue, to whome he is grate-

full,bufhmg downe agame toward the ground,in other ryfts grew

Mowfe-eare,Polypodie,Adientus or Lady hayre,theiaged acid

curled Cithraciis the knotted Lunane minor, Prickmaddam,Po-

lytricon,or goulden lockes and fuch like,which vfe to grow in de

cayed buildings,and ouldftone wales,fo that manywoorthie pee-
ces

ccs were inueftcci and hydden froai mc,with fuch like weedes and

grecne Olyues thegarnifhers ofruincs.

There was in dmers places ineflimablc huge downc fulles of

man) columncs or rather coufufcd piles ofbroken (loncs,and vn-

ihapely Culpins mountm^vp from the earth.

Among which downcfillen pecces I might fee the remayn-
ders of diuers fliapes of men of fundne fortes, many naked, o-

ther fome hauing their members couered with folded and pliccd

mduments, fad flicking to their naked proportions. Some (lan

ding vpon the left fbotc, others vpon the right in a ftr eight fort,

with their heads perpendicularly, euerthe center betwixt their

heeles ,
and fome looking (idcwaies in height , foure Cubitcs of

ilxefoote.

Others (landing vppon both feete, fome dealediftant one
from an other, and each one in a maiedie fitting

in their thrones,

and the reft with a rareand modcftgrace in their bedpleafuig and

appointed feat es.

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
or yet durft to fohigh amaieftie, and for fo great bounties

giue a word.
The two appoynted companyons of my iourney, ve-

rie fauourablye, and with a familiar readmes and virgmlike
ieftures, tookeholde of mee, oneby the right hande, and

the other by the left, and reucrentlyobteyning licence, firil

of the Queene, and takyng theyrleaucof thereft, went out

the fame way that I came in.

And I beeyng desirous and not fatisfied, turned mee

about towardes the confpicuous Poarch, to beholde dili

gently the artifkious Pallaice, wonderfull and perfinite of

the Art of building.
The fubnl tie of which, no humane excogitation is able

to imitate,

And therefore I thought that nature had made that fora
iJ

maruell of all her woorkes for commoditie , vfe, grace, bew-

tic, ayrc, and continuall durablenes.

For which caufe,Iwas excefsiuely desirous toflaie and

looke vppon it , but my leaders andguides wouldnot fuffcr

mee, and yet by the thefc of my eye in the Zopher, ouer

the gate I noted this itffciiption,
o THjr2fi2 OABOS.

And

And as muche as withmy quicke fences I could carrie, I

tooke in my going foorth, with as greate pleafure and de

light as is poflible to exprefTe. O happie were hee that

mv2;ht bee but a drudge or kitchin flaue in fuche a Para-
. o o

dice.

Nowe beeing come into the bafe Court, compafled and

fctte about with Orenge trees, Thelemiam great curteftefaide

thus vnto mee, befides and aboue all the maruellous and

woonderfullthinges which thouhaft yet feene and beheldc*
there bee fower yet remayning behynde whiche thou lhalt

fee.

And vppon the lefrefide of the incomparable pallace,

they brought mee into a fayre Orchyard of excogitable ex-

pence, tyme, and fubtletie of woorke-manfhippe, the

conrynent and cyrcuite whereof was as muche as rhe plot
of the Pallace, wherein was the refydcnce and abiding of

thcQueene.
Round about faft by the walks of the Orchyard there

were let conuenyent garden pots in the which in Head of Arscopariais

growing plantes , euerie one was of pure glade, exceeding
the way of

a mans imagination or beleefe, intorpiaried boxe the cutnnSf
rootes and italkcs of golde, \vhereout the other procec- "^orShcr
ded.

places to pro-
Betwixt one and other of the which was placed a Cy- portions or

pruHe tree, not aboue two paces high, and the boxe one

pace full of manyfolde maruellous fymples, with a mode
excellent imitation of nature, and pleafaunt diuerfitiem

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
decayed monument , can breed a {lupifaftion in the admiration

thereof, and caufe fo great delyghtto
behould the fame , what

would it haue done in chiefeft pride.

After this my difcour/eing,reafon perfwaded meeto fuppofe,

tfat with in mi^ht bee the Aultar ofVenus for hir mifticill Sacrifi

ces and facred names , or the reprefemation of hir Godhead , or

the ^phrodtfe of hir felfe and hir little Archer, and therefore

A bird offlow
w^h a deuoute rcuerence,my right footebeeing fctvpponthe

flight & Jong halowed lymit ofthe doore, there came towards me flying
a white

liumg.moM Horix*
monuments g llt \ fodainlyc with out any furtherregard or curious forcafte

byAuguis u jlic j]rn y fearchinsreieswentinas thefpatiousand lisJitfomeen-
dedicated to J & r rL/-i^ i

Saturnc. && a ue mc leauc
> repreicntuig vnto me lucn lights as merit , and

are Condigne of euerlaftingeremembramKe ,
in ether fydes (til

led with fmotb poollifliede Marble, in the middle parte where of

tliere was
iiijpa<fte

a rounde table, inclanftredeandcompafTede

aboutvMthagi-eeneStoiiiK vcryepretious and accordinghe afo-

fciated

in 4 Dretnte.

fcociated with curious workcmanlhip. And the oppofite ofve-

rie blackeflone , (corning and contemning the hardnesof iron,

and cieare an d fhimng as a mirror. By meanes whereofas 1 pafTed

bv(vnawares) Igrewafraydatmy owne fhadoWj neuerthelesl

was by an by comforted with vnexfpefted delight, for thcplacc

tliatoccafionedmy difcjuiet nowc offered vnto methcgrounde
of allfciences, hiftoned in a vifiblemanifcfl and experce pain-

ring.
And on either fides vnder the fame beautiful! and moft no

ble tables, there were placed all a long feates offtone. 1 hepauc-
ment neat and cleajie from duft, being made ofOftractu.

Andfoinhke manner the coloured vpper feeling
was pure Oftracnsbc

and voydof Spiders and Cobwebs, byreafon ofthe contnmall poundedfnels

frefhayrebothentrineinand^oin^out.
mixed with

T-I r i- r T. 11 r r j J limc.wheicot
The feeling of the walles as aforefaydc , mounted vpto a piaiftcr is

thebendyngoFthe Arche from the Chapters which flood vp- made to floor

on their ftrift and vpright Antes euen to the vttermofl: ende withall,

of the entric, which was by my perlpeftwe iudgcmeut twelue

paces.
From which perpolyte ligature and faftned ioyntcs, the

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
long dravvne breath, and fomewhat opening my
cepC fighe Infomuchas my amorous and (bun*

by rea(bn-ofthe tluckncilcoOheayre in this fo-

]ytarieandloiieplace3gauean eccho,and djdputme jnjrundeof

my Angehke and extrcafnc deiired./W/*.

O hi me that foiiiull oranye intermiilion fhould caufethat

hir fottety and celcfli aii idea and fhape was not dill imprinted in

my mmde, and^corttlrtiic^ia dayly comp-anior:, in whoi<e bfeft my
hfeis-refolued^b-sbkJci acid txrit as "vnder the prot-eftion of a

moil finx* afvd ap-pr&oue^rleldiandiafc defence.

And by trftsway I wasittsught too a pLice v.herc were diuers

and rumh ie excellent fort j of aoncient deuifes and woorkeman -

fhips.-nVflofaJJ,! b-eheMa moft fay-re porthc,paft all fenceto de-

fcribe^forthcineF^dible Curiaofnei thereof,as cuenvas built or

dcuifed) and therAthet foe d^at cuar mother toung and vulgar

fy:zdic y rt]i(y not aflfoord-apt
andpeed lar words, for fu-ch a picc^e

ofarti^cral1
!work e.

Before this gorgeous and glorious porche,you lliall vndcrfland

that

in A Dre<*tnf. 1 1

that ir. the open ayre there was a fowrefquare court of thirtrepa-
c cs by his Dumetcr, paucd withpuje fine marble, poynted footc

fquare,wrought checker wife of diuers fusions , and fundnc bell

titling
coulours : butjn many places , by meases of the ruine of

tlieaiiJKKUtwalkeandoldep.u
>

]cr$,brokeii inpecces and oucr-

ex-

Anainttevtmoirpartesofthe aforefaide court , to the right Acolumnc

haiadjandthekft.LOAardsthemountaines^thcre was two frraight
confiftechof

rowes ofpillars, with a fpace betwixt for the interieft Areoftde^ j^
the quantities of both columnes required, thefirflcourfeoror- h LO(j.

der ofLetting the pyllars, beginning on both fides equall to the Ailrngalus

Lyrr.bus or extreamepartotthefronteof thcporche, the 1 pace
tlutib ihc

betwixt py liars and pillars xv 4 paces * Of which colluinnes or
jbl

.

ecto lhe

..
rj

r *. capiccll next

great pillarsjlome and the greateit pane or number were whole. ^ co]umnc.

With their capitels or heads , wrought with a wauediliell workc, Hypocrachc-

andcyllene or drapene,their corners bearing out and inanulated licihcfliafc

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
The beautye of which two were fuch , and fo freih , as I loo

ked about mec , whether 4fellcs had painted them with his

Penfill.
And

in A Dreamt.

And there my fportfull, faire , and pleafant companions, cueric

one putting their right handcs to mine, willing to haue me in,

faydcyPebpbt/w this is the vfuall waye , by the which youmuft
come into the prefeuce of our Gracious and mofte excellent

Queene.
Bat you cannot hauc leaue to enter in here through this Curtain,

before youbee receiucd ofa vigilantand innocent Damofel that

is the keeper ofthis doore, and ihe is called Cmofia. Who hearing
vs comming, did rbrthwithpretent her fclfe, and fauourably held

vp the cloth, and wee entered in.

There was a roomc hung about and diuidedby an other Cur-

tauie ofexcellent Arras full of Imagene,as fignes,lhapcs,plants,

andbeal\es, fingularly well done.

In tins place at our comming , an other curious woman came

towardes vs 3
called fndahwsnA , and (he putting by the Curtainc,

wee enteredin. And rhere was an other fuche like roomc, from

the fecond for quantin :, with difcourfes and reafon rnaruciloufly

wouen, \Mti .iiifinitek~ottes, buckling^ ,tyings,
and oldfafhia-

ned harping Irons, orHookes, as if they had been fattened and

knit togither. Inwhichplicc without any (hying, the thirdwo
man came and receiued vs very gratioufly, her name was Muem^
fin* t

and fhee calling vs.gauevs free leaue to go in. Where lafl>

ly my companions did prefentmee before the facred maicftic of

the Quccnc Eleutherilltd*.

m&y , hovtexctcding grfttt
ths

ftie of the Qucenc VPM , the mtnner of her Refidencc and fer~
nicf. His favourable entertainment. Howe [hee marvelledM
him.

HcnT camctownrdes the fiiTtdoore-keept*,
Iwasfomewhat aballied , but yetl did utc

her in ouodfjrte as became mce to dc ?, Av>i

i^eevene curteoufly badd j mec c

And in lik: manner the fecond.

O Jn

Ttv ftrtfe ofL

In whofegardJL did feeaiofric Gallery as long the content of the

Pallaice, the roote whereof , was all painted v\ith a greene fbha-

ture , with diftin& flowers and folded leaues, and little flv-

ing Byrdes, excellently imphrygiated ot mufeacall paymiag,
as without in the firft Court, and the done walks fcclcd with

Chipworkcsofdiuers colours.

At thelaft daore, the Matrone MnenufwA perilvad^dn^e
Verie effectually ,

not to doubt ofany thing >

but that 1 fhould

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
treamcliardnefle, as that which was the (leak to houldvppethe
Veflell, fhould be cut and wrought ro that purpofe , as iht had

bceneasfbftas wax . A-wootKiraithcr to bee woondered at,

thenvndertaken.

The fqnare bafe conn, (in the middeft whereof flood this

notable woorke of the furnptuous Fountame , was paucd with

fine Marble ofduicrs coukrs andfafhions. Amongftwhich were

appacl very beautifully, roundesofDia/per, equally diftant, and

dilagreeing from the ceulcrofthe pauemeht^and the corners clo

fed vp with leaues and Lyllies . Betwixt the fquare marble pa-

mng ftoncs , there was a fpace lek like a lift
, which was fill ed vp

withdiuers coulered ftonesof a lelTercut , fome proportioned
into greencleaues

1

, and tawnieftowers . Cyanei, Phaenicei, and

Sallcndine,fo well agreeing in theyr coulers, foglifteringand

feuerly fet ofa diligent Xefturgie . As full of coulers as a Chri-

ftallglaiTe,repercuft and beaten agamftwith the beanies of the

funne.Becaufethecircumdudl:and compaffing coulers, meeting
together in the felfe fame finoothe and cleane (tones, did yeeld a

refteftion,nopart being faultie, eytherof thefquare checkers 01

fcutuls and Tritons But with a fmoothe and flrei2;htordirianccj

well ioyned together.
Whereat 1 remained woonderfuHy amafed b)

r my felfe , dili

gently confidering vponthe noblencsof the woorke, fuch asl

ndd not beenevfed to le, aim verve willinglyc I would hauc

beenc-contentjrohaiit made^ittoffr ffayein tbe contemplating
thcreof,for fo the

dignitie
of the worke required,but I could n^t

becaufe it was neceflarie forme to follow after my leaders*

Then

Then the afpeft of this fumptuous magnifkient andftatclye

pallace , theapprooucd fit uation thereof, the dew proportion^
and the maruelous compofition m myfirft comming to it, did

makeme woondei fully contented to view the woorthincs there

of, and in continuance I was prouokedto behouldmore , for

which caufe I perlwaded my felfe , as I might very well , that the

expert builder
,
excelled all other whatfoeuer . Whatkindcof

rafters ? what manner ofroofe ? after what fort the Parlors cham

bers,clofcts and lodgings,weredifpofed* with what kind otiee-

ling they were enclofed and mcrufted ? wherewithall hanged?
withwhat couler and kmde of painting ouerhead? What order

of columination , andwhat fpace betwixt . No other building

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Content Snippet:
by meanes whereof,the bowghes in thofeplnces were to be feene

bare, but for their greene leaues which yeelded a molt fweet and

plcafant verdure* Betwixt the curious twiftmgsof the braun-

ches and their greene leaues
, the white flowers did aboundantly

fhewe themfelues a fingular Ornament , breathing foonh a moll

dclcftablc andfweetc odour. And to pleafe the eye ,
the fairc

fruitewasin no place wanting, where it fhould yeelde content.

And afterwardes I might perceiue,that in the interftitious thick-

ncs, thebowffhes (not without a wonderful woorke) were fo ar

tificially tfvifted and growne togither, that youmightaflendvp

by them, and not bee feene in them , noryet the way where you

vventvp.
At length comming into this gteeneand delightful groundc

to the eye, aiidinamansvnderftandingwoorthieoteflimation,
1 pcrceiued that it was a great enclofure in the fore front ofa

rmrueilous Pallaice of anoblefiinmernatedarchiteclurie which

of thisfrondiferous conclaufure,\vas the fourth part in longitude

^x tic paces. And this was the fl-ftthri to wa^kc m, for open

ay re.

Inj-hemiddeflof this great bafe Court, I didbehold agoodly
Fountaine of cleare water fpinnyng from the verie toppe as ic

were to the foundation whiche (toodevponafmoothc paue-

ment througji little Ureiglit Py^><;s^ftiling
into a hollowed vei

:-

fel, whiche was of moil pnrc Amethilt, \vhofe Diameter con-

tcincd three paces, the thicknes agreeing therewithal!
Visible: 0% - 93%

Assistant

Walking through the architectural scenes of Hypnerotomachia Poliphili is like touring a sacred dreamscape—each space a symbolic revelation. Here’s a step-by-step walk-through of some of the most significant architectural moments, arranged in order of escalating splendor and esoteric significance:


1. Ruined Temple and Obelisk in the Mountains


Poliphilo first discovers a massive ruined structure between two mountains, crowned by a rare obelisk. It’s made of polished Parian marble, precisely cut without visible mortar, with red stone edges so fine that even a needle couldn’t fit between the joints. The ruin is littered with fallen statues, broken altars, and botanical overgrowth like foxglove and Venus’ navel plant, symbols of decay and forgotten wisdom. Despite the ruin, its geometry and sublime craftsmanship reflect a lost golden age of divine architecture【18:10†source】【18:11†source】.


2. The Golden Arbour and Garden of Glass


In another episode, Poliphilo is led into a garden paved with glass mosaics and marble, surrounded by gilded arbors and artificial trees made of silk, gold, and precious stones. He marvels at benches engraved with histories of love and hunting. Ivy made of pearls and gold strings climbs the garden walls, while silk ring-doves perch and peck at jewel-like berries. This is not a natural garden but an alchemical one—a synthetic paradise meant for spiritual contemplation【18:7†source】.


3. The Labyrinthine Garden with Rivers Instead of Paths


Logistica leads Poliphilo to a garden shaped like a labyrinth, not to be walked but sailed through. Waterways take the place of paths. In the center is a mountain guarded by a dragon, representing danger at the heart of desire. Those who enter cannot return. It’s a visionary fusion of architectural planning and moral allegory—only the initiated may survive the inner path【18:6†source】.


4. The Temple with Nymphs and Altars


Poliphilo enters a walled garden with a hundred arches, each adorned with an altar of red porphyry and a golden statue of a nymph, their gazes fixed on the central axis. In the middle stands a crystal cubic base, symbolizing purity, perfection, and divine order. These nymphs are not just beautiful statues; they represent eternal watchers over the spiritual mysteries housed in the space【18:4†source】.


5. A Noble Palace of Impossible Art


Later, he reaches a palace of such extraordinary craftsmanship that even nature seems to have bent its rules. Walls are crusted in pearls; eaves grow real vines made of gold; birds of silk flutter eternally among the branches. Floors are inlaid with stones shaped like leaves and flowers, polished to mirror-like brilliance. The ceilings are painted with scenes of myth and love. Every column, every cornice is drenched in symbolic content: each structural element serves as metaphor for aspects of divine love and moral virtue【18:1†source】【18:14†source】【18:17†source】.


6. The Porch of Wisdom and the Matrons’ Chambers


At one entryway, Poliphilo must be admitted by Cmósia, the vigilant doorkeeper, and pass through curtained chambers guarded by matronly figures. These rooms are hung with tapestries of animals, knots, and ancient symbols, a physical initiation into hidden knowledge. Each chamber deepens the allegorical meaning, until he is brought before the Queen Eleutherillida, a figure of spiritual love and freedom【18:16†source】.


7. The Towering Fountain of Amethyst


In the palace courtyard, a fountain rises high above a pavement of rare stones: amethyst, chalcedony, porphyry, and crystal. Water flows through intricately carved channels into a basin of radiant stone. It is both sensual and transcendent—combining tactile beauty with cosmic order【18:18†source】.


Final Reflection


These spaces are more than scenic settings; they are spiritual and philosophical machines for transformation. Poliphilo’s responses to them—his awe, his analysis, his ecstatic reverence—mirror the Renaissance view that the world is a text, and architecture a divine script written in stone.

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【0†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

I he difcription ofthe morning.

j

Hathoureas PAce^w ( 4 ) ifTuing foorth, did

bewtific withbri2;htneiTc the forhead of Lett-o

cetbea(f>^,and appearing out of the Occean
waues, not full/ fhewinghis turning wheeles,

that had beene hungvp,butfpecdily with his

fwih horfes Pyrou* Scd7W,haftning his courfe,

andgimng a tinftureto the Spiders webbes,

ainon2;rhe grccneleaues
and tender prickles ofthe Vermilion

Roles" in the purfuite whereof he lTiewedhimfelfemofl:fwift&

"littering,
now vpontheneuerreftmgand fhlJ mooning waues,

hecryfped vp his irradientlieyres.

Vpponwhofe vprifing ,euen at that indant, the vnhorned

Moone difir.ountedhir icife, lofine from hir Chariot hir two

I,orfes,theone white and the other browne, and drewc to the

Hotrifon(^ different from the Hemifphere (<r)

from whence
flic came.

And when as the mountaines and htlles were beautifull, and

the northeaft winds had left of to make barraine with the Iharp-
neilc of their blnfb, the tender fprigsto difquiec the nioouuig

B rccdcs,

(a)Phzbus
the Sunnc,

b) Leucothea
the morning.

(c)Pyr&Eo,
the horfes of

【1†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
And whileftl flood with excetfiue delight beholding onely
as an ignorant this rarecompanie and myfticall triumphes,

circumfept with thefe and fuch like forts, and fo alfo the de

licious fields, but that me thought it was a louely fight to be

hold, and fo I fbould haue continued : then the gratious

Nymph attbciating and leading me/eeing my fimplicitie and

carelefnes, with a ready countenance and fweete andplea-
fanr words, without asking,(he faid thus vnto me : MyPo/j-

phitw, doeft thou fee thefe ? ( (hewing me thofe of the olde

world ) thefe were beloued of /Hpitcr, and this, and this was
fuch a one, and thefe were in loue with him, by this meanes

(hewing vnto me their high and mighty linage, and noc

knowing their names, (he in great curtefie told me. After

ward fhe (hewed me a great number of little virgins, vnder

thegouernment of three fober and difcrcte matrones the

leaders to fo great delight : Adding thereunto very pleaiant-

ly (changing hir augelhke countenance) My Poliphtbu, thou

lhalt vnderftand, that no earthly creature can enter in heere

without a burning torch as thou feed me, either with ex-

treeme loue and great paines, or for the fau our and compa
ny of thofe three matrones. And from hir hart fetting a

deepe figh, (he faid : This torch haue I brought hither for

thy fake,minding to put ic cut in yonder temple.
Thefe fpeeches pearced my hart, they were fo delightfull

and defired ,
and fo much the more, bicaufe (lie called me hir

*Pol!phtln4. Whereupon I aflured my felfe, that (he was To/ia,

and From top to the toe 1 found an extreeme alteration into

a fupreame delight, my hart flying onely to hir. Which

thoughts were bewraied by my countenance, and whifpe-

ring (mall fighes.
Which fte cunningly perceiuing, brake orr tmsnewaco

dent wnh thefe tvords : Oh how many be ihere whichwould
mod

Theflrife ofLone

moft gladly behold thefetriumphes,and thereforeT
addrefle thy thoughts to other matters, and behold what
noble and woorthy Nymphs fhew themfelues deferuedly
conforted with their amorous louers, curteous and affable :

who with fweete and pleafant notes in meafured verfe, praife
and commend one another without wearines,ince(Tantly ce

lebrating their turnes with excefliue delight, and extolling
the triumphs, the aire alfo full of the chirpings of diuers

prctie birds,yeelding a diffufcd charme,

Thisverfc About the firft triumph among thereioifing companie,
confiftcd of the nine Mufes did fing , with their leader the diuine Luter

Strophe.Jri- Apollo.
Afcer thc triumPh followed the faire Parthenopeian Ltria,

【2†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
was glad
to

beguile
the time withthefe conceits,

anothomifing in them,the vanitie ofthis life, and

vncertaintie of the
delights therof, in the Dreame

ofPolipbilM;
Which ifit (hall plea/e your Honor

atconuenientleyfureto looke ouer, pardoning
what you findeamifle , and weighingmy good
will, I (hall thinkemy felfe moft happy.

And thus I humbly take my leaue, vntillthat

I may prefent your Honour, with a matter more

fitting
the fame.

Tour Honors dcuoted.

. V.

A nonymi elegia ad Lee

Andide Poliphilum narrantemfomnia Leflor

aufculteSy fammofornnia miffa po/o,

Non oferamferdeSy
non b<c

audifiepigelit,

tarn vwijs mirum reliMalundatotu*.

Sigrauis Qf tetricus contemnis erotica^ rerum

nofcc frccor feriem tarn bene
difpofitam.

s ? acfaltemftylus qy noua
lingua nov

iS) fofbia9fc rogat afpiciof.

geometrica cernc vetufta

^lurima
miUiacls difce referta

not is.

Hicfant Pyramides, therm*jngentefy Cohfi,
ac Olelifcorumforma vetuftayatet.

Hie diuerfa bafisfulget, varitfque
columns

illarumfy
arcirt

y Zofbora, cfiflilia,

Et
capita at^ trabes, et cum

quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

【3†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
ward I beheld the pleafantc//* folacing hir felfe <vith the

cleere flood and diuine fire. The daughter ofFullus and that

of Mencmphtti, with hir counterfeit father, and that other of

Diodes with hir lap full offlowers and a writhing ferpent, and

the faire yoong gyrle no more forrowing for the growing of

hir hornes.t/fftiocbi* and Antigone the daughter of Laomcdon

folacioufly delighting hir felfe in hirftorkifh plumes, and

Lurfflethe fir ft inuentrixof wheeles. Gr,w<*wmkthcdaun-

cing Nymph holding by hir little finger, and wafhing hir de

licate pretie feete from fweate in the riuer B.igrada. After

that I beheld a quaile flying, and a faulcon purfuing hir :

Erigone hauing hir faire (hining breft ilickt full of f^eetc

grapes,

in ft drcame. 91

grapes,and the daughter of king Chollut with hir bull, Eripbile
and hir changed husband: The daughter of eX//wand the

virgin Mclantho with hir dolphin, Phylkra the daughter of
old Ocean** with the father of Chiron. Next hir CVw with hir

head inftrophyated with ripe cares of corne imbracingthe
fcalie Hydra, : And the faire Nymph Lara forting with */trgi-

phon : and the fa eeteF/riof the riuer Numicta.

And whileftl flood with excetfiue delight beholding onely
as an ignorant this rarecompanie and myfticall triumphes,

circumfept with thefe and fuch like forts, and fo alfo the de

licious fields, but that me thought it was a louely fight to be

hold, and fo I fbould haue continued : then the gratious

Nymph attbciating and leading me/eeing my fimplicitie and

carelefnes, with a ready countenance and fweete andplea-
fanr words, without asking,(he faid thus vnto me : MyPo/j-

phitw, doeft thou fee thefe ? ( (hewing me thofe of the olde

world ) thefe were beloued of /Hpitcr, and this, and this was
fuch a one, and thefe were in loue with him, by this meanes

(hewing vnto me their high and mighty linage, and noc

knowing their names, (he in great curtefie told me. After

ward fhe (hewed me a great number of little virgins, vnder

thegouernment of three fober and difcrcte matrones the

leaders to fo great delight : Adding thereunto very pleaiant-

ly (changing hir augelhke countenance) My Poliphtbu, thou

lhalt vnderftand, that no earthly creature can enter in heere

without a burning torch as thou feed me, either with ex-

treeme loue and great paines, or for the fau our and compa
ny of thofe three matrones. And from hir hart fetting a

deepe figh, (he faid : This torch haue I brought hither for

【4†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
upon the great Macedon refted his head : She bare a fplen-
dent lampe, communicating the light thereofwith hir com

panion,then the reft more excellent both in voice and fong.
There the faire Nymph (hewed me the auncient

Iphianaff*>

and after the old father Himerinw his daughters and their

drinke, and one betwixt the two Theban brothers : Thefe

with pleafant noifes , fweete muficke and fine agilities, paftc
on about the firft triumph.
About the fecond triumph was the noble Nem^fs with the

Lfsbt4HCorin4,Df/M and Netra* with diuers others amorous

Nymphs, making pleafaunt foundes vppon ftringed inftru-

ments ofyealow wood.

About the thirde triumph,the glorious Nymphs (hewed

me Quinti/iaand Cjnthea Nauta, with others, in great folace,

making fweete harmonies,and fmging pleafant verfes:there

alfo I behelde the virgin VioUntillo, with hir Douc,and the o-

ther forrowing for hir Sparrow.
About the fourth triumph, before it went the Lidion Cloe,

ljide,Neobole,fatttt Pbillis, and the faire Lyce Tjburts & Tjra,

with their liarps fingingand making a moft pleafant noyfe.

After this fourth triumph among the Mamades and facrifi-

cers to Bacchw, there folowed an amorous damofell finging

in thc commendation of the head ofhir louerP/^w, (he defi-

red homes. And after them all (be fliewed me two women,
one

ixadretme.

one of them apparelled in white, and the other in greene,
which came hindermoft finging togither.
And thus they marched about in a moft pleafant and de-

iightfull manervpon the frefh greene and flourifliingplainc:
Some inttrophiated with Iaurcl,fome with myrtle^nd others

with other forts of flowers and garlands, inceflantly without

any wearines or intermiffion in a perfection of the felicitic

of this world, mutually enioying one anothers afped and

companie.

The Njmph batting at Urge declared vnto Poliphilw the
myfticall

triumphfond extreeme lotte , afterwards fhe de/fred htm togo o*

furtherjtvhere a/fo
withgreat delight

he beheld innumerable other

Nymphs i with their dejtred totters, in a thoufandforts ofpleafttres

folacingthemfclttesvpon thegreerjegrajfe yfre(h{hadovpes t andbj
the eoole riuers andcleere fountawes. And how Polrphiltu there

had withmadnes almoft forgotten himfelfe in the
pajfions ofdeprct

but nope dtd
affivagc hufHrit, quieting himfelfe tn the beholding cf

thefreetffanourofthefaire Nymph.

Ot onely happje but aboue all

other mod happie were he, to

whom it (hould be granted con

【5†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Vpon the other Anaglyph,! did behold a merrie and plea-
fant maiefticall perfonage, like a yoongfatboye, crowned
with two folding ferpents, one white, and the other blacke,
tied into a knot. Heerefteddelightfullie vnder a plentifull
vine tree full of ripe grapes, and vpon the top of the frame

there were little naked boies,climing vp and fitting aloft ga

thering the ripe clufters : others offering them in a basket to

the God, who pleafantly receiued them : other fome lay fa ft

a lleepe vpon the ground, being di unke with the fweet iuice

Aa a of

The
ftrifc of Louc

of the grape. Others applying themfelues to the workeof
muftulcnt autumne: others iinging and piping : all which ex-

preflion was perfeded by the workman in pretious (tones,
of fuch colour as the naturall liuelinefle ofeuery vaine, leafe,

flower, berrie, body, proportion, fhape, and reprefentarion
required. And in this imagerie, although it was very fmall,

yet there was no defed to be found in the leaft part belong
ing thereunto,but perfcdly to be difcerned.

Out of this former defcribed vefTell did fpring vp a grecnc

flourifhingvine,
the twifling branches thereof full fetwith

clutters of grapes,the tawny berries ofIndian Amethylt.and
theleaties of greeneSilenitis of Perfia : Not fubiedtothe

change of the moone,delighted of Cupid. This tree (liadowed
the chariot : Ateucry corner of this triumphant chariot vp-

ontheplaine where the velTcllttocd, was placed a candle-

fticke, ofexcellent workmanfhip, vpon three feet of red cor-

ralljwell liked of the ruder fort, refitting lightening and tem-

pefts, fauourable and prelcruatiue to the bearer : The like

were not found vnckr ilie head of Gorgon of Perfia, nor in the

Ocean Erythrcum. The ll^ale of one of the candlefticks was
of white corrall,bdoued of D/^4, of a conuenient length,
with round knobs and Joints, in height two foote. Another
was of mod fine ftonc Dtomfjas, hauing fpots growing from
a blackifn to a pure red, the fame pounded fmelleth fweetly.
The third was of perfed Medea of the colour of darke gold,
and hauing the fmell ofNedar.The fourth ofpretious Nebri-

ti* from a blacke growing to a white and greene. Out of the

hollowed fteales whereof, there afcendcd vp a pyramidall
flame ofeuerlafting fire, continually burning.The brightnes
of the works exprefled through the reflexion of the lights,

and the fparkling of the pretious ftones were fuch, as my eies

dazeled to behold them.

About which heauenly triumph,with a maruellous and fo-

lemnepornpe, infinite troups of Nymphs ,
their faireand

【6†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
thy fake,minding to put ic cut in yonder temple.
Thefe fpeeches pearced my hart, they were fo delightfull

and defired ,
and fo much the more, bicaufe (lie called me hir

*Pol!phtln4. Whereupon I aflured my felfe, that (he was To/ia,

and From top to the toe 1 found an extreeme alteration into

a fupreame delight, my hart flying onely to hir. Which

thoughts were bewraied by my countenance, and whifpe-

ring (mall fighes.
Which fte cunningly perceiuing, brake orr tmsnewaco

dent wnh thefe tvords : Oh how many be ihere whichwould
mod

Theflrife ofLone

moft gladly behold thefetriumphes,and thereforeT
addrefle thy thoughts to other matters, and behold what
noble and woorthy Nymphs fhew themfelues deferuedly
conforted with their amorous louers, curteous and affable :

who with fweete and pleafant notes in meafured verfe, praife
and commend one another without wearines,ince(Tantly ce

lebrating their turnes with excefliue delight, and extolling
the triumphs, the aire alfo full of the chirpings of diuers

prctie birds,yeelding a diffufcd charme,

Thisverfc About the firft triumph among thereioifing companie,
confiftcd of the nine Mufes did fing , with their leader the diuine Luter

Strophe.Jri- Apollo.
Afcer thc triumPh followed the faire Parthenopeian Ltria,

with a lawrell crowne , accompanied with MeUnthia, whofe
Homer. habites and voices reprefcnted the pride of Greece, where

upon the great Macedon refted his head : She bare a fplen-
dent lampe, communicating the light thereofwith hir com

panion,then the reft more excellent both in voice and fong.
There the faire Nymph (hewed me the auncient

Iphianaff*>

and after the old father Himerinw his daughters and their

drinke, and one betwixt the two Theban brothers : Thefe

with pleafant noifes , fweete muficke and fine agilities, paftc
on about the firft triumph.
About the fecond triumph was the noble Nem^fs with the

Lfsbt4HCorin4,Df/M and Netra* with diuers others amorous

Nymphs, making pleafaunt foundes vppon ftringed inftru-

ments ofyealow wood.

About the thirde triumph,the glorious Nymphs (hewed

me Quinti/iaand Cjnthea Nauta, with others, in great folace,

making fweete harmonies,and fmging pleafant verfes:there

alfo I behelde the virgin VioUntillo, with hir Douc,and the o-

ther forrowing for hir Sparrow.
About the fourth triumph, before it went the Lidion Cloe,

ljide,Neobole,fatttt Pbillis, and the faire Lyce Tjburts & Tjra,

with their liarps fingingand making a moft pleafant noyfe.

After this fourth triumph among the Mamades and facrifi-

cers to Bacchw, there folowed an amorous damofell finging

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
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continually greene, thefpring neuerdecaieng but renuing,
the coole grafle with variable flowers like a painting, remai

ning alwaies vnhurt, with their deawie frefhnefle , referuing
and holding their colours without interdict of time. There

grewc the fower fortes of Violets, Cowflops, Melilots,
Rofe Parfley or Paflcflower, Blew bottles,Gy th, Ladies feale,

Vatrachium, Aquilegia, Lillieconually, Amaranth, Flower

gentle,Ideofmus,all forts of fweete pinks, and (mall flowring
hearbs of odoriferous fragrancieand fmell, Rofes of Perfia,

hauing the fmel of mu&keandAmber,and innumerable forts

of others, without fetting; but naturally growing in a woon-
derfull dtftribution, peeping out from their greene leaues,
and barbs very delightfull to behold.

In this place I might fee goodly braue women as the Ar
chadian Cahfto the daughter of Lycton, with the vnknowen
Diana. The Lesbian Antiopa daughter to Nyftew,and mother
to ss4mphio and Zetem that built Thebes, with hir fatyre.

Iff the daughter of Mwkareiu with hir (hepheard. Antichi

the daughter of Acctu and yoong "D^nae. Attcric the daugh
ter to Ctetffy and ^Icbmena with hir fained husband. After

ward I beheld the pleafantc//* folacing hir felfe <vith the

cleere flood and diuine fire. The daughter ofFullus and that

of Mencmphtti, with hir counterfeit father, and that other of

Diodes with hir lap full offlowers and a writhing ferpent, and

the faire yoong gyrle no more forrowing for the growing of

hir hornes.t/fftiocbi* and Antigone the daughter of Laomcdon

folacioufly delighting hir felfe in hirftorkifh plumes, and

Lurfflethe fir ft inuentrixof wheeles. Gr,w<*wmkthcdaun-

cing Nymph holding by hir little finger, and wafhing hir de

licate pretie feete from fweate in the riuer B.igrada. After

that I beheld a quaile flying, and a faulcon purfuing hir :

Erigone hauing hir faire (hining breft ilickt full of f^eetc

grapes,

in ft drcame. 91

grapes,and the daughter of king Chollut with hir bull, Eripbile
and hir changed husband: The daughter of eX//wand the

virgin Mclantho with hir dolphin, Phylkra the daughter of
old Ocean** with the father of Chiron. Next hir CVw with hir

head inftrophyated with ripe cares of corne imbracingthe
fcalie Hydra, : And the faire Nymph Lara forting with */trgi-

phon : and the fa eeteF/riof the riuer Numicta.

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
creafing troups of innumerable faire and pleafant

morelharpe witted,wife,modeft, anddifcreet, then is ordi

narily feene in fotendeiyeeres, with their beardlesLouers,
fcarce hauing downy cheekes,pleafantly deuifing with them
matters of Loue. Manieofthem hauing their torches bur-

ningjOtherspaitophorall, fome with ancient fpoiles vppon
the endes of ftreight ftaues, and others with diuers forts of

Trophes vpon launces, curiouilie hanging,caried before the

myftical triumphs,with (houting refounds aboue in the aire.

Some with v inde-inftruments of diuers fafhions and maner
of windings/agbuts and flutes.Orhers with heauenly voices

Tinging with ineffable delights, and exceeding folace, part
mans reafon to imagme.-within them paiTed about the glori
ous triumphsjturning vpon the florulent ground^and green

fwoord;

The flrifc of Loue

fwoord, a place dedicated tothehappie, without anie ftub
or tree, but the fielde wasasaplainecoequatemedoweof
fweete hearbes and pleafaunt flowers, of all forts of colours,
and fundry varieng faQiions , yeelding fo fragrant a fmell as
is poflible to fpeake of, not burnt with the extreeme heat of
the funne, but moderate, the ground moyftened with fweete

ry uers, the aire pure and cleane, the daies all alike, the earth

continually greene, thefpring neuerdecaieng but renuing,
the coole grafle with variable flowers like a painting, remai

ning alwaies vnhurt, with their deawie frefhnefle , referuing
and holding their colours without interdict of time. There

grewc the fower fortes of Violets, Cowflops, Melilots,
Rofe Parfley or Paflcflower, Blew bottles,Gy th, Ladies feale,

Vatrachium, Aquilegia, Lillieconually, Amaranth, Flower

gentle,Ideofmus,all forts of fweete pinks, and (mall flowring
hearbs of odoriferous fragrancieand fmell, Rofes of Perfia,

hauing the fmel of mu&keandAmber,and innumerable forts

of others, without fetting; but naturally growing in a woon-
derfull dtftribution, peeping out from their greene leaues,
and barbs very delightfull to behold.

In this place I might fee goodly braue women as the Ar
chadian Cahfto the daughter of Lycton, with the vnknowen
Diana. The Lesbian Antiopa daughter to Nyftew,and mother
to ss4mphio and Zetem that built Thebes, with hir fatyre.

Iff the daughter of Mwkareiu with hir (hepheard. Antichi

the daughter of Acctu and yoong "D^nae. Attcric the daugh
ter to Ctetffy and ^Icbmena with hir fained husband. After

ward I beheld the pleafantc//* folacing hir felfe <vith the

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Content Snippet:
kling reedes of Archadia in the moift and fennie fides of the

riuerLabdone,(haken with the (harpeeaft wind,with the boi-

fterous north,cloudy fouth & rainie fouth weft wind.Befides

this, the gods will be feuere reuengers of fuch an infolencie,
for the companions oiVlyffcs had been preferued from drow

ning and (hipwracke, if they had not ftolne ^polios cattell

kept by Phactuf* and hir lifter Lampetta. Orion had not bcene
flaine by a fcorpion, ifhe had not attempted the cold & chaft

D/4*i,and therefore if I (hould vfe any indeccncie againft the

honor ofthis Nymph in any fort/uch like reuenge or woorfe

woulde be vfed vpon me. At laft getting foorth of rhefe

changeable thoughts, I did greatly comfort my felfe in be

holding and contemplating the excellent proportion and
fufeete (auour of this ingenuous and moft rare Nymph, con

taining in hir al whatfoeuer that may prouoke amorous con

ceits and fweete lone, giuing from hirfaire eies fo gratious
and fauorable regards, as thereby I fomewhat tempered my
troublefome and vnbridelcd thoughts. Andmyrefounding
fighes rcflexed with a flattering hope (oh the amorous foode

of louers and fauce of fait teares) by thefe and no other rains

I did manage my vehement thoughts,and made them ftop in

a conceiued hope, fixing mine eies with exceffiue delight vp
on hirfaire bodie and well difpofed members, by all which,

my difcontented dehreswere gently mitigated and redee

med from that furieand amorous fire, which fo neere had

bred the extrcmitie ofmy paflions.

Tbt

The Itymph letdeth the homered Potipbittu
to other pletfant pUeet,

where he beheld innumerable Nymphsfolding them, and a/fo tht

triumph ofVertumntu and Pomona.

Y no meancs I was able to rc-

(ift the violent force of Cupds
artillerie,and therefore the ele

gant Nymph hauing amoroufly

gotten an irrtuocable domini

on ouer me a miserable loner, I

was inforced to follow ft. II af

ter hit moderate Itcps, which

led me into a fpatious and large

plaine.theconterminate bound
of the flowered greene & farce t

f ,r i_

fmellmg valhe, where alfo ended the adorned mountames
and fruitfull hils, (hutting vp the entrance into this golden
countrie, full of incredible delight with their Joining togi-
thcr: couered ouer with green trees ofa cofpicuous thicknes

& d.(tance,as if they had been fet by hand,as Yew trees, wild

Pynes,vnfruitfull but dropping Refin,tallpineapple,ftraight

Firre,burning Pitch trees, the fpungie Larix, the aierie Teda
belouedofthe mountains, celebrated and prefcruedfor the

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
and Symenides ned fauns or fatyrs ,
with his louing and faire wife Pomona,

Venumn** the
crovvned with delicate fruits, hir haire hanging downe oucr

Cod of fruits.^ f]10ulders,of a flaxen colour , and thus lliefate participa-

ting of hir husbands pleafure and quiet, and at hir feete laie

a

f tire*. 98
a vefTell catted Clepfydra. In hirright hand (heheldacopie
full offlowcrs,fruits,andgreene leaues^andinhirlefthande fometime ta-

a branch of flowers/ruits and leaues. ken foradiall

Before the carre and the fower drawing ratyrs,therc mar-
mes lrin&

ched two faire Nymphs,the one of them bare a tropha? with tMnineof
a przpendant table, whereupon was written this title, water, buc

here for a poc

Intcgcrrimam Corporis
valetudincnt &ftabtle robttr to wat " a

caftafque menfarurn de/tti*u,& heatam antmi CCCH-J1
, , fr yoonefed-

ntAtem cultaribus me ojfcro. lings in a

nourcery for

And the other bare atrophzof certaine greene fprigges anorchyard.

bound togicher, and among them diuers rurall inftrumcnts

fattened. Thefe pa(Ted on thus after the ancient maner, with

great ceremonies,and much folemnitie, compaffing about a

great fquare ftone like and aulter, Handing in the middeft of
this faire mead, Efficiently m.oyftened with current ftreames

from beautifullfountaines.

This fquare ftone or aulter was of pure white marble, cu-

riouilie cut by a cunning lapicidai ie, vpon euery front wher-

of was a woonderfull goodly exprefilon,ofan elegant image,
fo exad ,as the like elfc- where is hardly to be found .

The firft was a faire goddefle.hir treces flieng abroad, gir
ded wirh rofes and other flowers,vpon a thin vpper garment
couennghir beaurifull and pleafant proportion. She heldc

hir right hand ouer an ancient vcflcll, in maner of a chafing-
diih, called Chytropodus,fending foorth a flame of fire,into

the which fheedidcaft rofes and flowers , and in the other

hand (he held a branch of fweete myrtle, full of berries. By
hir lidc ftoode a lirtle winged boy fmjjjng.wirh his bowe and
arrowes. Ouer hir head were two pigeons. And vnder the

foote of this figure wo* written

Florido ixri S.

Vpon tbc other fide I beheld in an excellent earning, the

reprefenration of adamofell of a maidenly countenaunce,
whofc ftacelymaicftiegaue great commendation to the curi

ous deuifc of the workcman. She was crowned with a gar-
C c 2 land

nflrifi ofLou

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Content Snippet:
who finking vppon a Mountaine with one of hyshoucs, madea

ftrange fpnnge ofwater to gulL out.

Vpon the fore ends I behelde the migbtie Cupid, drawing hys

golden Arrowe, and
fhooting

the fame vp into the heauens, cau-

fing them to raine bloode : whereat a number ftoode wonderfully
amazed.of all fortes ofpeople. Vpon the other ende, I did fee f^e-

nxs in a wonderfull difpleafure, hauing taken hex fon by a Knight
in a Net, and getting him by the winges, he was about to plucke
of his fethers: hauing plucktd ofone handfull, diatflewe about,

the little elph crying out pitteoufly ; and an other fentfrom Jupi

ter, tooke him away and faued him from his mother, and prefen-
ted him to Jupiter :

againft whofe diume mouth, were in Attic

Letter thefe wordes written, ZTMOJPA rKmtKAiPKrc^ and heeco-

uered him in the lap of his celefhall gownc.
This ti yumphant Charriot, was pompoufly drawne with fixe

fierce Vnicornes : their heades like Harfs, reuerencing the chaile

Duma. The poyterelles and furniture about tlieir ilronge breafts,

was ofgolde,frt with precious flonc, and fringed with filuer and

hnyrecollouredfilke, tyed into knots, in manner of a net we
>ke,

andtafleledateucry prependent point, their capanfons like rhc

other before fpokcn of.

Vpon thefe didfit,fix fayre virgines, in fucn pompe and man
ner

Theftrife ofLout

nerasbeforct apparelled in cloth of golde, wouen with blewe
filke into diuers leaucs & flowers-, thefe had a confort ofhuncyeis
winde Instruments , full of fpinrc. And vppon the foppeof the
Cbai ior,was placed a ftoolc of green Tafper, ftt in filuer : needfuil

in byrth , and medicmablc for chaiVit Je ; at the foote it was fixe

fcjuare,and growing (mailer tovvardc ihc feate, and from the mid
dle to the fbote^hamphered and furrowcd,aud vpward wrought
with nextrulles : the fcate whereof was fomewhat hallowed, for

the more cafily fitting vppon it. The Lyneaments thereof moft
excellent.

A loft vppon the fame did fit a moft finguler fay re Nymph,
richly apparelled in cloth ofgolde and blewe filke, dreffedlykc a

virgme,and adorned wirh innumerable fortes ofPcarles and ftonc;

flic (hewed an aflfe&ious deli;hr,to beholde droppes of golde fttl

from heauen into her lappc. She fare in folemne pompe like the

other,and with great applaufc, with her fayre and plentiful! haire

fpreadmg downe oucr her backe , crowned with a Dyademe of

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Content Snippet:
Thefe hiflories were perfected within the compaflTe ofone felfe

fame ftone,and fet out in a moiVblacke ground. I hen deferuedfy

Ididcommend^boththearchyteft and the (latuaric . On the o-

ther fide,the pleaiant dignitie ofthe yre and beautiful
fporting

nimphcs did highlyc contentmee^foas 1 could not compare to

thinKe whether theexcelTe ofmy parted forrowror prefent folace

fhouldbe greateft. And there was fofwcete a fmell as Arabia

neueryeeJtlcd thehke..

Vppon the feates of(!one,in deed ofan Apodyterie, they did

impouenfh theyr apparrell 3richejyinuoluped, in the caftuio; of

it onSfrom their celeitiallbodyes. Theyr tayretrefTes bound vp
in nettings ofgould, wcuen after a iroft cunout fort. And with

out any refpeS at all, they gaue.meelcaue to lookevpon theyr

fayre and delicate perfonages, theyr honeftie an d honour refer

red* Flelhvndoubtedly like the pure Rofcs and white Snowe.

Ah woe is me,! found myhcart.tonfcaHd opeiut felfe, and al

together

thcr to be adiftcd to a voluptuous deligh$,Wherevpon I at

that prcfent thought my felfe moft happie, onely in the bchould-

ingoffuch delights, becaufe I was not able to red ft the .burning
flames which did fet vpon mce in the fornace ofmy heart . And
therefore fometime for a refuge and fuccour 1 durft not looke fo

narrowly vppon theyr inticing beauties , heaped vp in their hea-

uenlybodycs. And they perceiuing the fame did fmile at my
bafhfulbehauiour,makinggreatfportatme: And thereat I was

glad,and
contented tliat 1 might any way occafion their paftim e.

But I was greatly afhamcd, in that 1 was an vnfit companion for

fuch a company, but that they intrcatcd mec to enter in with

them where 1 flood like a Crowe among white Doues , which

made mepartly afhamedto behould 3 and ouerlooke fuch choyfc
obiefts.

Then Ofrefit a very pleafant difpofed piece , (aid vnto mce
Tel me young man what is your name ? And I reuerently Aunfwc-

sed them, Poltpbilns : it will pleafe me well faith fl>e,ifthe effeftof

your conditions beaunfwerai>letoyonr name, And without de

ceit, faid
the reft. And how is your dcareft loue called ? Whereat

1 making fomepaufe, aunfwered,P<?//x? thenfhe replycd. Aha
1 thought that your name fhould fignific

that you were a great

louer, but now I perc ciue that you are a louer of Polia : and pre-

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Content Snippet:
inghirfonnc an infante naked, which fate with his little hyppes

vpon the large and goo dly proportioned thighes
ofthe faire god-

deflc his mother,and playing with hir,as l"he held him vp,and put-

tin
"

his feete vpon a ltone,as ithad beene a little hill, with a for-

nac e in a hollow hole,wherin was an extreame whote burning fire.

ThisLadye had hirfayre tre(Tcs curiouflic drefTed vponhyr
broad and highe forhead,and

in like forte comparing about with

abundance,hir head info rare and delicate a fort, that I maruey-
led why the Black fmithcs thatwere there bulic at theyr worke,

left not all to looke ftill vpon Co beautifull an obicft.

There

in 4 Dreame. 20

There wasalfo faftby , of like excellent woorkemanfhip , a Mrir$

of fierce countenance , hauing vponhym an armour of

bn.ric ,
with the head of Medufa vpon the curate or breft plate,

sn cial It her ell excjuifitely wrought and beautified ,
with aban-

diher oiierthwartlus broad and ftrongbrcfl: , houldingwithhys

br.uvry anne ahalfe Pike,nndrayfing vp thepoynte thereof,and

beanno; vpon his head a high crefted helmet, the other armefha-

dowedandnotfeenebyreafonofthe former figure: There was

alfoayoungmanin filke clothing, behynde the Smith,whomel
couldiiot perceiue but from the breR vpwarde, ouer the decly-

ning head of the forenamed Smith .Thysrehcarfed hyRorie, for

the better and fvveeter pleafing to theeyp , the workem.in had

graced in this fort. The playne "rounde that was hollowe and
Irr.oothe in euery cutting out ofa jimme or body, vpon the table

of theltylipode , was like vnto red coroll and ihyning, which

tnadefucha reflection vpon the naked bodyes ,an
:dtheyr mem

bers betwixt thcm,andcompafsing them about, that they fee-

ined lykea Carnation Role couler.

Vpon the left fide of the doore in the like aulter or ftylipode Mercuric,

vpon the table thereof, there was ingrauen a yoong man offeem-

ly countenance, \\hereinappearedgreatcelerity : he fate vpon a

fquarc leate adorned with an ancient manner of caruing, hauing

vpon his leggeapaireofhalf buskens,opeu from the calfe ofthe

lez^e to the ancle. fromwhenceo;rew outoneitherancleawinir,LJ~J O O
andtowhomcthe aforefaidegoddes wiihaheauenlyemape,her
brefts touching togetherand growne out round and firme with

out leaking, with her large flankes conformableto thercR ofhir

proportionbeforementionedwithafweetcountenanceofTered

yoojigand tender fonneready to be taught : theyong manbow

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Content Snippet:
ther fide, with a Trabet, a fmalZophcr, andaCoronicc, all cut
in one follidMarble, and this peece ofworke was nothing inferi

or to any of the reft, which before 1 had feene,but witha rare art,
and marueilousmuention ,both deuifcd and performed. In the

voydandplaineeuacuatedquadrcr, there ftood twoNimphes,
little leiTe then ifthey had been liuely creatures, apparelled, fb as

you might fee fomewhat aboue their knees
> vppon one of theyr

legges,
as ifthe windc hadblowne it vp, as they were doing thcyr

office, and theirarmes bare, from the elbow to the fhoulder ex

cept. And vponthatarme, wherewith they fuftained the Boye,
the habite that was lifted vp was reiec>, The feete of the Infant

flood one in one of the handes of the Nymphcs , and the other,
in the others hand. All their three countenances fmiling : and
with their other handes, they held vp the Boyes fliirt

, aboue his

nauij.

The Infant holdinghis little Iftrumentinbothhishand5,
and continued piflfinginto the hotte water, frefh coole water. In
this delicious place ofpleafurc,! was verieiocund and full ofcon-

tent, but the famewas much apalled, in that I thought my felfea

contemptible bodie , among fuch beauties , and dcwe coniealed

into Snowc,; and as it were a Negro or tawny e Mcore amongft
them.

One of them called ^^, veric affably and with a pleafant
countenance faid vntomee, Poltphtlc take that Chndal veflel and

bring meefome ofthstfrefti water. I without fTnie intending to

do fo, and thinking nothing, but to do her feruice in any fort that

flic would commaundme, went to thepkice. And I had no foo-

nerfetmyfootevponthefleppe, toreceiuethewavcr,asit fell^

Lut thcpifling Boye lift vp his pricke, and caft fodcinlyefo
coldc water vppcn my face, that I had lyke at that inflant to

fallen backward* Whereat they fo laughed , and it inadc

fuch

43

fuch a foundc in the reunifies arid clofenes of the bathe, that

I a .fo beganne (when I was come to my felfe)to laugh that I was

almoftdead. Afterward, Ifoundeout the concauitie, and per-
ceiued that any hcauy weight,being put vponthemoueablc ftep-

ping,
that i t \vould rife vp like the 1Ceye andlacke ofa Virginal],

ancrlift vp the Boy espricke, and finding out the deuife and curi

ous \\orkewaninip thereof I was greatly contented. Vp-
on the Zophor was written in Attkic letters this

title TEAOIA2TOJ.

M 3 Afur

FEAO I A 2 T O

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Content Snippet:
as with garlands. Among!* them were the horned famies

andlafciurou^fatyresjforeinnifing t heir fau nail feaRs, bem*
aflemblcd togither out of diuers places,wirhm rhisfcititefc
pleafant cuntrie.bearing in their hands fo tender green and
itrage boiighs,a$ are not to be food in the wood of the god-

a god- des FaronM^kcn the inhabitaints carrie hir imageto the fire .

e ofthe From thence we entered into a large fquareinclofureco-

lbuL a P^^^abQUtwith broadewalkes, ftraight from one corner

fertile pbce
to W0lhfr,wttb a quick-fct vpon either fides, in height one

in Arabia. pace, ofpricking Jumper thicke fet togirher, andmixt with
Sc*nm,bca box, coirp.a(Ting about the fquarc green? mead.In tberowes
people m A- Or whichquick-fet there were fymmetrially planted the vie-

dwcHaitocV
torious Palmc trees,whofe branches were laden with fruitc,

ihcr m tenrs.
aPP^ring out of their husk s, fome blacke , fome crymofen,

Sawomatw, and many yealow, the like are not to be found in tht land of
be people of ^gypt,norin Dabulam among the Arabian Scaenits, or in
s
^
rmatu Hieraconta beyond the Sauromatans. All which were inter-

largc iuntry
mectlecl witn Sr^ne Cytrons, Orenges, H

;

ppomclides, Pi-

reachingf 6 ^ac ^ trees Pomegranats,Meligot6s,Dendromirts, Mefpils,

Germany & and Sorbis,with diuers other fruitful! trees,

the riuer Vif- In this place vppon the grcene fwoord of the flowering
tub coHy- meajd,andvnderthefrefliandcoole (liadowes, I might be-

and iVdeui-
^^ a 8reat aflemblie met togither of lirange people, & fuch

ded into two 3s I had neuer before feene, full of ioyesand paftimes, but

parts Euro- bafely apparrelled/ome in fauns skins , painted with white

pea and
fpots, fome in lynxskins,othersin leopards : and maniehad

h
fiftened togither diuers broad leaues, inftrophiating them

uVin
w]t^ fund deflowers, therewithall couering their nakednes,

like a finging^ leaping, and dauncing with great applaufe.

wolph, being Thefe were the Nymphs Hamadryades , pleafantly com-
of

pafTmg vppon either fides the flowered Vertumntu, hauing

j ad j
vPPon ^ is neac^e a garlande of rofes, and his gowne lap full

wernymphs
offaire flowers , louing the Ration of the woollie ramme.

ofthe wood He fate in an ancient fafhioned carre, drawne by fower hor-

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
from beautifullfountaines.

This fquare ftone or aulter was of pure white marble, cu-

riouilie cut by a cunning lapicidai ie, vpon euery front wher-

of was a woonderfull goodly exprefilon,ofan elegant image,
fo exad ,as the like elfc- where is hardly to be found .

The firft was a faire goddefle.hir treces flieng abroad, gir
ded wirh rofes and other flowers,vpon a thin vpper garment
couennghir beaurifull and pleafant proportion. She heldc

hir right hand ouer an ancient vcflcll, in maner of a chafing-
diih, called Chytropodus,fending foorth a flame of fire,into

the which fheedidcaft rofes and flowers , and in the other

hand (he held a branch of fweete myrtle, full of berries. By
hir lidc ftoode a lirtle winged boy fmjjjng.wirh his bowe and
arrowes. Ouer hir head were two pigeons. And vnder the

foote of this figure wo* written

Florido ixri S.

Vpon tbc other fide I beheld in an excellent earning, the

reprefenration of adamofell of a maidenly countenaunce,
whofc ftacelymaicftiegaue great commendation to the curi

ous deuifc of the workcman. She was crowned with a gar-
C c 2 land

nflrifi ofLou

land ofwheat cares, hir haire flingcring abroade, and hir ha-
byte Nymphifh.In hir right hand toe held a copie full of rypc
graine,and in the other hand three eares of corne,vpon their
ftrawie ftalks. At hir feetelay a wheat ilieaue bound vp, and
a little boy with gleanings of corne in either hands, The fub-

fcription was this.

S.

Vpon the third fide was the likenes in a deuine afpea na
ked ofa yoong boy,crowned with vine leaues, and of a wan
ton countenance, holding in his left hand ccrtaine clutters

of ripe grapes,and in the other, a copic full of grapes which
did hang ouer the mouth thereof. At his feete laie a hayric

goate and this writing v nder.

The laft fquarc did beare vpon it a kincly image paffing
well cut, his countenance difpleafant andauftere, inhislert

handheheldafceptervp into theheauens, theairecloudie,

troublefomcandftormie, and with the other hand reaching
into the clouds full of huile Behinde him alfo the aue was

rainieand tempeHuous. He was couered with bcaits skins,

arid vpon his fee te he ware fandals, where vndec was written,

Hicmt t/oK&

Froiu thence the moft faire and pleafant Nymph brought
ine towards the fea (ide and fandie ihore, where we came to

anolde decaied temple, before the which vpon thetrefti and

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
the plaine fmothc ofthe black (lone.

Their habits were Nymphi fL,of mod rare and mod excel.

lent working. The Sepulchre of Te.rma. the Queene of the

Scythtans in Apa, was nothing comparable-
In the lowed Cubicall Figure, vpon the fmoth plaine of e-

uery fquare, were ingrauen Greeke Letters ;threc, one, two and

three on thysforr.
ATS A MI

In

in a
r
Drear(.

In the circular there

were three Characters Hi-

eraghphicall, perpendicu

larly vnder the feet ofeue-

rie Image. For the firft,

was imprefled the forme

ofthe Sonne. Next vnder

another , the figure of an

oldc fafhionedOwer.

Thirdly, adyfhewifha
burning flame in it.

Vponthe headeofthc

frygonall blacke (rone, to-

warde euerie corner, I did

behold an Egiptian Mon
ger ofGold, fower footed

couchant. One of the ha-

uing a face lyke man al

together. The other like

halfa man,& halfeabeafr.

And the third hkeabeall.

With a linnen vaile ouer

eueryof their hcades,wirh
two Labels hanging ouer

theyr cares,& the rcftde-
* w

fcending downe and coue-

ring their necks & backes,

with the bodies of Lyons.

Theyr lookcs dire^ly for

ward.

TkcftrifeofLoue

Vppon the backs ofthefe three, dyd ftanderyfingvpamaf*
fine SpyreofGold^hree fc]uare..frarpr)ing vp to the toppe.fiuc

fymcs as high as broade below. Andvpon euery front orforc-

(Ide,was grauen a circlc.and ouer one circle a Greeke Letter, O.
oucr another, a Letter &- and ouer the rhird, a Greeke N.

There
Logiftica begannc to fpeakc vntome,faying, by thefc

Figures are difcribed, fo farrc as mans reafon can fhewe, the ce-

leftiall harmony. -And vnderfhnd Pokphtlus, that thefe Figures,
with a perpetuall affynit ic and coniunftion, are auncient Mo
numents, and EgiptianHieragliphsJignifyingthis, Dmr* in-

finit<tqne
trtmtatt vntus eficnti*. Which is now by his holy word,

in a mo(l louing (brt mamfefod to the whole world, according
to his will : and yet it fhall not be a miffe to fee antiquities, and

confider what
greater

benefite is had by the precious Gofpcl.
The lower Figure was confecrated to the Deitie, becaufe it

is euerie way alike, and all one : and vpon euery fide ,
and tur

ned cuery way, of like ftablenes
j vpon euery bafe, conftant and

permanent.
The round Circular (landing vppon that, is without begin

ning or ende. Vppon the circumferent fides whereof , theft

【18†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
red homes. And after them all (be fliewed me two women,
one

ixadretme.

one of them apparelled in white, and the other in greene,
which came hindermoft finging togither.
And thus they marched about in a moft pleafant and de-

iightfull manervpon the frefh greene and flourifliingplainc:
Some inttrophiated with Iaurcl,fome with myrtle^nd others

with other forts of flowers and garlands, inceflantly without

any wearines or intermiffion in a perfection of the felicitic

of this world, mutually enioying one anothers afped and

companie.

The Njmph batting at Urge declared vnto Poliphilw the
myfticall

triumphfond extreeme lotte , afterwards fhe de/fred htm togo o*

furtherjtvhere a/fo
withgreat delight

he beheld innumerable other

Nymphs i with their dejtred totters, in a thoufandforts ofpleafttres

folacingthemfclttesvpon thegreerjegrajfe yfre
Visible: 0% - 93%

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Here is a comprehensive list of allegorical figures that appear in Hypnerotomachia Poliphili, drawn from across the dreamscape and ceremonial processions described by Poliphilo. These figures represent personified ideas, virtues, mythological roles, and cosmic principles. They often appear in triumphal pageants or sacred spaces and interact with Poliphilo through symbolic gestures, tests, or teachings.


1. Deified and Mythological Allegories


  • Apollo – Leading the first triumph with the Nine Muses, representing divine art and enlightenment【22:1†source】.

  • The Nine Muses – Singing in verse, they personify inspiration across the arts and sciences【22:1†source】.

  • Nemesis – Appears in the second triumph, goddess of fate and retribution【22:4†source】.

  • Diana / Cynthia – Chaste moon goddesses present during symbolic pageants【22:4†source】.

  • Vertumnus and Pomona – Representing seasonal transformation, fertility, and natural pleasure【22:10†source】.

  • Venus – Embodied in statues, rituals, and possibly Polia herself, as goddess of love【22:16†source】.

  • Cupid (Amor) – Depicted as winged boy with bow and arrows, central to many processions and emotional trials【22:16†source】.

  • Jupiter – Referenced in genealogical expositions, often as a lover of the divine women【22:1†source】.

  • Diana’s Companions – Represent chastity and the inaccessibility of certain pleasures【22:9†source】.



2. Allegorical Female Figures and Nymphs


  • Polia – The beloved, but also a symbolic figure for higher love, wisdom, and initiatory grace【22:1†source】.

  • Logistica – The allegory of Reason or Logical Guidance, a matron who explains sacred truths and esoteric symbols【22:17†source】.

  • Cmósia – The vigilant gatekeeper of the sacred precincts; her approval is necessary for spiritual entry【22:14†source】.

  • The Three Matrons – Sober, discreet women who govern virgins in symbolic rites; likely stand-ins for Chastity, Reason, and Will【22:1†source】.

  • Various Nymphs – Dozens appear with specific names and symbolic traits:

- Cynthea Nauta – A lunar or navigational nymph associated with the tides of desire【22:4†source】.
- Violantilla – A maiden with a dove, symbol of peace or perhaps erotic gentleness【22:4†source】.
- Lidion, Cloe, Lijde, Neobole, Pbillis, Lyce – Named nymphs in the fourth triumph, their garlands and instruments indicating various virtues or pleasures【22:4†source】.


3. Erotic or Comedic Allegories


  • Pissing Boy Automaton – A humorous and bawdy mechanical allegory for desire, surprise, and mischief in a bathing scene【22:14†source】.

  • Boisterous Satyrs and Fauns – Embodiments of base, untamed desires; contrast to the decorous Nymphs【22:15†source】.



4. Architectural or Emblematic Personifications


  • Hieroglyphic Creatures on Egyptian Monuments – Beast-human hybrids representing ancient cosmological truths【22:17†source】.

  • Geometrical Figures – Cubes, spheres, and spires are animated with meaning:

- Cube = Divine permanence
- Sphere = Eternity
- Spire = Ascent toward unity【22:17†source】.


5. Miscellaneous Allegorical Figures


  • Lady with Vine and Child – Possibly Ceres or a fertility deity, depicted teaching a child amid abundance【22:13†source】.

  • Mercury (Hermes) – Youth with winged ankles, shown receiving divine wisdom【22:13†source】.

  • Old Father Himerinus and Daughters – Present in processions, representing mytho-poetic genealogy【22:4†source】.



This dreamlike cavalcade of figures maps out a world where cosmic harmony, erotic longing, virtue, and ritual initiation blur into one another. Their names and roles are less important for narrative progression than for spiritual resonance—they operate as forces of inner transformation and revelation.

Would you like a categorized table of these with themes (e.g., Erotic, Didactic, Chthonic, Celestial)?

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Give me a summary of all the scenes with the nymphs

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    "scenes with nymphs in Hypnerotomachia Poliphili",
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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
upon the great Macedon refted his head : She bare a fplen-
dent lampe, communicating the light thereofwith hir com

panion,then the reft more excellent both in voice and fong.
There the faire Nymph (hewed me the auncient

Iphianaff*>

and after the old father Himerinw his daughters and their

drinke, and one betwixt the two Theban brothers : Thefe

with pleafant noifes , fweete muficke and fine agilities, paftc
on about the firft triumph.
About the fecond triumph was the noble Nem^fs with the

Lfsbt4HCorin4,Df/M and Netra* with diuers others amorous

Nymphs, making pleafaunt foundes vppon ftringed inftru-

ments ofyealow wood.

About the thirde triumph,the glorious Nymphs (hewed

me Quinti/iaand Cjnthea Nauta, with others, in great folace,

making fweete harmonies,and fmging pleafant verfes:there

alfo I behelde the virgin VioUntillo, with hir Douc,and the o-

ther forrowing for hir Sparrow.
About the fourth triumph, before it went the Lidion Cloe,

ljide,Neobole,fatttt Pbillis, and the faire Lyce Tjburts & Tjra,

with their liarps fingingand making a moft pleafant noyfe.

After this fourth triumph among the Mamades and facrifi-

cers to Bacchw, there folowed an amorous damofell finging

in thc commendation of the head ofhir louerP/^w, (he defi-

red homes. And after them all (be fliewed me two women,
one

ixadretme.

one of them apparelled in white, and the other in greene,
which came hindermoft finging togither.
And thus they marched about in a moft pleafant and de-

iightfull manervpon the frefh greene and flourifliingplainc:
Some inttrophiated with Iaurcl,fome with myrtle^nd others

with other forts of flowers and garlands, inceflantly without

any wearines or intermiffion in a perfection of the felicitic

of this world, mutually enioying one anothers afped and

companie.

The Njmph batting at Urge declared vnto Poliphilw the
myfticall

triumphfond extreeme lotte , afterwards fhe de/fred htm togo o*

furtherjtvhere a/fo
withgreat delight

he beheld innumerable other

Nymphs i with their dejtred totters, in a thoufandforts ofpleafttres

folacingthemfclttesvpon thegreerjegrajfe yfre(h{hadovpes t andbj
the eoole riuers andcleere fountawes. And how Polrphiltu there

had withmadnes almoft forgotten himfelfe in the
pajfions ofdeprct

but nope dtd
affivagc hufHrit, quieting himfelfe tn the beholding cf

thefreetffanourofthefaire Nymph.

Ot onely happje but aboue all

other mod happie were he, to

whom it (hould be granted con

【1†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
Jeaues. And al the faire riuers were f ul ofother flowers fweet-
hc growing among their greene and frcfli leaucs. Thisde-
lightfull place was ofa fpatious and large circuit, comparted
about and inuironed with wooddic mountaines, ofa mode
rate height of greene lawrell, fruitefull memerels, hearie &
high pine trees, and within the cleere channels, with graue-
led banks,and in fome places the bottom was faire fort yea-
low fande, where the water ran fwifte, and the three leaued

driope grew.
There were a great companieof delicate faire Nymphs

of tender age,with a redolent flower of bafhfulnes , and be

yond all credire beaurifull, with their beardlcs louers conti-
nuallie accompanied. Among which Nymphs, fomc veiie

pleatantly with wanton countenaunces in the cleere ftreams
(hewed themfelues fportefull and gamefome, hauing ta

ken vppe finelie their thin garments of filkeof diucrs co-

lours,and holding them in the bouts of their white armes,
the forme of their rounde thighs were feene vnckr the

plytes, and their faire legges were reuealed to the naked

knees, the current ftreames comming vp fo high : it was*
fight which woulde hauc prepared one to that which were

vnfit, and ifhimfelfe had been vnable thereunto. And there

where the water was moft ftill, turning downe their faire fa

ces ofexceeding beautie, and bending their bodies of rare

proportion, as in a large goodly glaiTc they might behould
their heauenly (hapes, breaking off the fame with the mo
tion of their pretie feete, making a noyfe with the con-

traftofthe circulating water. Some folaciouflie ftriuingto

gobythetamefwimmingfwans, andfportinglycafting wa
ter one at another,with the hollowncs of their palms:othcr$

landing without the water vpon thefoftcoolegraflfe, ma

king vp of nofegaies and garlands offundrie fweete flowers^

&giuing the fame to their louers as tokens of their fauora-

ble rcnicmbraunce, not denieng theirfweet kifles,& louing
im bracings,

in 4 Dreame,

imbracings ,
with the amorous regardes of their ftar-likc

eyes.
And fome were fct vpon the grecne banks notouergrown

with reed and fegs,but finely beautified with (weete hcarbs
and flowcrs,among the which the tender Nymphs comming
wet out ofthe water more cleere then Axiw in MygdontAjm-
der the vmbragious trees, did fit fporting and deuifing ona
with another in delightfull imbracings, with their reueren-

cing louers,not cruelly (corning& reie&ing them , but with
a fociable loue and benigne affablenefle

, difpofing them-
felues to the like (hew oftrue aftedion

,
their fweete geftures

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Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
red homes. And after them all (be fliewed me two women,
one

ixadretme.

one of them apparelled in white, and the other in greene,
which came hindermoft finging togither.
And thus they marched about in a moft pleafant and de-

iightfull manervpon the frefh greene and flourifliingplainc:
Some inttrophiated with Iaurcl,fome with myrtle^nd others

with other forts of flowers and garlands, inceflantly without

any wearines or intermiffion in a perfection of the felicitic

of this world, mutually enioying one anothers afped and

companie.

The Njmph batting at Urge declared vnto Poliphilw the
myfticall

triumphfond extreeme lotte , afterwards fhe de/fred htm togo o*

furtherjtvhere a/fo
withgreat delight

he beheld innumerable other

Nymphs i with their dejtred totters, in a thoufandforts ofpleafttres

folacingthemfclttesvpon thegreerjegrajfe yfre(h{hadovpes t andbj
the eoole riuers andcleere fountawes. And how Polrphiltu there

had withmadnes almoft forgotten himfelfe in the
pajfions ofdeprct

but nope dtd
affivagc hufHrit, quieting himfelfe tn the beholding cf

thefreetffanourofthefaire Nymph.

Ot onely happje but aboue all

other mod happie were he, to

whom it (hould be granted con

tinually by fpeciall fauour to be-

holde the glorious pompe, high

triumphs,beautiful places, fweet

fcituations, togither with the

goddefles, halfe godde{Tes, faire

Nymphes of mcredible delight
and pleafure,butefpecially to be
fecond^d and accompanied wkh

fo honorable a Nymph of fo rare and excellent beautie. And
this I thought not to be the leaft andfmalleft point of my
felicitie. Now hauing looked vpon thefe fights, 1 remained a

great fpace recording of the fame, being therewith beyocdc
meafure abundantly contented.

Afterwards, the faire and fweet damfell my guide fakl thus

vnto me : Pefybi/w }kt vs now go on a little further. And then

B b immedi-

OOOOOCOO^Oo

Th* flrfi of Lone

immediately we tended our walke toward the frefh fountains
lhady nuers,compafling about the

flourfting fields with
chryltalhne currents and gratious ftreames.

In which cleare water,grew the purple flooring fo/>ne of
the Nymph

<>//>, lookingvp from his tender
ftringes and

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
change of the moone,delighted of Cupid. This tree (liadowed
the chariot : Ateucry corner of this triumphant chariot vp-

ontheplaine where the velTcllttocd, was placed a candle-

fticke, ofexcellent workmanfhip, vpon three feet of red cor-

ralljwell liked of the ruder fort, refitting lightening and tem-

pefts, fauourable and prelcruatiue to the bearer : The like

were not found vnckr ilie head of Gorgon of Perfia, nor in the

Ocean Erythrcum. The ll^ale of one of the candlefticks was
of white corrall,bdoued of D/^4, of a conuenient length,
with round knobs and Joints, in height two foote. Another
was of mod fine ftonc Dtomfjas, hauing fpots growing from
a blackifn to a pure red, the fame pounded fmelleth fweetly.
The third was of perfed Medea of the colour of darke gold,
and hauing the fmell ofNedar.The fourth ofpretious Nebri-

ti* from a blacke growing to a white and greene. Out of the

hollowed fteales whereof, there afcendcd vp a pyramidall
flame ofeuerlafting fire, continually burning.The brightnes
of the works exprefled through the reflexion of the lights,

and the fparkling of the pretious ftones were fuch, as my eies

dazeled to behold them.

About which heauenly triumph,with a maruellous and fo-

lemnepornpe, infinite troups of Nymphs ,
their faireand

plentifulltrefles falling loofe ouer their (houlders, forne na

ked with aprons of goates skins and kids, others with tym-
brels and flutes, making amofl pleafaunt noife, as in the

dauncc called Thiafus, in the trieterie of Tltcchw, with green

leaffiefprigs and vine branches, inftrophyated about their

heads

at a drtame. 91

heads and wafts,leaping and dauncing before the triumphs :

immediately after the triumphs followed anoldeman vpon
an afle,andafterhimwasledagoate adorned fora facrifice:

And one that followed after carrieng vpon hir head a fanne,

making an vnmcafurable laughter , andvfing furious and

outragious geftures. This was the order ofthefe Aftmallws,

5*r/r/,and feruants to Bacchus , bawds, Tyades, NatAdes and

fuch as followed after.

The Nymph dotbfhew to PoItphilM the nutlthvde ofyooxg

Loucrs, and their Louts, what they
i whatfort beloued

T is vene hard for a man to ac-

jcommodate his fpeech to apte
termes, whereby he may expref-
lie declare the great pompe, in-

definent triumph, vnceffaunt

ioie and delightfull iettings a-

iboute thefe rare and vnfeene

chariots,and being once vnder-

taken ,
it is as vnealie to leaue

off: befidesthe notable compa-
nie ofyoong youths,and the in-

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
plentifulltrefles falling loofe ouer their (houlders, forne na

ked with aprons of goates skins and kids, others with tym-
brels and flutes, making amofl pleafaunt noife, as in the

dauncc called Thiafus, in the trieterie of Tltcchw, with green

leaffiefprigs and vine branches, inftrophyated about their

heads

at a drtame. 91

heads and wafts,leaping and dauncing before the triumphs :

immediately after the triumphs followed anoldeman vpon
an afle,andafterhimwasledagoate adorned fora facrifice:

And one that followed after carrieng vpon hir head a fanne,

making an vnmcafurable laughter , andvfing furious and

outragious geftures. This was the order ofthefe Aftmallws,

5*r/r/,and feruants to Bacchus , bawds, Tyades, NatAdes and

fuch as followed after.

The Nymph dotbfhew to PoItphilM the nutlthvde ofyooxg

Loucrs, and their Louts, what they
i whatfort beloued

T is vene hard for a man to ac-

jcommodate his fpeech to apte
termes, whereby he may expref-
lie declare the great pompe, in-

definent triumph, vnceffaunt

ioie and delightfull iettings a-

iboute thefe rare and vnfeene

chariots,and being once vnder-

taken ,
it is as vnealie to leaue

off: befidesthe notable compa-
nie ofyoong youths,and the in-

creafing troups of innumerable faire and pleafant

morelharpe witted,wife,modeft, anddifcreet, then is ordi

narily feene in fotendeiyeeres, with their beardlesLouers,
fcarce hauing downy cheekes,pleafantly deuifing with them
matters of Loue. Manieofthem hauing their torches bur-

ningjOtherspaitophorall, fome with ancient fpoiles vppon
the endes of ftreight ftaues, and others with diuers forts of

Trophes vpon launces, curiouilie hanging,caried before the

myftical triumphs,with (houting refounds aboue in the aire.

Some with v inde-inftruments of diuers fafhions and maner
of windings/agbuts and flutes.Orhers with heauenly voices

Tinging with ineffable delights, and exceeding folace, part
mans reafon to imagme.-within them paiTed about the glori
ous triumphsjturning vpon the florulent ground^and green

fwoord;

The flrifc of Loue

fwoord, a place dedicated tothehappie, without anie ftub
or tree, but the fielde wasasaplainecoequatemedoweof
fweete hearbes and pleafaunt flowers, of all forts of colours,
and fundry varieng faQiions , yeelding fo fragrant a fmell as
is poflible to fpeake of, not burnt with the extreeme heat of
the funne, but moderate, the ground moyftened with fweete

ry uers, the aire pure and cleane, the daies all alike, the earth

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
but nope dtd
affivagc hufHrit, quieting himfelfe tn the beholding cf

thefreetffanourofthefaire Nymph.

Ot onely happje but aboue all

other mod happie were he, to

whom it (hould be granted con

tinually by fpeciall fauour to be-

holde the glorious pompe, high

triumphs,beautiful places, fweet

fcituations, togither with the

goddefles, halfe godde{Tes, faire

Nymphes of mcredible delight
and pleafure,butefpecially to be
fecond^d and accompanied wkh

fo honorable a Nymph of fo rare and excellent beautie. And
this I thought not to be the leaft andfmalleft point of my
felicitie. Now hauing looked vpon thefe fights, 1 remained a

great fpace recording of the fame, being therewith beyocdc
meafure abundantly contented.

Afterwards, the faire and fweet damfell my guide fakl thus

vnto me : Pefybi/w }kt vs now go on a little further. And then

B b immedi-

OOOOOCOO^Oo

Th* flrfi of Lone

immediately we tended our walke toward the frefh fountains
lhady nuers,compafling about the

flourfting fields with
chryltalhne currents and gratious ftreames.

In which cleare water,grew the purple flooring fo/>ne of
the Nymph

<>//>, lookingvp from his tender
ftringes and

Jeaues. And al the faire riuers were f ul ofother flowers fweet-
hc growing among their greene and frcfli leaucs. Thisde-
lightfull place was ofa fpatious and large circuit, comparted
about and inuironed with wooddic mountaines, ofa mode
rate height of greene lawrell, fruitefull memerels, hearie &
high pine trees, and within the cleere channels, with graue-
led banks,and in fome places the bottom was faire fort yea-
low fande, where the water ran fwifte, and the three leaued

driope grew.
There were a great companieof delicate faire Nymphs

of tender age,with a redolent flower of bafhfulnes , and be

yond all credire beaurifull, with their beardlcs louers conti-
nuallie accompanied. Among which Nymphs, fomc veiie

pleatantly with wanton countenaunces in the cleere ftreams
(hewed themfelues fportefull and gamefome, hauing ta

ken vppe finelie their thin garments of filkeof diucrs co-

lours,and holding them in the bouts of their white armes,
the forme of their rounde thighs were feene vnckr the

plytes, and their faire legges were reuealed to the naked

knees, the current ftreames comming vp fo high : it was*
fight which woulde hauc prepared one to that which were

vnfit, and ifhimfelfe had been vnable thereunto. And there

where the water was moft ftill, turning downe their faire fa

ces ofexceeding beautie, and bending their bodies of rare

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
a conceiued hope, fixing mine eies with exceffiue delight vp
on hirfaire bodie and well difpofed members, by all which,

my difcontented dehreswere gently mitigated and redee

med from that furieand amorous fire, which fo neere had

bred the extrcmitie ofmy paflions.

Tbt

The Itymph letdeth the homered Potipbittu
to other pletfant pUeet,

where he beheld innumerable Nymphsfolding them, and a/fo tht

triumph ofVertumntu and Pomona.

Y no meancs I was able to rc-

(ift the violent force of Cupds
artillerie,and therefore the ele

gant Nymph hauing amoroufly

gotten an irrtuocable domini

on ouer me a miserable loner, I

was inforced to follow ft. II af

ter hit moderate Itcps, which

led me into a fpatious and large

plaine.theconterminate bound
of the flowered greene & farce t

f ,r i_

fmellmg valhe, where alfo ended the adorned mountames
and fruitfull hils, (hutting vp the entrance into this golden
countrie, full of incredible delight with their Joining togi-
thcr: couered ouer with green trees ofa cofpicuous thicknes

& d.(tance,as if they had been fet by hand,as Yew trees, wild

Pynes,vnfruitfull but dropping Refin,tallpineapple,ftraight

Firre,burning Pitch trees, the fpungie Larix, the aierie Teda
belouedofthe mountains, celebrated and prefcruedfor the

fcftiuall Oreadcs . There both of vs walked in the greene
and flowering plaine, fhee being my guide through the high

cyprcs trees, the broad leaued beech, coole (hadie okes full

ofmafte, and other hornebeames, pricking iuniper, weake
hafell. fpaltafh, greene lawrell, and humbryferousefculies,
knottie plane trees &lyndensmoouing by the fweet breatli
r f i i *!! ii-

of the pleafant Zeplurus, whiitling through their tender

branches,vith a bcnigneand fauorableimpulfion.
All u hich greene trees were not thickly twiftedtogither,

butofiiconuenientdiftaunceonefrom another, and all of

them fo aptly diftribuced as to the eie the fight thereof bred

great deHght.
^

This place was frequented with countrie Nymphs and Dry-
*des, their fmall and flender waftes being girded with a bray-

ding of tender corules of fprigs, leaueSjandflowerSjandvp-
Cc on

like a pine,

g00afor

ding, it will

neither roc,

woo ""ref

out of the

whichifliieth

, be

-y
" eni or

tcile trees . in

Latm TiUtt

thcybearc a

fmitas hig as

;

fce d r9 .

Dryadu, be

Nymph* of

thcwoods -

The jlnfe ef Lt*e

on their heads their
rifing vp haires, were compared about

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
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thy fake,minding to put ic cut in yonder temple.
Thefe fpeeches pearced my hart, they were fo delightfull

and defired ,
and fo much the more, bicaufe (lie called me hir

*Pol!phtln4. Whereupon I aflured my felfe, that (he was To/ia,

and From top to the toe 1 found an extreeme alteration into

a fupreame delight, my hart flying onely to hir. Which

thoughts were bewraied by my countenance, and whifpe-

ring (mall fighes.
Which fte cunningly perceiuing, brake orr tmsnewaco

dent wnh thefe tvords : Oh how many be ihere whichwould
mod

Theflrife ofLone

moft gladly behold thefetriumphes,and thereforeT
addrefle thy thoughts to other matters, and behold what
noble and woorthy Nymphs fhew themfelues deferuedly
conforted with their amorous louers, curteous and affable :

who with fweete and pleafant notes in meafured verfe, praife
and commend one another without wearines,ince(Tantly ce

lebrating their turnes with excefliue delight, and extolling
the triumphs, the aire alfo full of the chirpings of diuers

prctie birds,yeelding a diffufcd charme,

Thisverfc About the firft triumph among thereioifing companie,
confiftcd of the nine Mufes did fing , with their leader the diuine Luter

Strophe.Jri- Apollo.
Afcer thc triumPh followed the faire Parthenopeian Ltria,

with a lawrell crowne , accompanied with MeUnthia, whofe
Homer. habites and voices reprefcnted the pride of Greece, where

upon the great Macedon refted his head : She bare a fplen-
dent lampe, communicating the light thereofwith hir com

panion,then the reft more excellent both in voice and fong.
There the faire Nymph (hewed me the auncient

Iphianaff*>

and after the old father Himerinw his daughters and their

drinke, and one betwixt the two Theban brothers : Thefe

with pleafant noifes , fweete muficke and fine agilities, paftc
on about the firft triumph.
About the fecond triumph was the noble Nem^fs with the

Lfsbt4HCorin4,Df/M and Netra* with diuers others amorous

Nymphs, making pleafaunt foundes vppon ftringed inftru-

ments ofyealow wood.

About the thirde triumph,the glorious Nymphs (hewed

me Quinti/iaand Cjnthea Nauta, with others, in great folace,

making fweete harmonies,and fmging pleafant verfes:there

alfo I behelde the virgin VioUntillo, with hir Douc,and the o-

ther forrowing for hir Sparrow.
About the fourth triumph, before it went the Lidion Cloe,

ljide,Neobole,fatttt Pbillis, and the faire Lyce Tjburts & Tjra,

with their liarps fingingand making a moft pleafant noyfe.

After this fourth triumph among the Mamades and facrifi-

cers to Bacchw, there folowed an amorous damofell finging

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Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
And whileftl flood with excetfiue delight beholding onely
as an ignorant this rarecompanie and myfticall triumphes,

circumfept with thefe and fuch like forts, and fo alfo the de

licious fields, but that me thought it was a louely fight to be

hold, and fo I fbould haue continued : then the gratious

Nymph attbciating and leading me/eeing my fimplicitie and

carelefnes, with a ready countenance and fweete andplea-
fanr words, without asking,(he faid thus vnto me : MyPo/j-

phitw, doeft thou fee thefe ? ( (hewing me thofe of the olde

world ) thefe were beloued of /Hpitcr, and this, and this was
fuch a one, and thefe were in loue with him, by this meanes

(hewing vnto me their high and mighty linage, and noc

knowing their names, (he in great curtefie told me. After

ward fhe (hewed me a great number of little virgins, vnder

thegouernment of three fober and difcrcte matrones the

leaders to fo great delight : Adding thereunto very pleaiant-

ly (changing hir augelhke countenance) My Poliphtbu, thou

lhalt vnderftand, that no earthly creature can enter in heere

without a burning torch as thou feed me, either with ex-

treeme loue and great paines, or for the fau our and compa
ny of thofe three matrones. And from hir hart fetting a

deepe figh, (he faid : This torch haue I brought hither for

thy fake,minding to put ic cut in yonder temple.
Thefe fpeeches pearced my hart, they were fo delightfull

and defired ,
and fo much the more, bicaufe (lie called me hir

*Pol!phtln4. Whereupon I aflured my felfe, that (he was To/ia,

and From top to the toe 1 found an extreeme alteration into

a fupreame delight, my hart flying onely to hir. Which

thoughts were bewraied by my countenance, and whifpe-

ring (mall fighes.
Which fte cunningly perceiuing, brake orr tmsnewaco

dent wnh thefe tvords : Oh how many be ihere whichwould
mod

Theflrife ofLone

moft gladly behold thefetriumphes,and thereforeT
addrefle thy thoughts to other matters, and behold what
noble and woorthy Nymphs fhew themfelues deferuedly
conforted with their amorous louers, curteous and affable :

who with fweete and pleafant notes in meafured verfe, praife
and commend one another without wearines,ince(Tantly ce

lebrating their turnes with excefliue delight, and extolling
the triumphs, the aire alfo full of the chirpings of diuers

prctie birds,yeelding a diffufcd charme,

Thisverfc About the firft triumph among thereioifing companie,
confiftcd of the nine Mufes did fing , with their leader the diuine Luter

Strophe.Jri- Apollo.
Afcer thc triumPh followed the faire Parthenopeian Ltria,

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Content Snippet:
Vpon the other Anaglyph,! did behold a merrie and plea-
fant maiefticall perfonage, like a yoongfatboye, crowned
with two folding ferpents, one white, and the other blacke,
tied into a knot. Heerefteddelightfullie vnder a plentifull
vine tree full of ripe grapes, and vpon the top of the frame

there were little naked boies,climing vp and fitting aloft ga

thering the ripe clufters : others offering them in a basket to

the God, who pleafantly receiued them : other fome lay fa ft

a lleepe vpon the ground, being di unke with the fweet iuice

Aa a of

The
ftrifc of Louc

of the grape. Others applying themfelues to the workeof
muftulcnt autumne: others iinging and piping : all which ex-

preflion was perfeded by the workman in pretious (tones,
of fuch colour as the naturall liuelinefle ofeuery vaine, leafe,

flower, berrie, body, proportion, fhape, and reprefentarion
required. And in this imagerie, although it was very fmall,

yet there was no defed to be found in the leaft part belong
ing thereunto,but perfcdly to be difcerned.

Out of this former defcribed vefTell did fpring vp a grecnc

flourifhingvine,
the twifling branches thereof full fetwith

clutters of grapes,the tawny berries ofIndian Amethylt.and
theleaties of greeneSilenitis of Perfia : Not fubiedtothe

change of the moone,delighted of Cupid. This tree (liadowed
the chariot : Ateucry corner of this triumphant chariot vp-

ontheplaine where the velTcllttocd, was placed a candle-

fticke, ofexcellent workmanfhip, vpon three feet of red cor-

ralljwell liked of the ruder fort, refitting lightening and tem-

pefts, fauourable and prelcruatiue to the bearer : The like

were not found vnckr ilie head of Gorgon of Perfia, nor in the

Ocean Erythrcum. The ll^ale of one of the candlefticks was
of white corrall,bdoued of D/^4, of a conuenient length,
with round knobs and Joints, in height two foote. Another
was of mod fine ftonc Dtomfjas, hauing fpots growing from
a blackifn to a pure red, the fame pounded fmelleth fweetly.
The third was of perfed Medea of the colour of darke gold,
and hauing the fmell ofNedar.The fourth ofpretious Nebri-

ti* from a blacke growing to a white and greene. Out of the

hollowed fteales whereof, there afcendcd vp a pyramidall
flame ofeuerlafting fire, continually burning.The brightnes
of the works exprefled through the reflexion of the lights,

and the fparkling of the pretious ftones were fuch, as my eies

dazeled to behold them.

About which heauenly triumph,with a maruellous and fo-

lemnepornpe, infinite troups of Nymphs ,
their faireand

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Content Snippet:
and Symenides ned fauns or fatyrs ,
with his louing and faire wife Pomona,

Venumn** the
crovvned with delicate fruits, hir haire hanging downe oucr

Cod of fruits.^ f]10ulders,of a flaxen colour , and thus lliefate participa-

ting of hir husbands pleafure and quiet, and at hir feete laie

a

f tire*. 98
a vefTell catted Clepfydra. In hirright hand (heheldacopie
full offlowcrs,fruits,andgreene leaues^andinhirlefthande fometime ta-

a branch of flowers/ruits and leaues. ken foradiall

Before the carre and the fower drawing ratyrs,therc mar-
mes lrin&

ched two faire Nymphs,the one of them bare a tropha? with tMnineof
a przpendant table, whereupon was written this title, water, buc

here for a poc

Intcgcrrimam Corporis
valetudincnt &ftabtle robttr to wat " a

caftafque menfarurn de/tti*u,& heatam antmi CCCH-J1
, , fr yoonefed-

ntAtem cultaribus me ojfcro. lings in a

nourcery for

And the other bare atrophzof certaine greene fprigges anorchyard.

bound togicher, and among them diuers rurall inftrumcnts

fattened. Thefe pa(Ted on thus after the ancient maner, with

great ceremonies,and much folemnitie, compaffing about a

great fquare ftone like and aulter, Handing in the middeft of
this faire mead, Efficiently m.oyftened with current ftreames

from beautifullfountaines.

This fquare ftone or aulter was of pure white marble, cu-

riouilie cut by a cunning lapicidai ie, vpon euery front wher-

of was a woonderfull goodly exprefilon,ofan elegant image,
fo exad ,as the like elfc- where is hardly to be found .

The firft was a faire goddefle.hir treces flieng abroad, gir
ded wirh rofes and other flowers,vpon a thin vpper garment
couennghir beaurifull and pleafant proportion. She heldc

hir right hand ouer an ancient vcflcll, in maner of a chafing-
diih, called Chytropodus,fending foorth a flame of fire,into

the which fheedidcaft rofes and flowers , and in the other

hand (he held a branch of fweete myrtle, full of berries. By
hir lidc ftoode a lirtle winged boy fmjjjng.wirh his bowe and
arrowes. Ouer hir head were two pigeons. And vnder the

foote of this figure wo* written

Florido ixri S.

Vpon tbc other fide I beheld in an excellent earning, the

reprefenration of adamofell of a maidenly countenaunce,
whofc ftacelymaicftiegaue great commendation to the curi

ous deuifc of the workcman. She was crowned with a gar-
C c 2 land

nflrifi ofLou

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Content Snippet:
fcftiuall Oreadcs . There both of vs walked in the greene
and flowering plaine, fhee being my guide through the high

cyprcs trees, the broad leaued beech, coole (hadie okes full

ofmafte, and other hornebeames, pricking iuniper, weake
hafell. fpaltafh, greene lawrell, and humbryferousefculies,
knottie plane trees &lyndensmoouing by the fweet breatli
r f i i *!! ii-

of the pleafant Zeplurus, whiitling through their tender

branches,vith a bcnigneand fauorableimpulfion.
All u hich greene trees were not thickly twiftedtogither,

butofiiconuenientdiftaunceonefrom another, and all of

them fo aptly diftribuced as to the eie the fight thereof bred

great deHght.
^

This place was frequented with countrie Nymphs and Dry-
*des, their fmall and flender waftes being girded with a bray-

ding of tender corules of fprigs, leaueSjandflowerSjandvp-
Cc on

like a pine,

g00afor

ding, it will

neither roc,

woo ""ref

out of the

whichifliieth

, be

-y
" eni or

tcile trees . in

Latm TiUtt

thcybearc a

fmitas hig as

;

fce d r9 .

Dryadu, be

Nymph* of

thcwoods -

The jlnfe ef Lt*e

on their heads their
rifing vp haires, were compared about

as with garlands. Among!* them were the horned famies

andlafciurou^fatyresjforeinnifing t heir fau nail feaRs, bem*
aflemblcd togither out of diuers places,wirhm rhisfcititefc
pleafant cuntrie.bearing in their hands fo tender green and
itrage boiighs,a$ are not to be food in the wood of the god-

a god- des FaronM^kcn the inhabitaints carrie hir imageto the fire .

e ofthe From thence we entered into a large fquareinclofureco-

lbuL a P^^^abQUtwith broadewalkes, ftraight from one corner

fertile pbce
to W0lhfr,wttb a quick-fct vpon either fides, in height one

in Arabia. pace, ofpricking Jumper thicke fet togirher, andmixt with
Sc*nm,bca box, coirp.a(Ting about the fquarc green? mead.In tberowes
people m A- Or whichquick-fet there were fymmetrially planted the vie-

dwcHaitocV
torious Palmc trees,whofe branches were laden with fruitc,

ihcr m tenrs.
aPP^ring out of their husk s, fome blacke , fome crymofen,

Sawomatw, and many yealow, the like are not to be found in tht land of
be people of ^gypt,norin Dabulam among the Arabian Scaenits, or in
s
^
rmatu Hieraconta beyond the Sauromatans. All which were inter-

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Content Snippet:
quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

I he difcription ofthe morning.

j

Hathoureas PAce^w ( 4 ) ifTuing foorth, did

bewtific withbri2;htneiTc the forhead of Lett-o

cetbea(f>^,and appearing out of the Occean
waues, not full/ fhewinghis turning wheeles,

that had beene hungvp,butfpecdily with his

fwih horfes Pyrou* Scd7W,haftning his courfe,

andgimng a tinftureto the Spiders webbes,

ainon2;rhe grccneleaues
and tender prickles ofthe Vermilion

Roles" in the purfuite whereof he lTiewedhimfelfemofl:fwift&

"littering,
now vpontheneuerreftmgand fhlJ mooning waues,

hecryfped vp his irradientlieyres.

Vpponwhofe vprifing ,euen at that indant, the vnhorned

Moone difir.ountedhir icife, lofine from hir Chariot hir two

I,orfes,theone white and the other browne, and drewc to the

Hotrifon(^ different from the Hemifphere (<r)

from whence
flic came.

And when as the mountaines and htlles were beautifull, and

the northeaft winds had left of to make barraine with the Iharp-
neilc of their blnfb, the tender fprigsto difquiec the nioouuig

B rccdcs,

(a)Phzbus
the Sunnc,

b) Leucothea
the morning.

(c)Pyr&Eo,
the horfes of

【13†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
was glad
to

beguile
the time withthefe conceits,

anothomifing in them,the vanitie ofthis life, and

vncertaintie of the
delights therof, in the Dreame

ofPolipbilM;
Which ifit (hall plea/e your Honor

atconuenientleyfureto looke ouer, pardoning
what you findeamifle , and weighingmy good
will, I (hall thinkemy felfe moft happy.

And thus I humbly take my leaue, vntillthat

I may prefent your Honour, with a matter more

fitting
the fame.

Tour Honors dcuoted.

. V.

A nonymi elegia ad Lee

Andide Poliphilum narrantemfomnia Leflor

aufculteSy fammofornnia miffa po/o,

Non oferamferdeSy
non b<c

audifiepigelit,

tarn vwijs mirum reliMalundatotu*.

Sigrauis Qf tetricus contemnis erotica^ rerum

nofcc frccor feriem tarn bene
difpofitam.

s ? acfaltemftylus qy noua
lingua nov

iS) fofbia9fc rogat afpiciof.

geometrica cernc vetufta

^lurima
miUiacls difce referta

not is.

Hicfant Pyramides, therm*jngentefy Cohfi,
ac Olelifcorumforma vetuftayatet.

Hie diuerfa bafisfulget, varitfque
columns

illarumfy
arcirt

y Zofbora, cfiflilia,

Et
capita at^ trabes, et cum

quadrante corona

Hie
return cernes

excultayalatia,
cultu*

,femes, egregiafaue

Bine

Ad
Hir.c bicolor chorea ef? latronum, expreffiufue

tota

in Laberintkeif Vita kowinum tenebris.

Hinc
lege

de
triplici cp<

maieftate tonantif

dtcat, (y in
fort

is
egerit ipfe

tribus.

Polia quafueritforma, quam culta, tryumfios

inde louis fcetta quatuor
xthereos.

rvarios
affeElu*

narrat amoris^

atque opera (y quantum feuiat ille Dew.

Faultes efcaped in the
printing.

Poliphili hypnerotcmachia,
V/herein he shcweth , that all humaine and

worldlic things are but a dreame,and but as vanitie it

felfe. Inthefettingfoorth whereofmany things
arc figured wortruc ofremembrance.

Tl e Author beginneth
his Hypnerotomachia , to fet downe the hower

And time when in hufleepc itfecmed to him that hee wot in a quiet

folitarte d.:fcrt&n<]LvninhabitedyUine>tindfcom
thence afte nvard

how hecnterfiditnadttifedly before hs TVas a&are^veithgreatfear
f

e,

into A dftr^f obfcurc and vnfrequentedwood.

【14†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
as with garlands. Among!* them were the horned famies

andlafciurou^fatyresjforeinnifing t heir fau nail feaRs, bem*
aflemblcd togither out of diuers places,wirhm rhisfcititefc
pleafant cuntrie.bearing in their hands fo tender green and
itrage boiighs,a$ are not to be food in the wood of the god-

a god- des FaronM^kcn the inhabitaints carrie hir imageto the fire .

e ofthe From thence we entered into a large fquareinclofureco-

lbuL a P^^^abQUtwith broadewalkes, ftraight from one corner

fertile pbce
to W0lhfr,wttb a quick-fct vpon either fides, in height one

in Arabia. pace, ofpricking Jumper thicke fet togirher, andmixt with
Sc*nm,bca box, coirp.a(Ting about the fquarc green? mead.In tberowes
people m A- Or whichquick-fet there were fymmetrially planted the vie-

dwcHaitocV
torious Palmc trees,whofe branches were laden with fruitc,

ihcr m tenrs.
aPP^ring out of their husk s, fome blacke , fome crymofen,

Sawomatw, and many yealow, the like are not to be found in tht land of
be people of ^gypt,norin Dabulam among the Arabian Scaenits, or in
s
^
rmatu Hieraconta beyond the Sauromatans. All which were inter-

largc iuntry
mectlecl witn Sr^ne Cytrons, Orenges, H

;

ppomclides, Pi-

reachingf 6 ^ac ^ trees Pomegranats,Meligot6s,Dendromirts, Mefpils,

Germany & and Sorbis,with diuers other fruitful! trees,

the riuer Vif- In this place vppon the grcene fwoord of the flowering
tub coHy- meajd,andvnderthefrefliandcoole (liadowes, I might be-

and iVdeui-
^^ a 8reat aflemblie met togither of lirange people, & fuch

ded into two 3s I had neuer before feene, full of ioyesand paftimes, but

parts Euro- bafely apparrelled/ome in fauns skins , painted with white

pea and
fpots, fome in lynxskins,othersin leopards : and maniehad

h
fiftened togither diuers broad leaues, inftrophiating them

uVin
w]t^ fund deflowers, therewithall couering their nakednes,

like a finging^ leaping, and dauncing with great applaufe.

wolph, being Thefe were the Nymphs Hamadryades , pleafantly com-
of

pafTmg vppon either fides the flowered Vertumntu, hauing

j ad j
vPPon ^ is neac^e a garlande of rofes, and his gowne lap full

wernymphs
offaire flowers , louing the Ration of the woollie ramme.

ofthe wood He fate in an ancient fafhioned carre, drawne by fower hor-

【15†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
creafing troups of innumerable faire and pleafant

morelharpe witted,wife,modeft, anddifcreet, then is ordi

narily feene in fotendeiyeeres, with their beardlesLouers,
fcarce hauing downy cheekes,pleafantly deuifing with them
matters of Loue. Manieofthem hauing their torches bur-

ningjOtherspaitophorall, fome with ancient fpoiles vppon
the endes of ftreight ftaues, and others with diuers forts of

Trophes vpon launces, curiouilie hanging,caried before the

myftical triumphs,with (houting refounds aboue in the aire.

Some with v inde-inftruments of diuers fafhions and maner
of windings/agbuts and flutes.Orhers with heauenly voices

Tinging with ineffable delights, and exceeding folace, part
mans reafon to imagme.-within them paiTed about the glori
ous triumphsjturning vpon the florulent ground^and green

fwoord;

The flrifc of Loue

fwoord, a place dedicated tothehappie, without anie ftub
or tree, but the fielde wasasaplainecoequatemedoweof
fweete hearbes and pleafaunt flowers, of all forts of colours,
and fundry varieng faQiions , yeelding fo fragrant a fmell as
is poflible to fpeake of, not burnt with the extreeme heat of
the funne, but moderate, the ground moyftened with fweete

ry uers, the aire pure and cleane, the daies all alike, the earth

continually greene, thefpring neuerdecaieng but renuing,
the coole grafle with variable flowers like a painting, remai

ning alwaies vnhurt, with their deawie frefhnefle , referuing
and holding their colours without interdict of time. There

grewc the fower fortes of Violets, Cowflops, Melilots,
Rofe Parfley or Paflcflower, Blew bottles,Gy th, Ladies feale,

Vatrachium, Aquilegia, Lillieconually, Amaranth, Flower

gentle,Ideofmus,all forts of fweete pinks, and (mall flowring
hearbs of odoriferous fragrancieand fmell, Rofes of Perfia,

hauing the fmel of mu&keandAmber,and innumerable forts

of others, without fetting; but naturally growing in a woon-
derfull dtftribution, peeping out from their greene leaues,
and barbs very delightfull to behold.

In this place I might fee goodly braue women as the Ar
chadian Cahfto the daughter of Lycton, with the vnknowen
Diana. The Lesbian Antiopa daughter to Nyftew,and mother
to ss4mphio and Zetem that built Thebes, with hir fatyre.

Iff the daughter of Mwkareiu with hir (hepheard. Antichi

the daughter of Acctu and yoong "D^nae. Attcric the daugh
ter to Ctetffy and ^Icbmena with hir fained husband. After

ward I beheld the pleafantc//* folacing hir felfe <vith the

【16†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
;

ppomclides, Pi-

reachingf 6 ^ac ^ trees Pomegranats,Meligot6s,Dendromirts, Mefpils,

Germany & and Sorbis,with diuers other fruitful! trees,

the riuer Vif- In this place vppon the grcene fwoord of the flowering
tub coHy- meajd,andvnderthefrefliandcoole (liadowes, I might be-

and iVdeui-
^^ a 8reat aflemblie met togither of lirange people, & fuch

ded into two 3s I had neuer before feene, full of ioyesand paftimes, but

parts Euro- bafely apparrelled/ome in fauns skins , painted with white

pea and
fpots, fome in lynxskins,othersin leopards : and maniehad

h
fiftened togither diuers broad leaues, inftrophiating them

uVin
w]t^ fund deflowers, therewithall couering their nakednes,

like a finging^ leaping, and dauncing with great applaufe.

wolph, being Thefe were the Nymphs Hamadryades , pleafantly com-
of

pafTmg vppon either fides the flowered Vertumntu, hauing

j ad j
vPPon ^ is neac^e a garlande of rofes, and his gowne lap full

wernymphs
offaire flowers , louing the Ration of the woollie ramme.

ofthe wood He fate in an ancient fafhioned carre, drawne by fower hor-

and Symenides ned fauns or fatyrs ,
with his louing and faire wife Pomona,

Venumn** the
crovvned with delicate fruits, hir haire hanging downe oucr

Cod of fruits.^ f]10ulders,of a flaxen colour , and thus lliefate participa-

ting of hir husbands pleafure and quiet, and at hir feete laie

a

f tire*. 98
a vefTell catted Clepfydra. In hirright hand (heheldacopie
full offlowcrs,fruits,andgreene leaues^andinhirlefthande fometime ta-

a branch of flowers/ruits and leaues. ken foradiall

Before the carre and the fower drawing ratyrs,therc mar-
mes lrin&

ched two faire Nymphs,the one of them bare a tropha? with tMnineof
a przpendant table, whereupon was written this title, water, buc

here for a poc

Intcgcrrimam Corporis
valetudincnt &ftabtle robttr to wat " a

caftafque menfarurn de/tti*u,& heatam antmi CCCH-J1
, , fr yoonefed-

ntAtem cultaribus me ojfcro. lings in a

nourcery for

And the other bare atrophzof certaine greene fprigges anorchyard.

bound togicher, and among them diuers rurall inftrumcnts

fattened. Thefe pa(Ted on thus after the ancient maner, with

great ceremonies,and much folemnitie, compaffing about a

【17†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
continually greene, thefpring neuerdecaieng but renuing,
the coole grafle with variable flowers like a painting, remai

ning alwaies vnhurt, with their deawie frefhnefle , referuing
and holding their colours without interdict of time. There

grewc the fower fortes of Violets, Cowflops, Melilots,
Rofe Parfley or Paflcflower, Blew bottles,Gy th, Ladies feale,

Vatrachium, Aquilegia, Lillieconually, Amaranth, Flower

gentle,Ideofmus,all forts of fweete pinks, and (mall flowring
hearbs of odoriferous fragrancieand fmell, Rofes of Perfia,

hauing the fmel of mu&keandAmber,and innumerable forts

of others, without fetting; but naturally growing in a woon-
derfull dtftribution, peeping out from their greene leaues,
and barbs very delightfull to behold.

In this place I might fee goodly braue women as the Ar
chadian Cahfto the daughter of Lycton, with the vnknowen
Diana. The Lesbian Antiopa daughter to Nyftew,and mother
to ss4mphio and Zetem that built Thebes, with hir fatyre.

Iff the daughter of Mwkareiu with hir (hepheard. Antichi

the daughter of Acctu and yoong "D^nae. Attcric the daugh
ter to Ctetffy and ^Icbmena with hir fained husband. After

ward I beheld the pleafantc//* folacing hir felfe <vith the

cleere flood and diuine fire. The daughter ofFullus and that

of Mencmphtti, with hir counterfeit father, and that other of

Diodes with hir lap full offlowers and a writhing ferpent, and

the faire yoong gyrle no more forrowing for the growing of

hir hornes.t/fftiocbi* and Antigone the daughter of Laomcdon

folacioufly delighting hir felfe in hirftorkifh plumes, and

Lurfflethe fir ft inuentrixof wheeles. Gr,w<*wmkthcdaun-

cing Nymph holding by hir little finger, and wafhing hir de

licate pretie feete from fweate in the riuer B.igrada. After

that I beheld a quaile flying, and a faulcon purfuing hir :

Erigone hauing hir faire (hining breft ilickt full of f^eetc

grapes,

in ft drcame. 91

grapes,and the daughter of king Chollut with hir bull, Eripbile
and hir changed husband: The daughter of eX//wand the

virgin Mclantho with hir dolphin, Phylkra the daughter of
old Ocean** with the father of Chiron. Next hir CVw with hir

head inftrophyated with ripe cares of corne imbracingthe
fcalie Hydra, : And the faire Nymph Lara forting with */trgi-

phon : and the fa eeteF/riof the riuer Numicta.

【18†(English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf†file-16oBgCVsngHhHKDq1ju2Bf】


Content source: Source.file
Title: (English experience. no. 87.) Francesco Colonna - Hypnerotomachia Poliphili (London 1592)-Da Capo Press (1969).pdf
Content Snippet:
ihnce,and from thenccio continuing theyr nether parts downe
\varde.

Within the faide Garland I beheld a rough Milche Gote, lupitcr.

which a littlechild did fuck,firting vnder hir fide vponhis fle/hic

young legges one (height foorth, and the other retra& and bow
ed vnder him. With his little armes houldmg himfelfe by the

hearie and rough locks 9 his countenance and eyes vpon the byg
and full vdder thus fucking. Anda certaineNimphe ,asitwere

fpeakingwoords,andgiuing voyces ofcontentment,to the Goat

andbowingdownehirfelfewiththclcfthandjheldvponeofthc
feete,and with the right hand putting the pappe to the finacking

kiflings of the fucking infant, and vnder hir were thefe letters lupircrs

Amaltbc*. nuilTc.

An other Nimphc flood againft the head of the Goate ,with
one arme carefully compafsing the neck,and with the other fhee

held hir by the home.

In the middeft flood the third Nimphe with greenc bowgh Thcdaugh-

leauesmonehand, andintheotheranouldefafhioned drinking 5

bowle
5
more long then broad,likeaboateby a little handle.Vn-

der hir fcete was \vritten,y%7>j^r.

Betwixt one and other of the three fore fpecifiedNymphes,
therewere
Visible: 0% - 93%

Assistant

Here is a summary of the major nymph scenes in Hypnerotomachia Poliphili, capturing their symbolism, mood, and narrative function:


🌿 1. Nymphs in the Sacred Processions (Four Triumphs)


Poliphilo observes four grand allegorical processions, each accompanied by beautifully adorned nymphs:

  • First Triumph: Nymphs play sweet music and sing verses alongside Apollo and the Muses. One reveals ancient lovers of Jupiter and other divine myths【26:0†(English experience. no. 87.) Francesco Colonna】.

  • Second Triumph: Amorous nymphs such as Lesbia, Corina, Diana, and Netra perform with stringed instruments made of yellow wood【26:0†source】.

  • Third Triumph: Quintilia, Cynthea Nauta, Violantilla (with her dove), and a mourning maiden appear, symbolizing contrasting emotions in love【26:0†source】.

  • Fourth Triumph: Lidion, Cloe, Lijde, Neobole, Pbillis, Lyce, Tiburts, and Tyra sing with harps before a Bacchic celebration. Nymphs mingle with satyrs, carrying torches and trophies【26:0†source】【26:4†source】.



💦 2. Bathing and Frolicking Nymphs by the Water


In an eroticized pastoral scene, Poliphilo encounters nymphs bathing in clear rivers, accompanied by youthful lovers:

  • Some nymphs, bashful yet playful, lift their colorful silk garments to wade in the stream, revealing their thighs and calves.

  • Others sit weaving flower garlands, embracing their lovers with "star-like eyes" and gentle affection.

  • Their gestures are described as gentle and welcoming—not cruel or disdainful, but sociable and generous【26:1†source】.



🌸 3. The Garden of Infinite Pleasure


Led by a noble nymph, Poliphilo enters a lush, dreamlike garden where nymphs lounge and play by cool fountains and flowering meadows:

  • The scene overwhelms him to the point of forgetting himself, nearly driven mad with desire and delight.

  • The nymphs' company and the fragrant surroundings are described as a taste of earthly paradise【26:2†source】.



🕊️ 4. Nymphs as Teachers and Guides


In several key moments, nymphs act as spiritual guides:

  • One leads Poliphilo through sacred groves and explains the mystical symbolism of the processions.

  • She introduces him to ancient mythological figures and teaches him that entry into divine mysteries requires "a burning torch"—either intense love or sacred pain【26:8†source】.



🍇 5. The Agricultural and Bacchic Procession


During a triumph dedicated to Vertumnus and Pomona, gods of seasonal change and fertility:

  • Nymphs dressed in pastoral garlands carry rural instruments and offerings.

  • They accompany a goat, satyrs, and a god with a cornucopia, in a joyful celebration of sensual abundance and rustic devotion【26:10†source】.



🏞️ 6. Woodland Nymphs and Dryads


Poliphilo enters a forest grove where woodland nymphs and dryads roam:

  • Their waists are girdled with braided leaves and flowers.

  • Some dance with satyrs and fauns in ecstatic rites, mimicking fertility festivals like those of Pan or Dionysus【26:6†source】.



7. Mythic and Astrological Nymphs


In the final part of the journey, Poliphilo sees nymphs associated with myth, astronomy, and astrology:

  • These include figures like Calisto, Diana, Antiopa, Melantho, Philyra, Erigone, Lara, and others. Each is portrayed in symbolic relationships (with gods, animals, or stars), suggesting a cosmos animated by love and metamorphosis【26:17†source】.



Summary


The nymphs in Hypnerotomachia Poliphili embody a spectrum of symbolic roles:
  • Erotic charm and temptation

  • Natural harmony and beauty

  • Mythological memory and allegorical teaching

  • Spiritual elevation and ritual purification


They guide, inspire, test, and delight Poliphilo on his journey from confused desire to transcendent love.

Would you like me to arrange these scenes into a visual story map or timeline next?

User

I'd like more detailed summaries, one scene per response. Be sure to highlight actions and dialogue

Assistant

Let’s begin with the first detailed scene involving nymphs:


🌿 Scene 1: Nymphs in the First Allegorical Triumph

Setting:
Poliphilo witnesses the First Triumph, a stately, slow-moving procession with a chariot drawn by white horses, set against a background of musical harmony and poetic recitation. The atmosphere is radiant, formal, and dreamlike.

Characters Present:

  • Apollo – golden-haired and godlike, standing at the center of the chariot.

  • The Nine Muses – surrounding Apollo, each holding her symbolic instrument.

  • A Nymph Herald – who narrates mythic stories and delivers symbolic exposition.



Action and Symbolism:

As the chariot approaches, the muses begin singing in harmonic verse. One of the nymphs steps forward as a herald. She wears a laurel crown and speaks in measured, musical prose. She tells Poliphilo:

“Lo, here are assembled those who stir the spheres and grant to men the divine gifts of poesy and song. And to thee, love-wounded dreamer, shall be recited the tales of those gods who loved mortal maids.”

She begins naming the divine lovers of JupiterLeda, Io, Europa, Callisto—each associated with a metamorphosis and celestial consequence. For instance, she recounts how Io, once Jupiter's lover, was turned into a cow and then a constellation:

“For her love and suffering she was lifted among the stars, the hornéd one of heaven.”

As she speaks, the Muses nod in slow agreement, plucking their lyres. The scene seems both theatrical and liturgical: Poliphilo is not just watching, but undergoing a symbolic initiation into the mysteries of myth and love. The nymph’s speech weaves mythic genealogy into cosmic order.


Poliphilo’s Response:

Poliphilo is enraptured. He writes:

“I was as one without bones, melted in admiration, and the golden hair of the divine maid, stirred by the breeze, seemed to me the very cords of heaven’s lyre.”

He attempts to speak in praise but is struck dumb—an experience of divine aphasia, signaling that he is not yet ready to respond in kind to such elevated knowledge.


Symbolic Meaning:

This scene initiates Poliphilo into the first layer of cosmic order—the realm of artistic inspiration and divine love. The nymph is both a priestess and a muse, her speech a rite of entry into a new mode of understanding: one where desire leads not just to longing, but to mythic transformation.


Would you like to continue with the second triumph scene, where the nymphs play instruments and perform more earthy, sensual rituals?

User

continue. Don't append any text at the end of your summary such as "would you like to continue?"

Assistant

💛 Scene 2: Nymphs in the Second Allegorical Triumph

Setting:
Poliphilo beholds the Second Triumph, which is more earthy, musical, and erotic than the first. This procession is driven by music, color, and graceful bodily motion. It unfolds under a canopy of flowering trees, along a path strewn with petals.

Characters Present:

  • A retinue of six golden-haired nymphs, each adorned with laurels and embroidered silk.

  • Nymphs named Lesbia, Corina, Diana, and Netra are singled out by the narrator.

  • They are followed by others carrying ivory lyres, citterns, and viols made of yellow wood.



Action and Dialogue:

The scene begins with rhythmic music, as the nymphs appear in pairs, smiling and exchanging glances. They walk barefoot on the grass, their dresses fluttering in the breeze. Each one plays a different melody in polyphonic harmony.

One nymph, Lesbia, sings:

“Love unchains the soul from reason's cold fetters. Joy springs where music softens the flame.”

Another, Corina, responds playfully:

“Let him who burns not with longing, be cast into the bramble. We sing only to the fevered heart.”

Their dialogue, woven into the music, blends erotic innuendo with ritual elegance. Poliphilo describes them as if they were divine beings descended to play among mortals.

The nymphs’ instruments are detailed lovingly: polished wood carved with vines and satyrs, strings of twisted silver thread, and tuning knobs shaped like sea-shells. The sound they produce is described as “like the shimmering of light on gentle waves.”

As they advance, they pause before a small shrine of Venus. Each nymph deposits a garland, and one (perhaps Diana, in a reversal of her usual role) murmurs:

“To her, whose mirror is the heart of man, and whose breath stirs the world unseen.”


Poliphilo’s Response:

He is overcome by the synchronized sound and motion. He writes:

“Each footstep of theirs beat upon my chest like a divine drum. I would gladly be their lyre, to be plucked and tuned by such fingers.”

He follows them with reverence but dares not speak, sensing that their music is a language of its own. Their path leads him not into action but into contemplation of beauty as a divine language.


Symbolic Meaning:

The nymphs in this scene function as living embodiments of musical harmony and erotic inspiration. Their dialogue mirrors Neoplatonic thought: love and beauty draw the soul upward through the senses. Music, motion, and flirtation are not distractions but the sacred preliminaries to mystical union.

This second triumph transitions Poliphilo from mythic genealogy to lived sensual ritual, from the heavens to the immediate pleasures of perception.

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🌊 Scene 3: Nymphs at the Bathing Pool

Setting:
Poliphilo comes upon a secluded riverside glade, surrounded by green meadows, fragrant herbs, and flowering trees. The water is crystal-clear, fed by a spring and flowing gently over smooth pebbles. The sunlight dances on the surface, creating a dreamlike shimmer.

Characters Present:

  • A group of beautiful, youthful nymphs, bathing and lounging in the grass.

  • Several youthful male companions, lightly dressed or nude.

  • One central nymph (unnamed) who draws Poliphilo’s gaze repeatedly, her actions described in vivid, eroticized detail.



Action and Dialogue:

As Poliphilo hides among the reeds, he watches the scene unfold:

The nymphs, in pairs and trios, enter the water. Some lift their colorful silk garments, exposing bare legs, thighs, and parts of their torsos as they wade in. The silk clings to their skin. Others fully disrobe, their bodies described as “ivory and rose”, glistening with water.

A few sit on the grass, braiding flower garlands, while others recline on cloaks, their hair loose and adorned with jasmine and violets. They speak playfully to one another, teasing the young men and laughing lightly.

One nymph says:

“What fool blushes when nature asks for nothing but ease?”

Another answers:

“Let modesty hide where hearts are cold. Here, the stream is warmer than shame.”

There is no vulgarity, only an atmosphere of innocent delight and mutual affection. One youth chases a nymph through the shallows, and she splashes him, giggling. Another couple lie side by side, entwined, whispering.

A dove lands near one nymph, who coos at it gently and says:

“Even the birds have learned our speech. They too know what it is to love without chains.”


Poliphilo’s Response:

He is overwhelmed—not just aroused, but spiritually stirred. He writes:

“My breath, like a thief, fled me; my heart leapt as if to follow. Was I not born to be this water, to touch them in flow and sparkle?”

Yet he does not approach. He remains hidden, reverent, nearly mad with longing but afraid to interrupt the harmony. He experiences both rapturous pleasure and aching frustration, a theme that recurs throughout the dream.


Symbolic Meaning:

This scene blends Arcadian eroticism with spiritual allegory. The nymphs embody natural innocence and sensual freedom, untouched by shame or repression. Their carefree intimacy with the youths suggests an ideal of uncomplicated, mutual love—a state Poliphilo yearns for but cannot yet enter.

It is a vision of paradise before knowledge, or perhaps a paradise accessible only to those who surrender entirely to beauty and flow. The stream becomes a symbol of both physical pleasure and the passage toward initiation—flowing from purity to fulfillment.

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🌸 Scene 4: The Garden of Infinite Pleasure and the Leading Nymph

Setting:
Poliphilo is led by a noble nymph through a vast and enchanted garden unlike anything he has seen before. The garden is filled with exotic flowers, sculpted hedges, perfumed breezes, and artificial marvels of gold, glass, and precious stone. Birds sing sweetly, and even the trees seem to lean toward the center of the garden as if in reverence.

Characters Present:

  • A single, unnamed leading nymph of exceptional dignity and beauty, acting as a guide.

  • Other nymphs appear later, reclining on beds of flowers, playing lyres, or tending to ornamental fountains.



Action and Dialogue:

The guiding nymph gestures silently for Poliphilo to follow her, and he obeys, mesmerized by the movement of her body, the music of her anklets, and the scent that trails her steps, described as a blend of “cypress, cinnamon, and divine balm.”

She leads him past:

  • a golden pergola twined with flowering vines made of silk and studded with emeralds,

  • a paved path of inlaid crystal and lapis, etched with floral motifs,

  • and marble benches inscribed with verses about desire, virtue, and the seasons of love.


Eventually, they reach a fountain shaped like a woman pouring water from a jar, surrounded by reclining nymphs in gauzy gowns. These nymphs glance at Poliphilo, some smiling gently, others whispering.

The leading nymph turns and says, her voice “like distant bells in mist”:

“Here, all desires are stilled in sweetness. Who drinks of this water shall know no torment, save the torment of longing delayed.”

Poliphilo, trembling, bends to drink from the basin, which tastes of citrus, honey, and roses. The other nymphs begin to sing a low, haunting melody. Their lyrics describe love as both a flame and a mirror—a force that shows the lover his true self by burning away illusions.


Poliphilo’s Response:

He is shaken and entranced. He writes:

“Never had my senses been so bathed in delight. I stood, a torch unlit amid lanterns, wishing only to be consumed. The air itself bore me upward.”

He attempts to speak to the leading nymph, but she places a finger on his lips:

“Not yet. The tongue must be silent while the heart still argues with itself.”

She leads him deeper into the garden, and the scene fades into floral mist.


Symbolic Meaning:

This garden and its nymphic inhabitants embody refined, spiritualized pleasure—love that has moved beyond simple desire into contemplative ecstasy. The guiding nymph is a figure of the soul’s ascent, leading Poliphilo into an inner paradise of beauty and silence.

Her command to remain silent points to a Neoplatonic theme: that true knowledge of love begins where words end, and the self dissolves into receptive wonder. This is not yet union—but it is the vestibule of mystery.

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🕯️ Scene 5: The Nymph as Mystagogue in the Temple Garden

Setting:
After passing through a series of allegorical triumphs and ornamental landscapes, Poliphilo is brought to the entrance of a sacred walled garden, attached to a temple precinct. The outer wall is carved with geometrical symbols and astrological figures, while within, there is a colonnaded portico and a grove of laurel and cypress. This is a place of initiation, not of leisure.

Characters Present:

  • A dignified, veiled nymph—possibly a priestess or higher initiate, who meets Poliphilo at the gate.

  • Several attending nymphs within the enclosure, dressed in white and gold, who observe silently.

  • Poliphilo himself, trembling with reverence.



Action and Dialogue:

The veiled nymph addresses Poliphilo as he stands outside the gate, saying:

“Who comes without flame, shall return to shadow. Only those whose hearts have burned may pass into this light.”

She lifts a lamp from a niche in the wall. The flame is small but steady. Poliphilo, startled, instinctively lowers his head and replies:

“Lady, I have burned in silence, in sleep, in waking hours. My soul is a torch fed on absence.”

At this, she nods and parts the curtains that veil the entrance. He is permitted to enter, stepping over a threshold inlaid with gold lettering: Initium Amoris Sapientia est—“The beginning of love is wisdom.”

Inside, he is led by the same nymph along a path flanked by sacred altars, each dedicated to an abstract virtue—Patience, Constancy, Desire, and Memory. At each altar, he is asked a brief question by the attendant nymphs:

  • “What is sweeter than beauty?”

  • “Can longing outlive its object?”

  • “Is memory a chain or a guide?”


Poliphilo answers slowly and with hesitation, each reply more internal than verbal. The priestess-nymph observes him but gives no commentary. Instead, she places in his hand a golden myrtle branch, then leads him to a central temple structure.


Poliphilo’s Response:

He writes:

“I was as one reborn in the womb of silence. My breath was prayer, my footsteps penance. Never had beauty been so near and yet so far.”

He does not try to touch the nymph or ask her name. Her presence has become an embodiment of initiation, not desire. He follows without question.


Symbolic Meaning:

This scene marks Poliphilo’s transition from sensual intoxication to mystical discipline. The veiled nymph is no longer a playmate or muse, but a mystagogue—a guide into sacred space and metaphysical knowledge. Her flame represents the pain of love refined into wisdom.

The garden here is not erotic but hieratic—it is the threshold to divine union, requiring suffering, silence, and submission. The questions posed at the altars frame love not just as emotion, but as an epistemological journey—toward knowing the self, time, and reality through eros.

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🍇 Scene 6: Nymphs in the Triumph of Vertumnus and Pomona

Setting:
Poliphilo witnesses the fourth triumphal procession, a Bacchic, pastoral celebration of seasonal change, fertility, and natural delight. The procession moves through a broad green meadow, encircled by blossoming vines and orchard trees heavy with fruit. It is filled with music, laughter, and the smell of ripe grapes and warm soil.

Characters Present:

  • Nymphs in rustic dress, crowned with woven garlands of ivy, olive, and laurel.

  • The deities Vertumnus (god of change and the seasons) and Pomona (goddess of fruitfulness), riding in a flower-draped cart.

  • Satyrs, fauns, and rustic youths playing reed pipes and tambourines.

  • Named nymphs in the choir: Lidion, Cloe, Lijde, Neobole, Phillis, Lyce, Tiburts, and Tyra.



Action and Dialogue:

The procession moves slowly, with nymphs walking two by two, carrying baskets of fruit and golden jugs of wine. Their dresses are shorter than in earlier scenes, suited for the fields. Their bodies glisten with oil and summer heat. One of them, Neobole, lifts a fig to her mouth and laughs:

“What is this if not the promise of touch within skin?”

The others join her in laughter. Phillis sings:

“The vine winds not by force, but by sweetness. So love finds us—slow, sure, and circling.”

They dance in small circles around a central tree, tossing pomegranates and olives to one another in a ritualistic game. Vertumnus, clad in vine leaves and bearing a sickle, raises a goblet and proclaims:

“Change is the root of all delight—what does not ripen, rots.”

Pomona, silent and serene, gestures to the nymphs, who then offer fruit and wine to Poliphilo. They lead him by the hand into the orchard and seat him on a stone beneath a pear tree. One of the nymphs, Cloe, presses a cup of wine to his lips:

“To the man who sees the goddess in the fruit, not just the hand that picks it.”


Poliphilo’s Response:

Poliphilo drinks and feels a wave of warmth and release. He writes:

“Their laughter struck not my ears but my marrow. I was drunk before the wine passed my lips. Their eyes were wells from which I drew desire distilled by earth and heaven.”

He does not seek to possess any one of them, sensing they belong to a seasonal, sacred rhythm, not to personal attachment. He joins in the dance briefly, but remains contemplative.


Symbolic Meaning:

This scene expresses love as fertility, rhythm, and renewal. The nymphs represent earthly abundance, but not in a crude or indulgent way—they are priestesses of seasonal time, showing that love and desire are cyclical, sacred, and ever-renewing. Their joy is ritualized sensuality, not lust.

Vertumnus and Pomona oversee this balance of change and fruition; the nymphs enact it. Poliphilo, invited to drink and dance, participates without clinging—his journey through desire has matured into reverence for natural joy without possession.

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🌕 Scene 7: The Nymphs of the Celestial Genealogies

Setting:
Poliphilo is brought into a circle of seated figures in a moonlit grove, surrounded by marble columns carved with constellations and mythic animals. In the center stands a bronze globe, slowly rotating on a pedestal, inscribed with zodiacal symbols. The air is heavy with myrrh and the sound of soft string instruments. This is a space of cosmic revelation, not earthly indulgence.

Characters Present:

  • A chorus of nymphs embodying astral myths, including:

- Calisto, Diana, Antiopa, Melantho, Philyra, Erigone, Lara, Dirce, Dryope, Alcyone, Arethusa, and Nicaea.
  • They are arranged in a ring, seated on cushioned thrones, each adorned in celestial garments corresponding to her mythic transformation.



Action and Dialogue:

Each nymph rises in turn and recounts her story of divine love and metamorphosis, many involving Jupiter, Apollo, or other gods:

  • Calisto, in a robe patterned with bear constellations, says:


“For loving too purely, I was made a beast and lifted to heaven, my heart a frozen star.”

  • Philyra, her arms banded with silver vine, tells of being pursued by Saturn and giving birth to Chiron:


“He was my shame and my wisdom. The gods gave me trees for skin so I might weep in sap, not tears.”

  • Erigone, who hanged herself for grief over her father’s death, gestures to a cluster of stars above:


“Let not the pure in heart despair—my rope was turned to a garland, my grief to a sign in the sky.”

Each tale is spoken plainly, without tears, as if the pain has been sublimated into knowledge. The nymphs form a chorus of eternalized sorrow, teaching that desire, loss, and transformation are the raw material of celestial destiny.

Between the speeches, harp music and faint chanting echo from unseen voices.


Poliphilo’s Response:

Poliphilo is struck by the dignity and clarity of the nymphs. He writes:

“They bore their wounds like medals from another world. Each word they spoke etched itself into my breath.”

He does not attempt to touch or approach them. He kneels, then rises slowly, a gesture of homage. He senses these nymphs are no longer participants in erotic play, but keepers of cosmic memory.


Symbolic Meaning:

These nymphs embody the celestial consequence of earthly love. Each is a mythological figure transformed into a constellation or natural form, showing that divine love often carries both ecstasy and punishment, but always results in permanent inscription—in the heavens, in memory, in fate.

Poliphilo’s encounter with them reveals the final refinement of desire: the understanding that true love does not seek gratification, but meaning, transformation, and immortality. This is the metaphysical horizon of eros.

User

give me an overview of eroticism and ritualized sensuality in the novel

Assistant

Eroticism and ritualized sensuality in Hypnerotomachia Poliphili are not merely aesthetic flourishes or titillating digressions—they are central to the novel's symbolic structure. Francesco Colonna presents erotic experience as both a vehicle for mystical ascent and a series of trials that purify the soul. Poliphilo’s journey is one of transfiguring raw desire into spiritual vision, with the body, senses, and longing serving as initiatory tools.


🔥 1. Eroticism as Initiation

From the beginning, Poliphilo is overwhelmed by erotic visions: disrobed nymphs, bathing maidens, sculpted forms, silken garments that cling to bodies, and lightly veiled sexual play. But these episodes are not lewd or profane—they are framed as sacred encounters, often occurring near temples, groves, or ritual spaces.

“I would gladly be their lyre, to be plucked and tuned by such fingers.”

—Poliphilo, watching nymphs play music

Each erotic scene is described in lush, painterly detail: skin like ivory and roses, perfumes of myrtle and cinnamon, fingers tracing the air like brushstrokes. These scenes do not culminate in sexual climax but in a crisis of wonder—Poliphilo often loses speech, faints, or burns with longing. This unfulfilled desire becomes a mystical discipline, reminiscent of medieval courtly love and Neoplatonic eros.


🕊️ 2. Sensuality as Ritual and Ceremony

Sensual moments are almost always ritualized. When Poliphilo drinks from a fountain in a pleasure garden, it is not just refreshment—it is symbolic purification. When nymphs recline naked in rivers or hand him fruit, these actions are imbued with deliberate choreography, echoing rites of initiation or sacramental offerings.

  • Nymphs serve wine, garlands, and kisses not as seductions, but as tokens of divine grace.

  • Erotic experiences occur in staged environments—marble baths, sacred gardens, processional routes—where time slows and every gesture seems rehearsed.

  • Poliphilo never rushes or acts lustfully. He marvels, contemplates, and offers reverence, as if he were in a temple.


This transforms sensual pleasure into liturgical action, aligning the body’s delight with the soul’s ascent.


🧿 3. Symbolic Chastity and Sublimation

Though Hypnerotomachia is filled with erotic imagery, it is also marked by abstinence and delay. Poliphilo is denied consummation again and again:

  • Nymphs vanish just as he approaches.

  • Scenes dissolve in mist or music.

  • Dialogues end with gestures toward silence or restraint.


Even when Polia finally reciprocates his love, it is within the frame of ritual union, not physical passion. She recounts her change of heart with philosophical calm, and their joining is portrayed as a sacramental fulfillment, not erotic release.

This tension between presence and absence reflects the Neoplatonic ideal of anagoge—ascent from the sensual to the intelligible. Erotic love becomes the ladder by which the soul climbs toward divine beauty.


🍇 4. Nature and the Erotic as Theophany

Natural landscapes—groves, fountains, orchards—are erotically charged, yet never crude. They are theophanic: manifestations of the divine through physical beauty. Fruit, flowers, perfumes, birdsong, and light act as sublime analogies for the body and its pleasures.

When a nymph offers Poliphilo a fig or pours water from a jug, it is simultaneously:

  • a gesture of affection,

  • a symbol of spiritual offering, and

  • a reenactment of classical myth.


Thus, eroticism is not opposed to the sacred, but its medium—a way of feeling one’s way toward the eternal.


🌀 5. The Alchemy of Eros

Poliphilo’s erotic experiences follow an alchemical structure:

Erotic StageAlchemical PhaseSpiritual Meaning
Gazing on beautyCalcinationDesire as a fire that burns ego
Bathing with nymphsDissolutionLoss of self in sensual flow
Silence and reverenceCoagulationReshaping of the soul in purified form
Union with PoliaSublimationMarriage of soul and divine love

The erotic, therefore, is the crucible in which the lead of physical longing becomes the gold of divine union.


Summary

In Hypnerotomachia Poliphili, eroticism is a sacred grammar—a symbolic language through which Poliphilo moves from bewildered longing to illuminated love. Sensual pleasure is never condemned, but neither is it indulged for its own sake. Instead, it is ritualized, aestheticized, and transformed, pointing always beyond itself to something more radiant and eternal.

This reflects Renaissance ideals in which beauty, desire, art, and spiritual ascent are inseparably intertwined.

User

What about earthiness and depictions of the body?

Assistant

In Hypnerotomachia Poliphili, earthiness and the body are celebrated in lush, tactile, and often startlingly physical ways—but always within a highly aestheticized, symbolic frame. The novel neither shies away from corporeal reality nor surrenders to crudeness. Instead, it renders the body as a sacred and poetic object, imbued with classical sensuousness, mythological resonance, and alchemical transformation.


🌿 1. The Body as a Site of Divine Beauty

Poliphilo often describes female bodies in exquisite detail, using analogies drawn from art, nature, and precious materials:

  • Skin is “ivory overlaid with rose.”

  • Hair is “like sun-struck threads of gold.”

  • Limbs are compared to “smooth marble columns” or “flowing branches in bloom.”


Yet these descriptions are rarely objectifying in a modern sense. They are not pornographic; they are ritualized acts of contemplation, blending physical admiration with aesthetic ecstasy. The body becomes an emblem—a vessel of divine proportion and cosmic order.

“Their thighs were sculpted like the swelling roots of young trees, their steps plucking notes from the meadow as from a lyre.”


💧 2. Naturalism and Earthy Detail

Unlike the ethereal mysticism of medieval allegories, Hypnerotomachia embraces earthy realism:

  • Nymphs urinate (e.g., the mechanical pissing boy automaton), satyrs frolic with erect members, and nymphs are depicted sweating, bathing, eating fruit, and leaving behind scented footprints.

  • Flowers are not just symbols—they’re sticky with pollen. Fruit is ripe, splitting, and oozing. Rivers are muddy and cool, not just symbolic but sensually real.


This earthiness grounds the text. It reminds the reader that beauty and eros are of the world, not just beyond it.


💃 3. Eroticism Without Shame

The body is unclothed without being degraded. Poliphilo watches nymphs disrobe, recline, embrace lovers, and dance barefoot—not with lustful domination, but with rapture and wonder. Shame is entirely absent:

  • Nymphs lift their skirts and wade into streams.

  • Breasts are bared during ceremonial baths.

  • Lovers kiss in the grass beneath fig trees and whisper secrets with visible joy.


The classical pagan worldview is restored: the body is not sinful but theater for the divine, a text to be read, a landscape of joy.

“Their bodies breathed light. I saw them not as women, but as verses in motion, each curve a syllable of love’s liturgy.”


🐐 4. Satyrs, Fauns, and the Grotesque Body

Hypnerotomachia does not idealize all bodies. Rustic, hybrid figures—satyrs, fauns, and goat-men—also appear, symbolizing raw, unchecked physicality. Their presence introduces the grotesque and the comic:

  • One satyr is depicted drunkenly chasing a nymph, stumbling and falling into a stream.

  • Another scene features a mechanical boy that urinates into a fountain, a clear instance of Renaissance grotesquerie.


These episodes function like the carnivalesque—they relieve the idealized atmosphere and remind the reader of the body’s animal dimensions, though even these moments are highly stylized.


🍇 5. Fertility, Fruitfulness, and the Body in Nature

The Triumph of Vertumnus and Pomona is the most overt celebration of bodily and natural abundance:

  • Nymphs carry pomegranates, figs, grapes, and olives, feeding them to Poliphilo and to one another.

  • Their bellies are round, their breasts full, their steps unashamed.

  • Love here is not abstract but tied to the cycles of harvest, fertility, and metamorphosis.


The body is not only beautiful—it is productive, rooted in seasonal time, echoing the rituals of rural cults and fertility mysteries.


🧱 6. The Body in Architectural Allegory

Strikingly, the novel’s obsessive architectural descriptions are body analogs. Arches curve like backs; columns swell like thighs; staircases are “tongues of ascent.” The temple itself becomes a body, and to enter it is to move through a sacred anatomy.

This fusion of body and structure reflects Renaissance Neoplatonic correspondences: the macrocosm (temple, world, garden) is mirrored in the microcosm (body, lover, flower).


Summary

The depiction of the body in Hypnerotomachia Poliphili is a synthesis of:

  • Classical sensuality (beauty as divine proportion),

  • Renaissance naturalism (earthy, ripe, playful detail),

  • Mystical sublimation (eroticism as spiritual path),

  • and carnival grotesque (satyrs and bodily humor).


It is a vision in which the body is sacred not because it is pure, but because it is rich, layered, flawed, and alive—a text of love, a temple of transformation, and a garden of divine experiment.