Of the Images of the Mansions of the Moon
Perrone Compagni — Table of Comparison
1533 edition (1:43): W, 1: 32 + many additions
This chapter, De suffitibus et eorum ratione et potentia (“Of the Images of the Mansions of the Moon”), occupies a significant place in Agrippa's systematic exposition of occult philosophy. In the 1533 Cologne printed edition (De occulta philosophia libri tres, sigla K in Perrone Compagni's critical apparatus), the text represents Agrippa's mature formulation of the ideas it addresses, the product of over two decades of reading, travel, and revision since the composition of the Würzburg draft.
This chapter derives from W 1:32 of the Würzburg draft, but has been substantially expanded — Perrone Compagni notes many additions. The scale of interpolation suggests Agrippa rethought and broadened the original argument considerably; the 1533 text is in essence a new development of the earlier material rather than a simple revision.
The extent of revision in this chapter illustrates the dynamic character of Agrippa's rewriting process. Rather than simply updating facts, he appears to have substantially reconfigured the argument. Comparison with the partial edition A — which represents an intermediate stage — may reveal whether the additions were introduced gradually or in a single later revision.
Scholarly Perspectives
The stellar and planetary image chapters represent the practical heart of natural magic. Lehrich (2003) analyses the tradition of astrological talismans as drawing on the Arabic Picatrix and Ficino's De vita coelitus comparanda, both of which Agrippa incorporates into his tripartite cosmological framework. The images are not illustrations but operative instruments: by reproducing celestial forms in material media at astrologically propitious moments, the magician draws down specific planetary virtues.