How Inferior Things Submit to the Stars; Men's Dispositions Ascribed to Signs
Perrone Compagni — Table of Comparison
1533 edition (1:22): W, 1:16 + many short additions
This chapter, fieri posse consonantiam manifestum est.) Quomodo res inferiores subsunt corporibus coelestibus et quomodo humanum 20 corpus ipsaque hominum exercitia et mores stellis atque signis distribuuntur (“How Inferior Things Submit to the Stars; Men's Dispositions Ascribed to Signs”), occupies a significant place in Agrippa's systematic exposition of occult philosophy. In the 1533 Cologne printed edition (De occulta philosophia libri tres, sigla K in Perrone Compagni's critical apparatus), the text represents Agrippa's mature formulation of the ideas it addresses, the product of over two decades of reading, travel, and revision since the composition of the Würzburg draft.
This chapter corresponds to W 1:16 in the Würzburg draft, with shorter additions in the 1533 text. The core argument is preserved from W, but Agrippa refined it with supplementary passages, qualifying or extending particular points.
The extent of revision in this chapter illustrates the dynamic character of Agrippa's rewriting process. Rather than simply updating facts, he appears to have substantially reconfigured the argument. Comparison with the partial edition A — which represents an intermediate stage — may reveal whether the additions were introduced gradually or in a single later revision.
Scholarly Perspectives
The stellar and planetary image chapters represent the practical heart of natural magic. Lehrich (2003) analyses the tradition of astrological talismans as drawing on the Arabic Picatrix and Ficino's De vita coelitus comparanda, both of which Agrippa incorporates into his tripartite cosmological framework. The images are not illustrations but operative instruments: by reproducing celestial forms in material media at astrologically propitious moments, the magician draws down specific planetary virtues.